University of Virginia Library

Still shots

In addition to the talents of
Fonda and Sutherland; the film's
success is due to director Alan J.
Pakula's ability to create intriguing
shots and sustain our interest. Like
his "Sterile Cuckoo," this film
features shots held for what can
seem like an eternity. By no means
a flaw, these shots take on the
aspects of still photos, allowing the
audience to develop sympathy
for the characters. In a way, the
longer you look at Bree Daniels
looking at you, the better you
know and feel the emotions within
her. In addition to these long-held

shots, Pakula has numerous images
which are visually refreshing and
interesting.

The only problem with the film
lies in the killer character. The film
is a "psychological thriller," but the
pervert-murderer has some very
laughable lines coming from his
lips. I don't know if this is the fault
of authors Andy and Dave Lewis,
whose script is otherwise very good,
or if the dialogue problem originated
with the actor portraying the killer.
It is quite possible that the scene in
which he confesses was improvised,
which might also be the case with
the scenes of Bree and her
psychiatrist.

This minor point aside, "Klute"
is a very good film which will win
kudos for Fonda, Sutherland, and, I
hope, Pakula. This film, along with
"The Sterile Cuckoo," presents a
fascinating viewpoint of an outsider
struggling for survival in a world
which looks upon such people as
Bree Daniels and Pookie Adams as
freaks. Unfortunately for them, as
Pakula shows us, they end up on a
bus, heading for some new place
where they still are alone.

(Now at the Cinema)