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Rinaldo Rinaldini ; or, The Secret Avengers

A Grand Ballet of Action, in two parts
  
  
  

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SCENE I.
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SCENE I.

An open Quinquangular space, five Streets there meeting, St. Bartholomew's Cross and Fountain occupying the centre of the Stage—the Streets and Cross illuminated.
Enter Rosalia, followed by Rinaldo, who leans almost fainting on his staff, perceiving the fountain, she assists him towards it—the water refreshes him, and he requests her to seek for food, while he there, worn out, reclines, and waits her return—a bell tolls—he starts up, and hastily conceals himself —enter in procession, by torch light, the Prince Roscella, Aurelia, the Abbess, and Nuns of St. Clare—Boys of the choir, &c. following.

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CHORUS.
Pale, trembling, the Agents of terror to meet,
With heart piercing awe, we their vengeance await.

Bell tolls—enter Ministers of Vengeance.
DUET—NUNS.
Hark! yon summons, deep tolls! like, alas! thy death bell!
Aurelia, companion, forlorn one, farewell!
We offer up for innocence a prayer; and shed a tear—

(Bell tolls. Ministers of Vengeance approach.)
Min.
Aurelia! thou Traitress! appear! appear!

CHORUS repeated.
Hark! yon summons, deep tolls, like, alas! thy death bell!
Aurelia, companion, forlorn one, farewell!

After taking an affectionate leave of her Father, she is borne off by the Ministers of Vengeance— Abbess, &c. returning to their Convent—Rinaldo comes forward, much agitated, solicits Roscella's sword, and follows Aurelia, determined to rescue her or die in the attempt.