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Jefferson's fine arts library

his selections for the University of Virginia, together with his own architectural books
  
  
  
  
  
  
  
  
  
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4. Alberti, Leon Battista.

L'ARCHITETTVRA / DI LEONBATTISTA / ALBERTI / TRADOTTA
IN LINGVA / Fiorentina da Cosimo Bartoli, / Gentilhuomo,
& Academico / Fiorentino. / Con la aggiunta di Disegni. / In Venetia,
Appresso Francesco Franceschi, Sanese. 1565.

Small 4to. Title page (1 unnumbered p.); woodcut portrait (1 unnumbered
p.); dedication (1 leaf); poem ([1-2]); 2d dedication ([3]-4);
Alberti's preface (5-8); text, with 48 woodcut plates, of which 1 is folding,
all in numbered pagination, and with 35 additional woodcut figures
(9-404); index (14 unnumbered leaves).

Leon Battista Alberti (1404-72) was born in Genoa. He wrote easily in
Latin, was considered a fine organist, and was the author of Della statua,
De Pictura,
and De re aedificatoria. His importance, not only in the fifteenth
century but also in the following centuries, may be partially measured
by the fact that all his books went into many editions, while the De
re aedificatoria,
one of the monuments of architectural literature, was
translated into Italian, English, French, Spanish, and German.[5] It was
first printed by Alemanus in Florence in 1485. This translation into Italian
by Cosimo Bartoli (ca.1503-ca.1572), an Italian architect and
scholar, was first published in 1550.

There are two illustrations in the book which may have had some
influence on Jefferson. The first is an arcade which, in its simple form,
may have helped to suggest the simplicities of the arcades on the Ranges
at the University of Virginia (see Plate IV), though the book was no
longer in Jefferson's hands at the time he designed them. The second,
taken from Book VII, whose title may be translated as "On Ornaments
of Sacred Temples," would have reinforced Jefferson's argument with



No Page Number
illustration

Plate IV. From No. 4. Woodcut of arcade (p. 67).


24

Page 24
his ornamentist, William Coffee, about the appropriateness of ornament
in domestic and public use (see Plate V).[6]

Sowerby points out that Jefferson paid "4." (dollars?) for his own
copy, which Kimball says was purchased between 1785 and 1789 (p.
92). That copy was sold to Congress. The book was not ordered for the
University. The present copy in the library is the gift of the Thomas
Jefferson Memorial Foundation.

M

Sowerby 4199

*NA2515.A33.1565

 
[5]

See John Bennett Schwartzman, Leon Battista Alberti: A Bibliography
(Charlottesville, Va.: American Association of Architectural Bibliographers,
1962).

[6]

Jefferson, Monticello, to Coffee, July 10, 1822 (Coolidge Collection, MHS):
"You are right in what you have thought and done as to the Metops of our Doric
pavilion. Those of the baths of Diocletian are all human faces, and so are to be
those of our Doric pavilion. But in my middle room at Poplar Forest, I mean to mix
the faces and ox-sculls, a fancy which I can indulge in my own case, altho in a public
work I feel bound to follow authority strictly."