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The Poetical Works of Aubrey De Vere

De Vere, Aubrey (1814-1902)

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VOL. I. THE SEARCH AFTER PROSERPINE
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RECOLLECTIONS OF GREECE,
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KING HENRY THE SECOND AT THE TOMB OF KING ARTHUR,
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SONNETS.
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MISCELLANEOUS POEMS.
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SONNETS.
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THE YEAR OF SORROW AND OTHER POEMS.
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SONNETS WRITTEN IN TRAVEL.
 I. 
I. GIOTTO'S CAMPANILE AT FLORENCE.
 II. 
II. OLD PICTURES AT FLORENCE.
 III. 
III. ON A PICTURE BY COREGGIO AT PARMA.
 IV. 
IV. COREGGIO'S CUPOLAS AT PARMA.
 V. 
V. TO ITALY.
 VI. 
VI. GENOA.
 VII. 
VII. A PICTURE BY ANDREA DEL SARTO, IN THE CATHEDRAL OF PISA.
 VIII. 
VIII. THE RENAISSANCE, AND SAVONAROLA.—1.
 IX. 
IX. THE RENAISSANCE, AND SAVONAROLA.—2.
 X. 
X. FRESCOES BY MASACCIO, AT FLORENCE.
 XI. 
XI. SAINTS BY PIETRO PERUGINO.
 XII. 
XII. PICTURE OF A SAINT.
 XIII. 
XIII. A NIGHT ON THE GENOESE RIVIERA.
 XIV. 
XIV. BOCCACCIO AND CERTALDO.
 XV. 
XV. THE CAMPO SANTO AT PISA.—1.
 XVI. 
XVI. THE CAMPO SANTO AT PISA.—2.
 XVII. 
XVII. TASSO'S HOUSE AT SORRENTO.
 XVIII. 
XVIII. CASTELAMARE.
 XIX. 
XIX. A MORNING AT SALERNO.
 XX. 
XX. TO NAPLES.
 XXI. 
XXI. THE SIBYL'S CAVE AT CUMA.
 XXII. 
XXII. THE RUINS OF CORNELIA'S HOUSE AT BAIA.
 XXIII. 
XXIII. VENICE BY DAY.
 XXIV. 
XXIV. VENICE IN THE EVENING.
 XXV. 
XXV. LEONARDO'S ‘LAST SUPPER’ AT MILAN.
 XXVI. 
XXVI. THE CHURCH OF ST. AMBROSE AT MILAN.
 XXVII. 
XXVII. THE STATUE OF ST. CARLO BORROMEO AT ARONA.
 XXVIII. 
XXVIII. THE MILANESE SCHOOL.
 XXIX. 
XXIX. THE CATHEDRAL OF MILAN.
 XXX. 
XXX. BYZANTINE MOSAICS AT RAVENNA.
 XXXI. 
XXXI. TO A MOUNTAIN IN SWITZERLAND.—1.
 XXXII. 
XXXII. TO A MOUNTAIN IN SWITZERLAND.—2.
 XXXIII. 
XXXIII. TO A MOUNTAIN IN SWITZERLAND.—3.
 XXXIV. 
XXXIV. THE CHAPEL OF TELL ON THE LAKE LUCERNE.
 XXXV. 
XXXV. THE LAKE OF LUCERNE.
 XXXVI. 
XXXVI.
 XXXVII. 
XXXVII. THE MOUNTAIN MUSE.
 XXXVIII. 
XXXVIII. THE BLUE GENTIAN.
 XXXIX. 
XXXIX. THE MOUNTAIN LANGUAGE.
 XL. 
XL. A TYROLESE VILLAGE.
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MISCELLANEOUS SONNETS.
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VOL. II.
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VOL. III.
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VOL. IV.
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VOL. V.
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VOL. VI. LEGENDS AND RECORDS OF THE CHURCH AND THE EMPIRE

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VII. A PICTURE BY ANDREA DEL SARTO, IN THE CATHEDRAL OF PISA.

Are there not virtues which we know not of,
By men unnamed because not met with here,
Perchance too lofty for this lowly sphere,
Our great and glorious heritage above,
Yet here in virtues which we know and love
Dimly foreshown? Thus dimly to the seer,
Rehearsed in humbler kinds that round us move
The sovran attributes of man appear.
Madonna! I have hung day after day
On thy strange beauty with a devout eye;
And now, all marvel, rapture, ecstasy
Rebuked, or harmonised, or worn away,
I gaze; and ask what I have asked; and stay
Lingering, and vainly hoping a reply.
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