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Poems and Plays

By William Hayley ... in Six Volumes. A New Edition
Hayley, William (1745-1820)

collapse sectionI. 
VOL. I.
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[section]
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AN ESSAY ON PAINTING:
 I. 
EPISTLE THE FIRST.
 II. 
EPISTLE THE SECOND.
  
EPISTLE TO A FRIEND,
  
ODE, INSCRIBED TO JOHN HOWARD, Esq. F.R.S.
  
ODE TO Mr. WRIGHT of DERBY.
  
ODE TO THE COUNTESS DE GENLIS.
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SONNETS, SONGS, AND OCCASIONAL VERSES.
  
SONNET TO THE EARL OF HARDWICKE
  
SONNET TO EDWARD GIBBON, Esq.
  
SONNET TO THE SAME.
  
SONNET TO EDMUND ANTROBUS, Esq.
  
SONNET TO Dr. HARINGTON
  
SONNET TO WILLIAM MELMOTH, Esq.
  
SONNET TO Mrs. HAYLEY
  
SONNET TO JOHN SARGENT, Esq.
  
SONNET ON ROMNEY's Picture of Cassandra.
  
SONNET TO Mrs. SMITH
  
SONNET TO Mr. WILLIAM LONG
  
EPITAPH ON WILLIAM BRYANT,
  
ON FRANCES KENT,
  
ON MARY HAYLEY.
  
ODE TO DEATH.
  
SONG.
  
SONG.
  
SONG.
  
SONG.
  
SONG.
  
ODE TO RICHARD VERNON SADLEIR, Esq.
  
A CARD of INVITATION TO Mr. GIBBON,
  
TO Mr. MASON,
  
IMPROMPTU TO Mr. MEYER.
  
IMPROMPTU, TO EYLES IRWIN, Esq.
  
A RECEIPT TO MAKE A TRAGEDY.
  
TO Miss SEWARD,
  
CONTENT.
 II. 
VOL. II.
 III. 
VOL. III.
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VOL. IV.
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TRANSLATIONS TAKEN FROM THE NOTES TO THE THIRD EPISTLE OF AN ESSAY ON EPIC POETRY
  
IMITATION.
  
THE INFERNO OF DANTE.
  
SONNET
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A SKETCH OF THE ARAUCANA.
 I. 
CANTO I.
 II. 
CANTO II.
 III. 
CANTO III.
 IV. 
CANTO IV.
 V. 
CANTO V.
 VI. 
CANTO VI.
 VII. 
CANTO VII.
 IX. 
CANTO IX.
 XII. 
CANTO XII.
 XIII. 
CANTO XIII.
 XIV. 
CANTO XIV.
 XX. 
CANTO XX.
 XXI. 
CANTO XXI.
 XXXIII. 
CANTO XXXIII.
  
SONNET I.
  
SONNET XIX.
  
SONNET LXXII.
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TRANSLATION'S TAKEN FROM THE NOTES TO THE FOURTH EPISTLE OF AN ESSAY ON EPIC POETRY
  
THE SONNET OF GIUSTINA TO PETRARCH.
  
THE ANSWER OF PETRARCH.
 V. 
VOL. V.

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168

SONNET TO JOHN SARGENT, Esq.

[_]

On his Doubts of publishing his Drama, intitled, ‘The Mine.’ 1784.

Away with diffidence and modest fear,
Thou happy fav'rite of Castalia's quire!
Withhold no longer from the public ear
The rich delight thy varied lays inspire!
Nor from the Press with trembling awe retire!
That dread essay is dangerous alone,
When mimic dross adulterates the lyre:
Thine is of purest gold—its perfect tone
The fancy and the heart alike obey:
Invention's self has made her Mine thy own;
Give its new gems to blaze in open day,
And seat that bounteous queen on glory's throne,
A brother Bard, if he may boast the name,
Sounds with proud joy this prelude to thy fame.
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