![]() | XII Zuleika Dobson / Max Beerbohm ; Introducion by Francis Hackett | ![]() |
12. XII
NOT less averse than from dogging the Duke was I from remaining another instant in the presence of Miss Dobson. There seemed to be no possible excuse for her. This time she had gone too far. She was outrageous. As soon as the Duke had had time to get clear away, I floated out into the night.
I may have consciously reasoned that the best way to forget the present was in the revival of memories. Or I may have been driven by a mere homing instinct. Anyhow, it was in the direction of my old College that I went. Midnight was tolling as I floated in through the shut grim gate at which I had so often stood knocking for admission.
The man who now occupied my room had sported his oak — my oak. I read the name on the visiting-card attached thereto — E. J. Craddock — and went in.
E. J. Craddock, interloper, was sitting at my table, with elbows squared and head on one side, in the act of literary composition. The oars and caps on my walls betokened him a rowing-man. Indeed, I recognised his somewhat heavy face as
He ought, therefore, to have been in bed and asleep two hours ago. And the offence of his vigil was aggravated by a large tumbler that stood in front of him, containing whisky and soda. From this he took a deep draught. Then he read over what he had written. I did not care to peer over his shoulder at MS. which, though written in my room, was not intended for my eyes. But the writer's brain was open to me; and he had written "I, the undersigned Edward Joseph Craddock, do hereby leave and bequeath all my personal and other property to Zuleika Dobson, spinster. This is my last will and testament."
He gnawed his pen, and presently altered the "hereby leave" to "hereby and herewith leave." Fool!
I thereby and therewith left him. As I emerged through the floor of the room above — through the very carpet that had so often been steeped in wine, and encrusted with smithereens of glass, in the brave old days of a well-remembered occupant — I found two men, both of them evidently reading-men. One of them was pacing round the room. "Do you know," he was saying, "what she reminded me of, all the time? Those words — aren't they in the Song of Solomon? —moon, 'fair as the clear as the sun, and. . .and. . .'"
"'Terrible as an army with banners,'" supplied his host — rather testily, for he was writing a letter. It began "My dear Father. By the time you receive this I shall have taken a step which. . ."
Clearly it was vain to seek distraction in my old College. I floated out into the untenanted meadows. Over them was the usual coverlet of white vapour, trailed from the Isis right up to Merton Wall. The scent of these meadows' moisture is the scent of Oxford. Even in hottest noon, one feels that the sun has not dried them. Always there is moisture drifting across them, drifting into the Colleges. It, one suspects, must have had much to do with the evocation of what is called the Oxford spirit — that gentlest spirit, so lingering and searching, so dear to them who as youths were brought into ken of it, so exasperating to them who were not. Yes, certainly, it is this mild, miasmal air, not less than the grey beauty and gravity of the buildings, that has helped Oxford to produce, and foster eternally, her peculiar race of artist-scholars, scholar-artists. The undergraduate, in his brief periods of residence, is too buoyant to be mastered by the spirit of the place. He does but salute it, and catch the manner. It is on him who stays to spend his maturity here that the spirit will in its fulness gradually descend. The buildings and their traditions keep astir in his mind whatsoever is gracious; the climate, enfolding and enfeebling him,
And on that moonlit night when I floated among the vapours of these meadows, myself less than a vapour, I knew and loved Oxford as never before, as never since. Yonder, in the Colleges, was the fume and fret of tragedy — Love as Death's decoy, and Youth following her. What then? Not Oxford was menaced. Come what might, not a stone of Oxford's walls would be loosened, nor a wreath of her vapours be undone, nor lost a breath of her sacred spirit.
I floated up into the higher, drier air, that I might, for once, see the total body of that spirit.
There lay Oxford far beneath me, like a map in grey and black and silver. All that I had known only as great single things I saw now outspread in apposition, and tiny; tiny symbols, as it were, of themselves, greatly symbolising their oneness. There they lay, these multitudinous and disparate quadrangles, all their rivalries merged in the making of a great catholic pattern. And the roofs of the buildings around them seemed level with their lawns. No higher the roofs of the very towers. Up from their tiny segment of the earth's spinning surface they stood negligible beneath infinity.
And then, as though Oxford herself were speaking up to me, the air vibrated with a sweet noise of music. It was the hour of one; the end of the Duke's hour of grace. Through the silvery tangle of sounds from other clocks I floated quickly down to the Broad.
![]() | XII Zuleika Dobson / Max Beerbohm ; Introducion by Francis Hackett | ![]() |