The poetical works of William H. C. Hosmer | ||
THE GLEN OF GHOSTS.
Strong in affection's might.”
Where the wolf of yore found a brambly den;
The fissured rocks rise, ledge on ledge,
And a stream leaps over the precipice-edge
That makes, while melting in wreaths of snow,
A heavy and churning sound below.
Is the forest eagle's ancient throne—
Old birchen trees that drink the spray,
Encased in bark that is ghostly and gray,
And the hemlock's cloak of sombre green
Comport with the quiet of the scene.
And the sinless birds they love it not;
From its dark abyss unclouded day
Drives never the shades of night away,
And dungeon low, and cavern'd tomb
Have less of deep, mysterious gloom.
A belted son of that red-browed race
Who ranged, a few, brief years ago,
This realm with feathered shaft and bow,
Near the “Glen of Ghosts,” with shudder cold,
To me the tale that follows told.
On flowery banks of the Genesee,
Or plough, by cunning white man made,
Tore the green carpet of the glade,
Shemokun, bravest of the brave,
Law to a mighty people gave.
Declined the health of the mighty chief;
His stately form grew thin and weak,
Vanished the war-paint from his cheek—
Untrimm'd he wore his scalp-lock gray,
And waned the strength of his soul away.
Sought moon-lit herbs on hill and plain,
To thrill with energy once more
The flagging pulse of the sagamore;
And idly tried low-mutter'd charm
The sluggish blood in his veins to warm.
This legend was written to illustrate an Indian superstition in reference to dreams. They think that the sick are often bewitched by those whose names they mention in their troubled slumbers. “They believe, also, that some persons have the power of injuring others at a distance of many hundred miles, by charms and spells; this belief in witchcraft is constantly noticed by Tanner and others, who have resided long among them, and it seems to have been especially prevalent among the Oggibeways, and other northern tribes.”
The sufferer woke in wild affright,
While, by his couch of panther-skin,
Kept watch the man of medicine,
And, with a loud, entreating tone,
Pronounced the name of Wah-non-ti-góne.
From lodge to lodge the tidings dread,
That lurking wizard's hellish art
Had withered Shemòkun's arm and heart;
And crested brave, and tottering sire
Convened to light the council-fire.
Rose from his mat a sage renowned,
And Wah-non-ti-góne against him heard
The charge of witchcraft foul preferr'd,
In the fierce tones of scorn and pride.
Ere sunset flushed the western sky;
And, binding each athletic limb,
In the Lodge of Judgment prisoned him,
While stake was drest, and brush up-piled
Beneath the dim, o'er-arching wild.
To the war-bird's plume in many a fight,
But woke a haunting wish for life
When he thought of his newly-wedded wife,
Whose dark eye, with affection bright,
His wigwam made a place of light
All pinioned, lay Wah-non-ti-góne,
When a foot drew near with muffled fall,
And cranny wide in his prison wall
Revealed the face of his ‘Summer Flower’
True to her mate in the perilous hour.
Her arm she thrust the logs between,
And severed with keen knife the cord
That fetter'd the limbs of her forest lord—
An earnest, meaning gesture made,
The red man is well skilled in the language of signs. Intelligence of approaching, or apprehended danger, or of the successful, or adverse result of an enterprise, is often given by mute, expressive gestures. Even the character of a nation against whom they march to battle is thus significantly represented:—The Sioux are designated by passing the hand across the throat as if cutting it. The sign for “all right!” is made by holding the palm downwards in a horizontal position, and waving it slowly outwards.
And placed in his hand the trusty blade.
And rolled the luckless guard in dust!
Then brandishing his weapon red
Wah-non-ti-góne with Oonah fled,
While cries of fierce pursuit arose,
And arrows whizzed from a thousand bows.
In the Great Bend hath hid from view,
Outspoke his young, and dauntless bride,
‘While the lifted oars drop silvery rain,
And demons howl for our blood in vain.’
Its pebbly marge by the billow bleached,
And Oonah swiftly led the way
To willow'd nook, in a quiet bay,
Where she moored her back ere blush of dawn—
‘Oh fell mischance’—she shrieked—‘'tis gone!’
Felt the drear heart-ache of despair,
While louder on the rushing breeze
Rose the shrill whoop of enemies—
Wildly the scene around surveyed,
And cover sought in thickest shade.
Known to the hunted warrior well,
The foot of Oonah flagged in speed,
And trembled her frame like a wind swept reed—
‘Leave me, Wah-non-ti-góne,’ she cried,
‘The Master of Life will watch over thy bride!’
And foemen nigh at hand discerned;
In vain he interposed his form,
His bride to shield from the battle-storm:
Both fell to earth—their faithful hearts
Pierced by a volley of feathered darts.
And together, there, were the lovers laid;
Thenceforth it was a haunted place,
And shunn'd by tribes of the forest race,
When the fires of day forsook the west,
And in darker robe the woods were dressed.”
The poetical works of William H. C. Hosmer | ||