University of Virginia Library

3. III.

The conversation between the Russian secretary
and the prince Poniatowski ended at last in a graceful
bow from the former to his horse's neck; and the
quicker rattling of the small hoofs on the ground, as
the fine creature felt the movement in the saddle and
prepared to bound away, drew all eyes once more
upon the handsomest and most idolized gallant of
Florence. The narrow lane of carriages, commencing
with the showy caléche of the marchesa del Marmore,
and closed up by the plain chariot of the lady Geraldine,
was still open, and with a glance at the latter
which sufficiently indicated his destination, Count
Basil raised his spurred heel, and with a smile of delight
and the quickness of a barb in the desert, galloped
toward the opening. In the same instant the
marchesa del Marmore gave a convulsive spring forward,
and, in obedience to an imperative order, her
coachman violently drew rein and shot the back and
forward wheels of the caléche directly across his path.
Met in full career by this sudden obstacle, the horse
of the Russian reared high in air; but ere the screams
of apprehension had arisen from the adjacent carriages,
the silken bridle was slacked, and with a low bow to
the foiled and beautiful marchesa as he shot past, he
brushed the hammer-cloths of the two scarce separated
carriages, and at the same instant stood at the
chariot window of the lady Geraldine, as calm and
respectful as if he had never known danger or emotion.

A hundred eyes had seen the expression of his face
as he leaped past the unhappy woman, and the drama
of which that look was the key was understood in Florence.
The lady Geraldine alone, seated far back in
her chariot, was unconscious of the risk run for the
smile with which she greeted its hero; and unconscious,
as well, of the poignant jealousy and open mortification
she had innocently assisted to inflict, she
stretched her fair and transparent hand from the carriage,
and stroked the glossy neck of his horse, and
while the marchesa del Marmore drove past with a
look of inexpressible anguish and hate, and the dispersing
nobles and dames took their way to the city
gates, Count Basil leaned close to the ear of that loveliest
of breathing creatures, and forgot, as she forgot
in listening to the bewildering music of his voice, that
the stars had risen, or that the night was closing
around them.

The Cascine had long been silent when the chariot
of the lady Geraldine took its way to the town, and,
with the reins loose upon his horse's neck, Count
Basil followed at a slower pace, lost in the revery of a
tumultuous passion. The sparkling and unobstructed
stars broke through the leafy roof of the avenue whose
silence was disturbed by those fine and light-stepping
hoofs, and the challenge of the duke's forester, going
his rounds ere the gates closed, had its own deepthroated
echo for its answer. The Arno rippled
among the rushes on its banks, the occasional roll of
wheels passing the paved arch of the Ponte Seraglio,
came faintly down the river upon the moist wind, the
pointed cypresses of the convent of Bello Sguardo
laid their slender fingers against the lowest stars in the
southern horizon, and with his feet pressed, carelessly,
far through his stirrups, and his head dropped on his
bosom, the softened diplomate turned instinctively to
the left in the last diverging point of the green alleys,
and his horse's ears were already pricked at
the tread, before the gate, of the watchful and idle
doganieri.

Close under the city wall on this side Florence,
the traveller will remember that the trees are more
thickly serried, and the stone seats, for the comfort
and pleasure of those who would step forth from the
hot streets for an hour of fresh air and rest, are mossy
with the depth of the perpetual shade. In the midst
of this dark avenue, the unguided animal beneath the
careless and forgetful rider suddenly stood still, and
the next moment starting aside, a female sprang high
against his neck, and Count Basil, ere awake from his
revery, felt the glance of a dagger-blade across his bosom.

With the slender wrist that had given the blow
firmly arrested in his left hand, the count Basil slowly
dismounted, and after a steadfast look, by the dim
light, into the face of the lovely assassin, he pressed
her fingers respectfully, and with well counterfeited
emotion, to his lips.

“Twice since the Ave-Maria!” he said in a tone of
reproachful tenderness, “and against a life that is your
own!”

He could see, even in that faint light, the stern compression
of those haughty lips, and the flash of the
darkest eyes of the Val d'Arno. But leading her gently
to a seat, he sat beside her, and with scarce ten
brief moments of low-toned and consummate eloquence,
he once more deluded her soul!

“We meet to-morrow,” she said, as, after a burst
of irrepressible tears, she disengaged herself from his
neck, and looked toward the end of the avenue, where
Count Basil had already heard the pawing of her impatient
horses.

“To-morrow!” he answered; “but, mia carissima!”
he continued, opening his breast to stanch the blood of
his wound, “you owe me a concession after this rude
evidence of your love.”

She looked into his face as if answer were superfluous.

“Drive to my palazzo at noon, and remain with me
till the Ave-Maria.”

For but half a moment the impassioned Italian hesitated.
Though the step he demanded of her was apparently
without motive or reason—though it was one
that sacrificed to a whim her station, her fortune, and
her friends—she hesitated but to question her reason
if the wretched price of this sacrifice would be paid—
if the love, to which she fled from this world and heaven,
was her own. In other countries, the crime of infidelity
is punished: in Italy it is the appearance only
that is criminal. In proportion as the sin is overlooked,
the violation of the outward proprieties of life is
severely visited; and while a lover is stipulated for in
the marriage-contract, an open visit to that lover's
house is an offence which brands the perpetrator with
irremediable shame. The marchesa del Marmore
well knew that in going forth from the ancestral palace
of her husband on a visit to Count Basil, she took
leave of it for ever. The equipage that would bear
her to him would never return for her; the protection,
the fortune, the noble relations, the troops of friends,
would all drop from her. In the pride of her youth
and beauty—from the highest pinnacle of rank—from
the shelter of fortune and esteem—she would descend,
by a single step, to be a beggar for life and love from
the mercy of the heart she fled to!

“I will come,” she said, in a firm voice, looking

close into his face, as if she would read in his dim features
the prophetic answer of his soul.

The count Basil strained her to his bosom, and starting
back as if with the pain of his wound, he pleaded
the necessity of a surgeon, and bade her a hasty goodnight.
And while she gained her own carriage in secrecy,
he rode round to the other gate, which opens
upon the Borg'ognisanti, and dismounting at the
Café Colonna, where the artists were at this hour usually
assembled, he sought out his fellow-traveller,
Giannino Speranza, who had sketched the marchesa
upon the lagoon, and made an appointment with him
for the morrow.