The Collected Works of William Morris With Introductions by his Daughter May Morris |
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| II. |
| III, IV, V, VI. |
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| XV. |
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| XXI. |
| XXIV. |
 | The Collected Works of William Morris |  |
11
Lo you, my sweet, fair folk are one and all
And with good grace their broidered robes do fall,
And sweet they sing indeed: but he, the King,
Look but a little how his fingers cling
To hers, his love that shall be in the play—
His love that hath been surely ere to-day:
And see, her wide soft eyes cast down at whiles
Are opened not to note the people's smiles
But her love's lips, and dreamily they stare
As though they sought the happy country, where
They two shall be alone, and the world dead.
THE EMPRESS
Most faithful eyes indeed look from the head
The sun has burnt, and wind and rain has beat,
Well may he find her slim brown fingers sweet.
And he—methinks he trembles, lest he find
That song of his not wholly to her mind.
Note how his grey eyes look askance to see
Her bosom heaving with the melody
His heart loves well: rough with the wind and rain
His cheek is, hollow with some ancient pain;
The sun has burnt and blanched his crispy hair,
And over him hath swept a world of care
And left him careless, rugged, and her own;
Still fresh desired, still strange and new, though known.
THE EMPEROR
His eyes seem dreaming of the mysteries
Deep in the depths of her familiar eyes,
Tormenting and alluring; does he dream,
As I ofttime this morn, how they would seem
Loved but unloving?—Nay the world's too sweet
That we the ghost of such a pain should meet—
Behold, she goes, and he too, turning round,
Remembers that his love must yet be found,
12
Wrought long ago for some dead poet's glory.
Exeunt players behind the curtain.
Enter before the curtain Love crowned as a King.
LOVE
All hail, my servants! tremble ye, my foes!
A hope for these I have, a fear for those
Hid in the tale of Pharamond the Freed.
To-day, my Faithful, nought shall be your need
Of tears compassionate:—although full oft
The crown of love laid on my bosom soft
Be woven of bitter death and deathless fame,
Bethorned with woe, and fruited thick with shame.
—This for the mighty of my courts I keep,
Lest through the world there should be none to weep
Except for sordid loss; and nought to gain
But satiate pleasure making mock of pain.
—Yea, in the heaven from whence my dreams go forth
Are stored the signs that make the world of worth:
There is the wavering wall of mighty Troy
About my Helen's hope and Paris' joy:
There lying 'neath the fresh dyed mulberry-tree
The sword and cloth of Pyramus I see:
There is the number of the joyless days
Wherein Medea won no love nor praise:
There is the sand my Ariadne pressed;
The footprints of the feet that knew no rest
While o'er the sea forth went the fatal sign:
The asp of Egypt, the Numidian wine,
My Sigurd's sword, my Brynhild's fiery bed,
The tale of years of Gudrun's drearihead,
And Tristram's glaive, and Iseult's shriek are here,
And cloister-gown of joyless Guenevere.
A hope for these I have, a fear for those
Hid in the tale of Pharamond the Freed.
To-day, my Faithful, nought shall be your need
Of tears compassionate:—although full oft
The crown of love laid on my bosom soft
Be woven of bitter death and deathless fame,
Bethorned with woe, and fruited thick with shame.
—This for the mighty of my courts I keep,
Lest through the world there should be none to weep
Except for sordid loss; and nought to gain
But satiate pleasure making mock of pain.
—Yea, in the heaven from whence my dreams go forth
Are stored the signs that make the world of worth:
There is the wavering wall of mighty Troy
About my Helen's hope and Paris' joy:
There lying 'neath the fresh dyed mulberry-tree
The sword and cloth of Pyramus I see:
There is the number of the joyless days
Wherein Medea won no love nor praise:
There is the sand my Ariadne pressed;
The footprints of the feet that knew no rest
While o'er the sea forth went the fatal sign:
The asp of Egypt, the Numidian wine,
13
The tale of years of Gudrun's drearihead,
And Tristram's glaive, and Iseult's shriek are here,
And cloister-gown of joyless Guenevere.
Save you, my Faithful! how your loving eyes
Grow soft and gleam with all these memories!
But on this day my crown is not of death:
My fire-tipped arrows, and my kindling breath
Are all the weapons I shall need to-day.
Nor shall my tale in measured cadence play
About the golden lyre of Gods long gone,
Nor dim and doubtful 'twixt the ocean's moan
Wail out about the Northern fiddle-bow,
Stammering with pride or quivering shrill with woe.
Rather caught up at hazard is the pipe
That, mixed with scent of roses over ripe,
And murmur of the summer afternoon,
May charm you somewhat with its wavering tune
'Twixt joy and sadness: whatsoe'er it saith,
I know at least there breathes through it my breath.
Grow soft and gleam with all these memories!
But on this day my crown is not of death:
My fire-tipped arrows, and my kindling breath
Are all the weapons I shall need to-day.
Nor shall my tale in measured cadence play
About the golden lyre of Gods long gone,
Nor dim and doubtful 'twixt the ocean's moan
Wail out about the Northern fiddle-bow,
Stammering with pride or quivering shrill with woe.
Rather caught up at hazard is the pipe
That, mixed with scent of roses over ripe,
And murmur of the summer afternoon,
May charm you somewhat with its wavering tune
'Twixt joy and sadness: whatsoe'er it saith,
I know at least there breathes through it my breath.
| The Collected Works of William Morris | |