3. III.
Upon the lofty dome of the altar in the cathedral of
Bologna stands poised an angel in marble, not spoken
of in the books of travellers, but perhaps the loveliest
incarnation of a blessed cherub that ever lay in the
veined bosom of Pentelicus. Lost and unobserved on
the vast floor of the nave, the group of artists, who had
made a day's journey from Ferrara, sat in the wicker
chairs hired for a baioch during the vesper, and drew
silently from this angel, while the devout people of
Bologna murmured their Ave Marias around. Signor
Basil alone was content to look over the work of his
companions, and the twilight had already begun to
brighten the undying lamps at the shrine, when he
started from the pillar against which he leaned, and
crossed hastily toward a group issuing from a private
chapel in the western aisle. A lady walked between
two gentlemen of noble mien, and behind her, attended
by an equally distinguished company, followed that
lady's husband, the marchese del Marmore. They
were strangers passing through Bologna, and had been
attended to vespers by some noble friends.
The companions of the signor Basil looked on with
some surprise as their enamored friend stepped confidently
before the two nobles in attendance upon the
lady, and arrested her steps with a salutation which,
though respectful as became a gentleman, was marked
with the easy politeness of one accustomed to a favorable
reception.
“May I congratulate miladi,” he said, rising slowly
from his bow, and fixing his eyes with unembarrassed
admiration on her own liquid but now frowning orbs,
“upon her safe journey over the marches! Bologna,”
he continued, glancing at the nobles with a courteous
smile, “welcomes her fittingly.”
The lady listened with a look of surprise, and the
Bolognese glanced from the dusty boots of the artist
to his portfolio.
“Has the painter the honor to know la signora?”
asked the cavalier on her right.
“Signor, si!” said the painter, fiercely, as a curl
arched the lady's lip, and she prepared to answer.
The color mounted to the temples of the marchesa,
and her husband, who had loitered beneath the madonna
of Domenichino, coming up at the instant, she
bowed coldly to the signor Basil, and continued down
the aisle. The artist followed to her carriage, and
lifted his hat respectfully as the lumbering equipage
took its way by the famous statue of Neptune, and
then with a confident smile, which seemed to his companions
somewhat mistimed, he muttered between his
teeth, “Ciascuno son bel giorno!” and strolled loitering
on with them to the trattoria.
