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The works of Lord Byron

A new, revised and enlarged edition, with illustrations. Edited by Ernest Hartley Coleridge and R. E. Prothero

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Yet once again, adieu! ere this the sail
That wafts me hence is shivering in the gale;

378

And Afric's coast and Calpe's adverse height,
And Stamboul's minarets must greet my sight:
Thence shall I stray through Beauty's native clime,
Where Kaff is clad in rocks, and crowned with snows sublime.
But should I back return, no tempting press
Shall drag my Journal from the desk's recess;
Let coxcombs, printing as they come from far,
Snatch his own wreath of Ridicule from Carr;
Let Aberdeen and Elgin still pursue
The shade of fame through regions of Virtù;

379

Waste useless thousands on their Phidian freaks,
Misshapen monuments and maimed antiques;
And make their grand saloons a general mart
For all the mutilated blocks of art:
Of Dardan tours let Dilettanti tell,
I leave topography to rapid Gell;

380

And, quite content, no more shall interpose
To stun the public ear—at least with Prose.
 

“Saw it August, 1809.”—B., 1816.

Georgia.

Mount Caucasus.

Lord Elgin would fain persuade us that all the figures, with and without noses, in his stoneshop, are the work of Phidias! “Credat Judæus!”

Mr. Gell's Topography of Troy and Ithaca cannot fail to ensure the approbation of every man possessed of classical taste, as well for the information Mr. Gell conveys to the mind of the reader, as for the ability and research the respective works display.

“‘Troy and Ithaca.’ Visited both in 1810, 1811.”—B., 1816. “‘Ithaca’ passed first in 1809.”—B., 1816.

“Since seeing the plain of Troy, my opinions are somewhat changed as to the above note. Gell's survey was hasty and superficial.”—B., 1816.