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Landscapes in verse

Taken in Spring. By the author of Sympathy [i.e. S. J. Pratt]. Second edition
 

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Lo! Fancy now is seated on the hill,
To etch the vernal landscape, as it spreads
In one unbounded prospect from the bower
And neighb'ring fount, sacred to Love sincere:
Ev'n there, methinks, we now together stand
At radiant morn, charm'd with these varied views:
The dwindled city half conceal'd in smoke:—
Mortals diminish'd,—to the blush of pride—
Hurrying like busy emmets thro' the street:—
The cultur'd gardens glittering in the dew:—
The scarce-distinguish'd husbandman, who bends
To dress the grateful soil:—The quiet sheep

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Which on th'adjacent mountain seem to hang
Their fleeces on its sides:—The dusky car,
The intersecting roads, whose whit'ning gleam
Contrast the verdure of the smiling meads:—
The river, like a serpent, twining fair
In many a lucid labyrinth, glowing now
With Morn's reflected beam, now sombrous made
By darkling shadows as they flit along
Swifter than gliding spectres:—The small cots,
Abodes of wholesome labour—where we see
How few, how cheap, and easily supply'd
The real wants of man:—The pillar'd domes,
Abodes of wealth and grandeur—which display
Necessities that nature never form'd:—
A gorgeous waste of proud magnificence!—

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And last we note the intermixing fanes,
Abodes of rapt devotion—which the sun,
As conscious of their sanctity, invests
With orient light, that like a glory plays
Upon the holy spire, and sainted tower!