Lucile :: :: University of Virginia Library

Lucile

By Owen Meredith [i.e. E. R. B. Lytton]

Lytton, Edward Robert Bulwer Lytton (1831-1891)

[epigraph]

II.

CANTO I.

II.

III.

IV.

VI.

II.

III.

IV.

VI.

VII.

VIII.

IX.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII.

XIX.

XX.

XXI.

XXII.

XXIII.

XXIV.

XXV.

XXVI.

XXVII.

XXVIII.

XXIX.

XXX.

XXXI.

XXXII.

XXXIII.

XXXIV.

XXXV.

XXXVI.

XXXVII.

XXXVIII.

XXXIX.

XL.

XLI.

Collapse All | Expand All expand section

CANTO I.

I.

Harp of mine, to my breast let me clasp thee once more
As closely, old friend, as I clasp'd thee of yore,
When the world smiled on me thro' thy three chords of gold,
Hope, Wonder, and Love, breathing music!

Behold!
Now, celestially naked,—new Queen of the world,—
Where the rose, her red signal, is gaily unfurl'd,
Summer stands in the meadows and dresses her bowers,
Shyly tended upon by the virgin-eyed flowers;
And her rich voice hath reach'd me, far-floating along—
‘All my lovers sing round me, but where is thy song?’
In secret the nightingale sings from the dark
Of his thicket, in sunlight is singing the lark,
And that spirit, which men call the cuckoo, sends out
Of the blue heart of heaven a jubilant shout,
And the brown thrush is loud in the milk-white Maybush,
And the bee makes a melody heard through the lush

172

Yellow-neck'd honeysuckles, and out of its dream
The air hums and whispers.

I turn to the theme
Long neglected.

Years, too, have pass'd over the head
Of my hero since last of his fortunes you read,
Gentle Reader. By way, then, of due preparation,
I feel that my song needs a new invocation.
Hard to find! For each Muse by this time has, I know,
Been used up, and Apollo has bent his own bow
All too long; so I leave unassaulted the portal
Of Olympus, and only invoke here a mortal.

Hail, Murray!—not Lindley,—but Murray and Son.
Hail, omniscient, beneficent, great Two-in-One!
In Albemarle Street may thy temple long stand!
Long enlighten'd and led by thine erudite hand,
May each novice in science nomadic unravel
The celarent, darii, ferio of travel!
May each inn-keeping knave long thy judgments revere,
And the postboys of Europe regard thee with fear;
While they feel, in the silence of baffled extortion,
That knowledge is power! Long, long, like that portion
Of the national soil which the Greek exile took
In his baggage wherever he went, may thy book
Cheer each poor British pilgrim, who trusts to thy wit
Not to pay through his nose just for following it!
May'st thou long, O instructor! preside o'er his way,
And teach him alike what to praise and to pay!

173

Thee, pursuing this pathway of song, once again
I invoke, lest, unskill'd, I should wander in vain.
To my call be propitious, nor, churlish, refuse
Thy great accents to lend to the lips of my Muse;
For I sing of the Naiads who dwell 'mid the stems
Of the green linden-trees by the waters of Ems.
Yes! thy spirit descends upon mine, O John Murray!
And I start—with thy book—for the Baths in a hurry.

II.

‘At Coblentz a bridge of boats crosses the Rhine;
‘And from thence the road, winding by Ehrenbreitstein,
‘Passes over the frontier of Nassau.

(‘N.B.
‘No Custom-house here since the Zollverein.’ See
Murray, paragraph 30.)

‘The route, at each turn,
‘Here the lover of nature allows to discern,
‘In varying prospect, a rich wooded dale:
‘The vine and acacia-tree mostly prevail
‘In the foliage observable here; and, moreover,
‘The soil is carbonic. The road, under cover
‘Of the grape-clad and mountainous upland that hems
‘Round this beautiful spot, brings the traveller to—‘EMS.
‘A Schnellpost from Frankfort arrives every day.
‘At the Kurhaus (the old Ducal mansion) you pay
‘Eight florins for lodgings. A Restaurateur
‘Is attach'd to the place; but most travellers prefer

174

‘(Including, indeed, many persons of note)
‘To dine at the usual-priced table d'hôte.
‘Through the town runs the Lahn, the steep green banks of which
‘Two rows of white picturesque houses enrich;
‘And between the high-road and the river is laid
‘Out a sort of a garden, call'd “The Promenade.”
‘Female visitors here, who may make up their mind
‘To ascend to the top of these mountains, will find
‘On the banks of the stream, saddled all the day long,
‘Troops of donkeys—sure-footed—proverbially strong;’
And the traveller at Ems may remark, as he passes,
Here, as elsewhere, the women run after the asses.

III.

'Mid the world's weary denizens bound for these springs
In the month when the merle on the maple-bough sings,
Pursued to the place from dissimilar paths
By a similar sickness, there came to the baths
Four sufferers—each stricken deep through the heart
Or the head by the selfsame invisible dart
Of the arrow that flieth unheard in the noon,
From the sickness that walketh unseen in the moon,
Through this great lazaretto of life, wherein each
Infects with his own sores the next within reach.
First of these were a young English husband and wife,
Grown weary ere half thro' the journey of life.
O Nature, say where, thou grey mother of earth,
Is the strength of thy youth? that thy womb brings to birth

175

Only old men to-day! On the winds, as of old,
Thy voice in its accent is joyous and bold;
Thy forests are green as of yore; and thine oceans
Yet move in the might of their ancient emotions:
But man—thy last birth and thy best—is no more
Life's free lord, that look'd up to the starlight of yore,
With the faith on the brow, and the fire in the eyes,
The firm foot on the earth, the high heart in the skies;
But a grey-headed infant, defrauded of youth,
Born too late or too early.

The lady, in truth,
Was young, fair, and gentle; and never was given
To more heavenly eyes the pure azure of heaven.
Never yet did the sun touch to ripples of gold
Tresses brighter than those which her soft hand unroll'd
From her noble and innocent brow, when she rose
An Aurora at dawn from her balmy repose,
And into the mirror the bloom and the blush
Of her beauty broke, glowing; like light in a gush
From the sunrise in summer.

Love, roaming, shall meet
But rarely a nature more sound or more sweet—
Eyes brighter—brows whiter—a figure more fair—
Or lovelier lengths of more radiant hair—
Than thine, Lady Alfred! And here I aver
(May those that have seen thee declare if I err!)
That not all the oysters in Britain contain
A pearl pure as thou art.

Let some one explain,—

176

Who may know more than I of the intimate life
Of the pearl with the oyster,—why yet in his wife,
In despite of her beauty—and most when he felt
His soul to the sense of her loveliness melt—
Lord Alfred miss'd something he sought for: indeed,
The more that he miss'd it, the greater the need;
Till it seem'd to himself he could willingly spare
All the charms that he found for the one charm not there.

IV.

For the blessings Life lends us, it strictly demands
The worth of their full usufruct at our hands
And the value of all things exists, not indeed
In themselves, but man's use of them, feeding man's need.
Alfred Vargrave, in wedding with Beauty and Youth,
Had embraced both Ambition and Wealth. Yet in truth
Unfulfill'd the ambition, and sterile the wealth
(In a life paralysed by a moral ill-health),
Had remain'd, while the beauty and youth, unredeem'd
From a vague disappointment at all things, but seem'd
Day by day to reproach him in silence for all
That lost youth in himself they had fail'd to recall.
No career had he follow'd, no object obtain'd
In the world by those worldly advantages gain'd
From nuptials beyond which once seem'd to appear,
Lit by love, the broad path of a brilliant career.

177

All that glitter'd and gleam'd through the moonlight of youth
With a glory so fair, now that manhood in truth
Grasp'd and gather'd it, seem'd like that false fairy gold
Which leaves in the hand only moss, leaves, and mould!

V.

Fairy gold! moss and leaves! and the young Fairy Bride?
Lived there yet fairylands in the face at his side?
Say, O friend, if at evening thou ever hast watch'd
Some pale and impalpable vapour, detach'd
From the dim and disconsolate earth, rise and fall
O'er the light of a sweet serene star, until all
The chill'd splendour reluctantly waned in the deep
Of its own native heaven? So, slowly did creep
O'er that fair and ethereal face, day by day,
While the radiant vermeil, subsiding away,
Hid its light in the heart, the faint gradual veil
Of a sadness unconscious.

The lady grew pale
As silent her lord grew: and both, as they ey'd
Each the other askance, turn'd, and secretly sigh'd.
Ah, wise friend, what avails all experience can give?
True, we know what life is—but, alas! do we live?
The grammar of life we have gotten by heart,
But life's self we have made a dead language—an art,
Not a voice. Could we speak it, but once, as 'twas spoken
When the silence of passion the first time was broken!
Cuvier knew the world better than Adam, no doubt:
But the last man, at best, was but learnèd about

178

What the first, without learning, enjoy'd. What art thou
To the man of to-day, O Leviathan, now?
A science. What wert thou to him that from ocean
First beheld thee appear? A surprise,—an emotion!
When life leaps in the veins, when it beats in the heart,
When it thrills as it fills every animate part,
Where lurks it? how works it? .. we scarcely detect it.
But life goes: the heart dies: haste, O leech, and dissect it!
This accursèd æsthetical, ethical age
Hath so finger'd life's horn-book, so blurr'd every page,
That the old glad romance, the gay chivalrous story
With its fables of faery, its legends of glory,
Is turn'd to a tedious instruction, not new
To the children that read it insipidly through.
We know too much of Love ere we love. We can trace
Nothing new, unexpected, or strange in his face
When we see it at last. 'Tis the same little Cupid,
With the same dimpled cheek, and the smile almost stupid,
We have seen in our pictures, and stuck on our shelves,
And copied a hundred times over, ourselves.
And wherever we turn, and whatever we do,
Still, that horrible sense of the déjà connu!

VI.

Perchance 'twas the fault of the life that they led;
Perchance 'twas the fault of the novels they read;
Perchance 'twas a fault in themselves; I am bound not
To say: this I know—that these two creatures found not
In each other some sign they expected to find
Of a something unnamed in the heart or the mind;

179

And, missing it, each felt a right to complain
Of a sadness which each found no word to explain.
Whatever it was, the world noticed not it
In the light-hearted beauty, the light-hearted wit.
Still, as once with the actors in Greece, 'tis the case,
Each must speak to the crowd with a mask on his face.
Praise follow'd Matilda wherever she went.
She was flatter'd. Can flattery purchase content?
Yes. While yet to its voice, for a moment, she listen'd,
The young cheek still bloom'd, and the soft eye still glisten'd;
And her lord, when, like one of those light vivid things
That glide down the gauzes of summer with wings
Of rapturous radiance, unconscious she moved
Thro' that buzz of inferior creatures which proved
Her beauty, their envy, one moment forgot
'Mid the many charms there, the one charm that was not:
And when o'er her beauty enraptured he bow'd,
(As they turn'd to each other, each flush'd from the crowd,)
And murmur'd those praises which yet seem'd more dear
Than the praises of others had grown to her ear,
She, too, ceased for a while her own fate to regret:
‘Yes! .. he loves me,’ she sigh'd; ‘this is love, then—and yet—!’

VII.

Ah, that yet! fatal word! 'tis the moral of all
Thought and felt, seen or done, in this world since the Fall!

180

It stands at the end of each sentence we learn;
It flits in the vista of all we discern;
It leads us, for ever and ever, away
To find in to-morrow what flies with to-day.
'Twas this same little fatal and mystical word
That now, like a miràge, led my lady and lord
To the waters of Ems from the waters of Marah;
Drooping pilgrims in Fashion's blank, arid Sahara!

VIII.

At the same time, pursued by a spell much the same,
To these waters two other worn pilgrims there came:
One a man, one a woman: just now, at the latter,
As the Reader I mean by and by to look at her
And judge for himself, I will not even glance.

IX.

Of the self-crown'd young kings of the Fashion in France,
Whose resplendent regalia so dazzled the sight,
Whose horse was so perfect, whose boots were so bright,
Who so hail'd in the salon, so mark'd in the Bois,
Who so welcomed by all, as Eugène de Luvois?
Of all the smooth-brow'd premature debauchees
In that town of all towns, where Debauchery sees
On the forehead of youth her mark everywhere graven,—
In Paris I mean,—where the streets are all paven
By those two fiends whom Milton saw bridging the way
From Hell to this planet,—who, haughty and gay,
The free rebel of life, bound or led by no law,
Walk'd that causeway as bold as Eugène de Luvois?

181

Yes! he march'd through the great masquerade, loud of tongue,
Bold of brow: but the motley he mask'd in, it hung
So loose, trail'd so wide, and appear'd to impede
So strangely at times the vex'd effort at speed,
That a keen eye might guess it was made—not for him,
But some brawler more stalwart of stature and limb.
That it irk'd him, in truth, you at times could divine,
For when low was the music, and spilt was the wine,
He would clutch at the garment, as though it oppress'd
And stifled some impulse that choked in his breast.

X.

What! he,... the light sport of his frivolous ease!
Was he, too, a prey to a mortal disease?
My friend, hear a parable: ponder it well:
For a moral there is in the tale that I tell.
One evening I sat in the Palais Royal,
And there, while I laugh'd at Grassot and Arnal,
My eye fell on the face of a man at my side;
Every time that he laugh'd I observed that he sigh'd,
As though vex'd to be pleased. I remark'd that he sat
Ill at ease on his seat, and kept twirling his hat
In his hand, with a look of unquiet abstraction.
I inquired the cause of his dissatisfaction.
‘Sir,’ he said, ‘if what vexes me here you would know,
‘Learn that, passing this way some few half-hours ago,
‘I walk'd into the Francais, to look at Rachel.
‘(Sir, that woman in Phèdre is a miracle!)—Well,

182

‘I ask'd for a box: they were occupied all:
‘For a seat in the balcon: all taken! a stall:
‘Taken too: the whole house was as full as could be,—
‘Not a hole for a rat! I had just time to see
‘The lady I love tête-à-tête with a friend
‘In a box out of reach at the opposite end:
‘Then the crowd push'd me out. What was left me to do?
‘I tried for the tragedy ... que voulez vous?
‘Every place for the tragedy book'd! ... mon ami,
‘The farce was close by: ... at the farce me voici!
‘The piece is a new one: and Grassot plays well:
‘There is drollery, too, in that fellow Ravel:
‘Arnal's nose is surprising indeed! ... yet I meant
‘My evening elsewhere, and not thus, to have spent.
‘Fate orders these things by her will, not by ours!
‘Sir, mankind is the sport of invisible powers.’

I once met the Duc de Luvois for a moment;
And I mark'd, when his features I fix'd in my comment,
O'er those features the same vague disquietude stray
I had seen on the face of my friend at the play;
And I thought that he too, very probably, spent
His evenings not wholly as first he had meant.

XI.

O source of the holiest joys we inherit,
O Sorrow, thou solemn, invisible spirit!
Ill fares it with man when, through life's desert sand,
Grown impatient too soon for the long promised land,

183

He turns from the worship of thee, as thou art,
An expressless and imageless truth in the heart,
And takes of the jewels of Egypt, the pelf
And the gold of the Godless, to make to himself
A gaudy, idolatrous image of thee,
And then bows to the sound of the cymbal the knee.
The sorrows we make to ourselves are false gods:
Like the prophets of Baal, our bosoms with rods
We may smite, we may gash at our hearts till they bleed,
But these idols are blind, deaf, and dumb to our need.
The land is athirst, and cries out! ... 'tis in vain;
The great blessing of heaven descends not in rain.

XII.

It was night; and the lamps were beginning to gleam
Through the long linden-trees, folded each in his dream,
From that building which looks like a temple ... and is
The Temple of—Health? Nay, but enter! I wis
That never the rosy-hued deity knew
One votary out of that sallow-cheek'd crew
Of Courlanders, Wallacs, Greeks, affable Russians,
Explosive Parisians, potato-faced Prussians;
Jews—Hamburghers chiefly;—pure patriots,—Suabians;—
‘Cappadocians and Elamites, Cretes and Arabians,
‘And the dwellers in Pontus'. . . My muse will not weary
More lines with the list of them ... cur fremuere?
What is it they murmur, and mutter, and hum?
Into what Pandemonium is Pentecost come?

184

Oh what is the name of the God at whose fane
Every nation is mix'd in so motley a train?
What weird Kabala lies on those tables outspread?
To what oracle turns with attention each head?
What holds these pale worshippers each so devout,
And what are those hierophants busied about?

XIII.

Here passes, repasses, and flits to and fro,
And rolls without ceasing, the great Yes and No:
Round this altar alternate the weird Passions dance,
And the God worshipp'd here is the old God of Chance,
Through the wide-open doors of the distant saloon
Flute, hautboy, and fiddle are squeaking in tune;
And an indistinct music for ever is roll'd,
That mixes and chimes with the chink of the gold,
From a vision, that flits in a luminous haze,
Of figures for ever eluding the gaze;
For there the Ball bounds like a wanton gazelle
Pursued by a bee through a warm golden dell;
It fleets through the doorway, it gleams on the glass,
And the weird words pursue it—Pair, Impair, et Passe!
Like a sound borne in sleep through such dreams as encumber
With haggard emotions the wild wicked slumber
Of some witch when she seeks, through a nightmare, to grab at
The hot hoof of the fiend, on her way to the Sabbat.

185

XIV.

The Duc de Luvois and Lord Alfred had met
Some few evenings ago (for the season as yet
Was but young) in this selfsame Pavilion of Chance.
The idler from England, the idler from France
Shook hands, each, of course, with much cordial pleasure:
An acquaintance at Ems is to most men a treasure,
And they both were too well-bred in aught to betray
One discourteous remembrance of things pass'd away.
'Twas a sight that was pleasant, indeed, to be seen,
These two friends exchange greetings;—the men who had been
Foes so nearly in days that were past.

This, no doubt,
Is why, on the night I am speaking about,
My Lord Alfred sat down by himself at roulette,
Without one suspicion his bosom to fret,
Although he had left, with his pleasant French friend,
Matilda, half vex'd, at the room's farthest end.

XV.

'Tis a fact, by all history placed beyond doubt,
That there needs nothing more a whole army to rout
Than one coward that takes to his heels; for, with speed,
His fellows are certain to follow the lead.
Lord Alfred his combat with Fortune began
With a few modest thalers—away they all ran—
The reserve follow'd fast in the rear. As his purse
Grew lighter, his spirits grew sensibly worse.

186

One needs not a Bacon to find a cause for it:
'Tis an old law in physics—Natura abhorret
Vacuum—and my lord, as he watch'd his last crown
Tumble into the bank, turn'd away with a frown
Which the brows of Napoleon himself might have deck'd
On that day of all days when an empire was wreck'd
On thy plain, Waterloo, and he witness'd the last
Of his favourite Guard cut to pieces, aghast!
Just then Alfred felt, he could scarcely tell why,
Within him the sudden strange sense that some eye
Had long been intently regarding him there,—
That some gaze was upon him too searching to bear.
He rose and look'd up. Was it fact? Was it fable?
Was it dream? Was it waking? Across the green table,
That face, with its features so fatally known—
Those eyes, whose deep gaze answer'd strangely his own—
What was it? Some ghost from its grave come again?
Some cheat of a feverish, fanciful brain?
Or was it herself—with those deep eyes of hers,
And that face unforgotten?—Lucile de Nevers!

XVI.

Ah, well that pale woman a phantom might seem,
Who appear'd to herself but the dream of a dream!
'Neath those features so calm, that fair forehead so hush'd,
That pale cheek for ever by passion unflush'd,
There yawn'd an insatiate void, and there heaved
A tumult of restless regrets unrelieved.

187

The brief noon of beauty was passing away,
And the chill of the twilight fell, silent and gray,
O'er that deep, self-perceived isolation of soul.
And now, as all round her the dim evening stole,
With its weird desolations, she inwardly grieved
For the want of that tender assurance received
From the warmth of a whisper, the glance of an eye,
Which should say, or should look, ‘Fear thou nought,—I am by!’
And thus, through that lonely and self-fix'd existence,
Crept a vague sense of silence, and horror, and distance:
A strange sort of faint-footed fear,—like a mouse
That comes out, when 'tis dark, in some old ducal house,
Long deserted, where no one the creature can scare,
And the forms on the arras are all that move there.

In Rome,—in the Forum,—there open'd one night
A gulf. All the augurs turn'd pale at the sight.
In this omen the anger of Heaven they read.
Men consulted the gods: then the oracle said:—
‘Ever open this gulf shall endure, till at last
‘That which Rome hath most precious within it be cast.’
The Romans threw in it their corn and their stuff,
But the gulf yawn'd as wide. Rome seem'd likely enough
To be ruin'd, ere this rent in her heart she could choke.
Then Curtius, revering the oracle, spoke:
‘O Quirites! to this Heaven's question is come:
‘What to Rome is most precious? The manhood of Rome.’
He plunged, and the gulf closed.

188

The tale is not new;
But the moral applies many ways, and is true.
How, for hearts rent in twain, shall the curse be destroy'd?
Tis a warm human life that must fill up the void.
Thorough many a heart runs the rent in the fable;
But who to discover a Curtius is able?

XVII.

Back she came from her long hiding place, at the source
Of the sunrise; where, fair in their fabulous course,
Run the rivers of Eden: an exile again,
To the cities of Europe—the scenes, and the men,
And the life, and the ways, she had left: still oppress'd
With the same hungry heart, and unpeaceable breast.
The same, to the same things! The world she had quitted
With a sigh, with a sigh she reenter'd. Soon flitted
Through the salons and clubs, to the great satisfaction
Of Paris, the news of a novel attraction.
The enchanting Lucile, the gay Countess, once more
To her old friend, the World, had reopen'd her door;
The World came, and shook hands, and was pleased and amused
With what the World then went away and abused.
From the woman's fair fame it in nought could detract
'Twas the woman's free genius it vex'd and attack'd
With a sneer at her freedom of action and speech.
But its light careless cavils, in truth, could not reach
The lone heart they aim'd at. Her tears fell beyond
The world's limit, to feel that the world could respond

189

To that heart's deepest, innermost yearning, in nought.
'Twas no longer this earth's idler inmates she sought:
The wit of the woman sufficed to engage
In the woman's gay court the first men of the age.
Some had genius; and all, wealth of mind to confer
On the world: but that wealth was not lavish'd for her.
For the genius of man, though so human indeed,
When call'd out to man's help by some great human need,
The right to a man's chance acquaintance refuses
To use what it hoards for mankind's nobler uses.
Genius touches the world at but one point alone
Of that spacious circumference, never quite known
To the world: all the infinite number of lines
That radiate thither a mere point combines,
But one only,—some central affection apart
From the reach of the world, in which Genius is Heart,
And love, life's fine centre, includes heart and mind.
And therefore it was that Lucile sigh'd to find
Men of genius appear, one and all, in her ken,
When they stoop'd themselves to it, as mere clever men;
Artists, statesmen, and they in whose works are unfurl'd
Worlds new-fashion'd for man, as mere men of the world.
And so, as alone now she stood, in the sight
Of the sunset of youth, with her face toward the light,
And watch'd her own shadow grow long at her feet,
As though stretch'd out, the shade of some other to meet,
The woman felt homeless and childless: in scorn
She seem'd mock'd by the voices of children unborn;

190

And when from these sombre reflections away
She turn'd, with a sigh, to that gay world, more gay
For her presence within it, she knew herself friendless;
That her path led from peace, and that path appear'd endless!
That even her beauty had been but a snare,
And her wit sharpen'd only the edge of despair.

XVIII.

With a face all transfigured and flush'd by surprise,
Alfred turn'd to Lucile. With those deep searching eyes
She look'd into his own. Not a word that she said,
Not a look, not a blush, one emotion betray'd.
She seem'd to smile through him, at something beyond:
When she answer'd his questions, she seem'd to respond
To some voice in herself. With no trouble descried
To each troubled inquiry she calmly replied.
Not so he. At the sight of that face back again
To his mind came the ghost of a long-stifled pain,
A remember'd resentment, half-check'd by a wild
And relentful regret like a motherless child
Softly seeking admittance with plaintive appeal
To the heart which resisted its entrance.

Lucile
And himself thus, however, with freedom allow'd
To old friends, talking still side by side, left the crowd,
By the crowd unobserved. Not unnoticed, however,
By the Duke and Matilda. Matilda had never
Seen her husband's new friend.

191

She had follow'd by chance,
Or by instinct, the sudden half-menacing glance
Which the Duke, when he witness'd their meeting, had turn'd
On Lucile and Lord Alfred; and, scared, she discern'd
On his features the shade of a gloom so profound
That she shudder'd instinctively. Deaf to the sound
Of her voice, to some startled inquiry of hers
He replied not, but murmur'd, ‘Lucile de Nevers
‘Once again then? so be it!’ In the mind of that man,
At that moment, there shaped itself vaguely the plan
Of a purpose malignant and dark, such alone
(To his own secret heart but imperfectly shown)
As could spring from the cloudy, fierce chaos of thought
By which all his nature to tumult was wrought.

XIX.

‘So!’ he thought, ‘they meet thus: and reweave the old charm!
‘And she hangs on his voice, and she leans on his arm,
‘And she heeds me not, seeks me not, recks not of me!
‘Oh, what if I show'd her that I, too, can be
‘Loved by one—her own rival—more fair and more young?’
The serpent rose in him: a serpent which, stung,
Sought to sting.

Each unconscious, indeed, of the eye
Fix'd upon them, Lucile and my lord saunter'd by,

192

In converse which seem'd to be earnest. A smile
Now and then seem'd to show where their thoughts touch'd. Meanwhile
The Muse of this story, convinced that they need her,
To the Duke and Matilda returns, gentle Reader.

XX.

The Duke, with that sort of aggressive false praise
Which is meant a resentful remonstrance to raise
From the listener (as sometimes a judge, just before
He pulls down the black cap, very gently goes o'er
The case for the prisoner, and deals tenderly
With the man he is minded to hang by and by),
Had referr'd to Lucile, and then stopp'd to detect
In the face of Matilda the growing effect
Of the words he had dropp'd. There's no weapon that slays
Its victim so surely (if well aim'd) as praise.
Thus, a pause on their converse had fallen: and now
Each was silent, preoccupied, thoughtful.

You know
There are moments when silence, prolong'd and unbroken,
More expressive may be than all words ever spoken.
It is when the heart has an instinct of what
In the heart of another is passing. And that
In the heart of Matilda, what was it? Whence came
To her cheek on a sudden that tremulous flame?
What weigh'd down her head!

All your eye could discover
Was the fact that Matilda was troubled. Moreover

193

That trouble the Duke's presence seem'd to renew.
She, however, broke silence, the first of the two.
The Duke was too prudent to shatter the spell
Of a silence which suited his purpose so well.
She was plucking the leaves from a pale blush rose blossom
Which had fall'n from the nosegay she wore in her bosom:
‘This poor flower,’ she said, ‘seems it not out of place
In this hot, lamplit air, with its fresh, fragile grace?’
She bent her head low as she spoke. With a smile
The Duke watch'd her caressing the leaves all the while,
And continued on his side the silence. He knew
This would force his companion their talk to renew
At the point that he wish'd; and Matilda divined
The significant pause with new trouble of mind.
She lifted one moment her head; but her look
Encounter'd the ardent regard of the Duke,
And dropp'd back on her flowret abash'd. Then still seeking
The assurance she fancied she show'd him by speaking,
She conceived herself safe in adopting again
The theme she should most have avoided just then.

XXI.

‘Duke,’ she said, ... and she felt, as she spoke, her cheek burn'd,
‘You know, then, this ... lady?’
‘Too well!’ he return'd.

Lady Alfred.
True you drew with emotion her portrait just now.

194

The Duke.
With emotion?

Lady Alfred.
Yes, yes! you described her, I know,
As possess'd of a charm all unrivall'd.

The Duke.

Alas!
You mistook me completely! You, madam, surpass
This Countess as moonlight does lamplight; as youth
Surpasses its best imitations; as truth
The fairest of falsehoods surpasses; as nature
Surpasses art's masterpiece; ay, as the creature
Fresh and pure in its native adornment surpasses
All the charms got by heart at the world's looking-glasses!

‘Yet you said,’—she continued with some trepidation,
‘That you quite comprehended’ ... a slight hesitation
Shook the sentence, ... ‘a passion so strong as’ ...

The Duke.

True, true!
But not in a man that had once look'd at you.
Nor can I conceive, or excuse, or ...

‘Hush, hush!’
She broke in, all more fair for one innocent blush.
‘Between man and woman these things differ so!
‘It may be that the world pardons ... (how should I know?)

195

‘In you what it visits on us; or 'tis true,
‘It may be, that we women are better than you.’

The Duke.
Who denies it? Yet, madam, once more you mistake.
The world, in its judgment, some difference may make
'Twixt the man and the woman, so far as respects
Its social enactments; but not as affects
The one sentiment which, it were easy to prove,
Is the sole law we look to the moment we love.

Lady Alfred.

That may be. Yet I think I should be less severe.
Although so inexperienced in such things, I fear
I have learn'd that the heart cannot always repress
Or account for the feelings which sway it.

‘Yes! yes!
‘That is too true indeed!’ ... the Duke sigh'd.

And again
For one moment in silence continued the twain.

XXII.

At length the Duke slowly, as though he had needed
All this time to repress his emotions, proceeded:
‘And yet! ... what avails, then, to woman the gift
‘Of a beauty like yours, if it cannot uplift
‘Her heart from the reach of one doubt, one despair
‘One pang of wrong'd love, to which women less fair
‘Are exposed, when they love?’

196

With a quick change of tone,
As tho' by resentment impell'd, he went on:—
‘The name that you bear, it is whisper'd, you took
‘From love, not convention. Well, lady, ... that look
‘So excited, so keen, on the face you must know
‘Throughout all its expressions,—that rapturous glow—
‘Those eloquent features—significant eyes—
‘Which that pale woman sees, yet betrays no surprise,’
(He pointed his hand, as he spoke, to the door,
Fixing with it Lucile and Lord Alfred) .. ‘before.
‘Have you ever once seen what just now you may view
‘In that face so familiar? ... no, lady, 'tis new.
‘Young, lovely, and loving, no doubt, as you are,
‘Are you loved?’...

XXIII.

He look'd at her—paused—felt if thus far
The ground held yet. The ardour with which he had spoken,
This close, rapid question, thus suddenly broken,
Inspired in Matilda a vague sense of fear,
As though some indefinite danger were near.
With composure, however, at once she replied:—
‘'Tis three years since the day when I first was a bride,
‘And my husband I never had cause to suspect;
‘Nor ever have stoop'd, sir, such cause to detect.
‘Yet if in his looks or his acts I should see—
‘See, or fancy—some moment's oblivion of me,

197

‘I trust that I too should forget it,—for you
‘Must have seen that my heart is my husband's.’

The hue
On her cheek, with the effort wherewith to the Duke
She had utter'd this vague and half-frighten'd rebuke,
Was white as the rose in her hand. The last word
Seem'd to die on her lip, and could scarcely be heard.
There was silence again.

A great step had been made
By the Duke in the words he that evening had said.
There, half-drown'd by the music, Matilda, that night,
Had listen'd,—long listen'd—no doubt, in despite
Of herself, to a voice she should never have heard,
And her heart by that voice had been troubled and stirr'd.
And so, having suffer'd in silence his eye
To fathom her own, he resumed, with a sigh:

XXIV.

‘Will you suffer me, lady, your thoughts to invade
‘By disclosing my own? The position,’ he said,
‘In which we so strangely seem placed may excuse
‘The frankness and force of the words which I use.
‘You say that your heart is your husband's: you say
‘That you love him. You think so, of course, lady ... nay,
‘Such a love, I admit, were a merit, no doubt.
‘But, trust me, no true love there can be without
‘Its dread penalty—jealousy.

‘Well, do not start!
‘Until now,—either thanks to a singular art

198

‘Of supreme self-control, you have held them all down
‘Unreveal'd in your heart,—or you never have known
‘Even one of those fierce irresistible pangs
‘Which deep passion engenders; that anguish which hangs
‘On the heart like a nightmare, by jealousy bred.
‘But if, lady, the love you describe, in the bed
‘Of a blissful security thus hath reposed
‘Undisturb'd with mild eyelids on happiness closed,
‘Were it not to expose to a peril unjust,
‘And most cruel, that happy repose you so trust,
‘To meet, to receive, and, indeed, it may be,
‘For how long I know not, continue to see
‘A woman whose place rivals yours in the life
‘And the heart which not only your title of wife,
‘But also (forgive me!) your beauty alone,
‘Should have made wholly yours?—You, who gave all your own!
‘Reflect!—'tis the peace of existence you stake
‘On the turn of a die. And for whose—for his sake?—
‘While you witness this woman, the false point of view
‘From which she must now be regarded by you
‘Will exaggerate to you, whatever they be,
‘The charms I admit she possesses. To me
‘They are trivial indeed; yet to your eyes, I fear
‘And foresee, they will true and intrinsic appear.
‘Self unconscious, and sweetly unable to guess
‘How more lovely by far is the grace you possess,
‘You will wrong your own beauty. The graces of art,
‘You will take for the natural charm of the heart;

199

‘Studied manners, the brilliant and bold repartee,
‘Will too soon in that fatal comparison be
‘To your fancy more fair than that sweet timid sense
‘Which, in shrinking, betrays its own best eloquence.
‘O then, lady, then you will feel in your heart
‘The poisonous pain of a fierce jealous dart!
‘While you see her, yourself you no longer will see,—
‘You will hear her, and hear not yourself,—you will be
‘Unhappy; unhappy because you will deem
‘Your own power less great than her power will seem.
‘And I shall not be by your side, day by day,
‘In despite of your noble displeasure, to say
‘“You are fairer than she, as the star is more fair
‘“Than the diamond, the brightest that beauty can wear!”’

XXV.

This appeal, both by looks and by language, increased
The trouble Matilda felt grow in her breast.
Still she spoke with what calmness she could—
‘Sir, the while

‘I thank you,’ she said, with a faint scornful smile,
‘For your fervour in painting my fancied distress:
‘Allow me the right some surprise to express
‘At the zeal you betray in disclosing to me
‘The possible depth of my own misery.’

‘That zeal would not startle you, madam,’ he said,
‘Could you read in my heart, as myself I have read,
‘The peculiar interest which causes that zeal—’

Matilda her terror no more could conceal.

200

‘Duke,’ she answer'd in accents short, cold, and severe,
As she rose from her seat, ‘I continue to hear;
‘But permit me to say, I no more understand.’

‘Forgive!’ with a nervous appeal of the hand,
And a well-feign'd confusion of voice and of look,
‘Forgive, oh, forgive me!’ at once cried the Duke.
‘I forgot that you know me so slightly. Your leave
‘I entreat (from your anger those words to retrieve)
‘For one moment to speak of myself,—for I think
‘That you wrong me—’

His voice, as in pain, seem'd to sink;
And tears in his eyes, as he lifted them, glisten'd.

XXVI.

Matilda, despite of herself, sat and listen'd.

XXVII.

‘Beneath an exterior which seems, and may be,
‘Worldly, frivolous, careless, my heart hides in me,’
He continued, ‘a sorrow which draws me to side
‘With all things that suffer. Nay, laugh not,’ he cried,
‘At so strange an avowal.

‘I seek at a ball,
‘For instance,—the beauty admired by all?
‘No! some plain, insignificant creature, who sits
‘Scorn'd of course by the beauties, and shunn'd by the wits.
‘All the world is accustom'd to wound, or neglect,
‘Or oppress, claims my heart and commands my respect.

201

‘No Quixote, I do not affect to belong,
‘I admit, to those charter'd redressers of wrong;
‘But I seek to console, where I can. 'Tis a part
‘Not brilliant, I own, yet its joys bring no smart.’
These trite words, from the tone which he gave them, received
An appearance of truth, which might well be believed
By a heart shrewder yet than Matilda's.

And so
He continued ... ‘O lady! alas, could you know
‘What injustice and wrong in this world I have seen!
‘How many a woman, believed to have been
‘Without a regret, I have known turn aside
‘To burst into heartbroken tears undescried!
‘On how many a lip have I witness'd the smile
‘Which but hid what was breaking the poor heart the while!’
Said Matilda, ‘Your life, it would seem, then, must be
‘One long act of devotion.’

‘Perhaps so,’ said he;
‘But at least that devotion small merit can boast,
‘For one day may yet come,—if one day at the most,—
‘When, perceiving at last all the difference—how great!—
‘'Twixt the heart that neglects, and the heart that can wait,
‘'Twixt the natures that pity, the natures that pain,
‘Some woman, that else might have pass'd in disdain
‘Or indifference by me,—in passing that day
‘Might pause, with a word or a smile, to repay
‘This devotion,—and then’ ...

202

XXVIII.

To Matilda's relief
At that moment her husband approach'd.

With some grief
I must own that her welcome, perchance, was express'd
The more eagerly just for one twinge in her breast
Of a conscience disturb'd, and her smile not less warm,
Though she saw the Comtesse de Nevers on his arm.
The Duke turn'd, and adjusted his collar.

Thought he,
‘Good! the gods fight my battle to-night. I foresee
‘That the family doctor's the part I must play.
‘Very well! but the patients my visits shall pay.’
Lord Alfred presented Lucile to his wife;
And Matilda, repressing with effort the strife
Of emotions which made her voice shake, murmur'd low
Some faint, troubled greeting. The Duke, with a bow
Which betoken'd a distant defiance, replied
To Lucile's startled cry, as surprised she descried
Her former gay wooer. Anon, with the grace
Of that kindness which seeks to win kindness, her place
She assumed by Matilda, unconscious perchance,
Or resolved not to notice, the half-frighten'd glance
That follow'd that movement.

The Duke to his feet
Arose; and, in silence, relinquish'd his seat.
One must own that the moment was awkward for all;
But nevertheless, before long, the strange thrall
Of Lucile's gracious tact was by every one felt,
And from each the reserve seem'd reluctant to melt;

203

Thus, conversing together, the whole of the four
Thro' the crowd saunter'd, smiling.

XXIX.

Approaching the door,
Eugène de Luvois, who had fallen behind,
By Lucile, after some hesitation, was join'd.
With a gesture of gentle and kindly appeal
Which appear'd to imply, without words, ‘Let us feel
‘That the friendship between us in years that are fled,
‘Has survived one mad moment forgotten,’ she said,
‘You remain, Duke, at Ems?’

He turn'd on her a look
Of frigid, resentful, and sullen rebuke;
And then, with a more than significant glance
At Matilda, maliciously answer'd, ‘Perchance.
‘I have here an attraction. And you?’ he return'd.
Lucile's eyes had follow'd his own, and discern'd
The boast they implied.

He repeated, ‘And you?’
And, still watching Matilda, she answer'd, ‘I too.’
And he thought, as with that word she left him, she sigh'd.
The next moment her place she resumed by the side
Of Matilda; and soon they shook hands at the gate
Of the selfsame hotel.

XXX.

One depress'd, one elate,

204

The Duke and Lord Alfred again, thro' the glooms
Of the thick linden alley, return'd to the Rooms.
His cigar each had lighted, a moment before,
At the inn, as they turn'd, arm-in-arm, from the door.
Ems cigars do not cheer a man's spirits, experto
(Me miserum quoties!) crede Roberto.
In silence, awhile, they walk'd onward.

At last
The Duke's thoughts to language half-consciously pass'd.

The Duke.
Once more! yet once more!

Lord Alfred.
What?

The Duke.
We meet her, once more,
The woman for whom we two madmen of yore
(Laugh, mon cher Alfred, laugh!) were about to destroy
Each the other!

Lord Alfred.
It is not with laughter that I
Raise the ghost of that once troubled time. Say! can you
Recall it with coolness and quietude now?

The Duke.
Now? yes! I, mon cher, am a true Parisien:
Now, the red revolution, the tocsin, and then

205

The dance and the play. I am now at the play.

Lord Alfred.
At the play, are you now? Then perchance I now may
Presume, Duke, to ask you what, ever until
Such a moment, I waited....

The Duke.
Oh! ask what you will.
Franc jeu! on the table my cards I spread out.
Ask!

Lord Alfred.
Duke, you were call'd to a meeting (no doubt
You remember it yet) with Lucile. It was night
When you went; and before you return'd it was light.
We met: you accosted me then with a brow
Bright with triumph: your words (you remember them now?)
Were ‘Let us be friends!’

The Duke.
Well?

Lord Alfred.
How then, after that,
Can you and she meet as acquaintances?

The Duke.
What!
Did she not then, herself, the Comtesse de Nevers,
Solve your riddle to-night with those soft lips of hers?

206

Lord Alfred.
In our converse to-night we avoided the past.
But the question I ask should be answer'd at last:
By you, if you will; if you will not, by her.

The Duke.
Indeed? but that question, milord, can it stir
Such an interest in you, if your passion be o'er?

Lord Alfred.
Yes. Esteem may remain, altho' love be no more.
Lucile ask'd me, this night, to my wife (understand
To my wife!) to present her. I did so. Her hand
Has clasp'd that of Matilda. We gentlemen owe
Respect to the name that is ours: and, if so,
To the woman that bears it a two-fold respect.
Answer, Duc de Luvois! Did Lucile then reject
The proffer you made of your hand and your name?
Or did you on her love then relinquish a claim
Urged before? I ask bluntly this question, because
My title to do so is clear by the laws
That all gentlemen honour. Make only one sign
That you know of Lucile de Nevers aught, in fine,
For which, if your own virgin sister were by,
From Lucile you would shield her acquaintance, and I
And Matilda leave Ems on the morrow.

XXXI.

The Duke
Hesitated and paused. He could tell, by the look

207

Of the man at his side, that he meant what he said,
And there flash'd in a moment these thoughts thro' his head:
‘Leave Ems! would that suit me? no! that were again
‘To mar all. And besides, if I do not explain,
‘She herself will ... et puis, il a raison; on est
‘Gentilhomme après tout!’ He replied therefore,

‘Nay!
‘Madame de Nevers had rejected me. I,
‘In those days, I was mad; and in some mad reply
‘I threaten'd the life of the rival to whom
‘That rejection was due, I was led to presume.
‘She fear'd for his life; and the letter which then
‘She wrote me, I show'd you; we met: and again
‘My hand was refused, and my love was denied.
‘And the glance you mistook was the vizard which Pride
‘Lends to Humiliation.’

‘And so,’ half in jest
He went on, ‘in this best world, 'tis all for the best!
‘You are wedded (bless'd Englishman!), wedded to one
‘Whose past can be call'd into question by none:
‘And I (fickle Frenchman!) can still laugh to feel
‘I am lord of myself, and the Mode: and Lucile
‘Still shines from her pedestal, frigid and fair
‘As yon German moon o'er the linden-tops there!
‘A Dian in marble that scorns any troth
‘With the little love-gods, whom I thank for us both,
‘While she smiles from her lonely Olympus apart,
‘That her arrows are marble as well as her heart.
‘Stay at Ems, Alfred Vargrave!’

208

XXXII.

The Duke, with a smile,
Turn'd and enter'd the Rooms which, thus talking, mean-while,
They had reach'd.

XXXIII.

Alfred Vargrave strode on (overthrown
Heart and mind!) in the darkness bewilder'd, alone:
‘And so,’ to himself did he mutter, ‘and so
‘'Twas to rescue my life, gentle spirit! and, oh,
‘For this did I doubt her? ... a light word—a look—
‘The mistake of a moment! ... for this I forsook—
‘For this? Pardon, pardon, Lucile! O Lucile!’
Thought and memory rang, like a funeral peal,
Weary changes on one dirge-like note thro' his brain,
As he stray'd down the darkness.

XXXIV.

Re-entering again
The Casino, the Duke smiled. He turn'd to roulette,
And sat down, and play'd fast, and lost largely, and yet
He still smiled: night deepen'd: he play'd his last number:
Went home: and soon slept: and still smiled in his slumber.

XXXV.

In his desolate Maxims, La Rochefoucauld wrote,
‘In the grief or mischance of a friend, you may note,

209

‘There is something which always gives pleasure.’

Alas!
That reflection fell short of the truth as it was.
La Rochefoucauld might have as truly set down—
‘No misfortune, but what some one turns to his own
‘Advantage its mischief: no sorrow, but of it
‘There ever is somebody ready to profit:
‘No affliction without its stock-jobbers, who all
‘Gamble, speculate, play on the rise and the fall
‘Of another man's heart, and make traffic in it.’
Burn thy book, O La Rochefoucauld!

Fool! one man's wit
All men's selfishness how should it fathom?

O sage,
Dost thou satirize Nature?

She laughs at thy page.