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The Poetical Works of Thomas Aird

Fifth Edition: With a Memoir by the Rev. Jardine Wallace
Aird, Thomas (1802-1876)

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POEMS.
  
TO A YOUNG POET.
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SONGS OF THE SEASONS.
  
SONG THE FIRST.
  
SONG THE SECOND.
  
SONG THE THIRD.
  
SONG THE FOURTH.
  
SONG THE FIFTH.
  
SONG THE SIXTH.
  
SONG THE SEVENTH.
  
SONG THE EIGHTH.
  
SONG THE NINTH.
  
SONG THE TENTH.
  
SONG THE ELEVENTH.
  
SONG THE TWELFTH.
  
THE HOLY COTTAGE.
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FRANK SYLVAN.
 I. 
FITTE THE FIRST.
 II. 
FITTE THE SECOND.
 III. 
FITTE THE THIRD.
  
THE CHAMPION.
  
AN EVENING WALK.
  
THE DEVIL'S DREAM ON MOUNT AKSBECK.
  
THE RIVER.
  
THE CHRISTIAN BRIDE.
  
BYRON.
  
BELSHAZZAR'S FEAST.
  
THE SWALLOW.
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MONKWOOD.
 I. 
PART FIRST.
 II. 
PART SECOND.
  
THE GOLDSPINK AND THISTLE.
  
NIGHT.
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TALES OF THE SIEGE OF JERUSALEM.
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First Tale: Herodion and Azala.
 I. 
PART I.
 II. 
PART II.
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Second Tale: Othuriel.
 I. 
CANTO I. THE BATTLE.
 II. 
CANTO II. OTHURIEL'S INTERVIEW WITH JOANNA.
 III. 
CANTO III. THE ASSAULT BY NIGHT.
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CANTO IV. OTHURIEL BRINGS TAMAR TO JERUSALEM.
  
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 II. 
II.
 III. 
III.
 V. 
CANTO V. OTHURIEL A PRISONER.
 VI. 
CANTO VI. THE DEATH AND BURIAL OF MAROMNE AND JOANNA.
 VII. 
CANTO VII. THE END OF OTHURIEL.
  
FANCY.
  
TO THE MEMORY OF A CITY PASTOR.
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A SUMMER DAY.
  
Morning.
  
Noon.
  
Evening.
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THE CAPTIVE OF FEZ.
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CANTO I. THE PRISON.
 I. 
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 II. 
II.
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CANTO II. THE PROVOKED REBEL.
 I. 
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 II. 
II.
 III. 
III.
 IV. 
IV.
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CANTO III. MOTHER AND SON.
 I. 
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 II. 
II.
 III. 
III.
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CANTO IV. THE BATTLE.
 I. 
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 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
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CANTO V. THE FIRE.
 I. 
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 II. 
II.
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A WINTER DAY.
  
Morning.
  
Noon and Afternoon.
  
Evening.
  
OUR YOUNG PAINTER.
  
WASH THE FEET OF POOR OLD AGE.
  
TO MONT BLANC.
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THE TRAGIC POEM OF WOLD.
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ACT I.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
 IV. 
Scene IV.
 V. 
Scene V.
 VI. 
Scene VI.
 VII. 
Scene VII.
 VIII. 
Scene VIII.
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ACT II.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
 IV. 
Scene IV.
 V. 
Scene V.
 VI. 
Scene VI.
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ACT III.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
 IV. 
Scene IV.
 V. 
Scene V.
 VI. 
Scene VI.
 VII. 
Scene VII.
 VIII. 
Scene VIII.
 IX. 
Scene IX.
 X. 
Scene X.
 XI. 
Scene XI.
 XII. 
Scene XII.
 XIII. 
Scene XIII.
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ACT IV.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
 IV. 
Scene IV.
 V. 
Scene V.
 VI. 
Scene VI.
 VII. 
Scene VII.
 VIII. 
Scene VIII.
 IX. 
Scene IX.
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ACT V.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
 IV. 
Scene IV.
 V. 
Scene V.
 VI. 
Scene VI.
 VII. 
Scene VII.
 VIII. 
Scene VIII.
  
THE YOUNG PHYSICIAN.
  
MY MOTHER'S GRAVE.
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FLOWERS OF THE OLD SCOTTISH THISTLE.
 I. 
Flower the First: Maid Marion.
 II. 
Flower the Second: Maude of Raventree.
  
THE PROPHECY.
  
THE TRANSLATION OF BEAUTY.
  
RECOVERY FROM SICKNESS.
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NEBUCHADNEZZAR.
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CANTO I. CYRA'S INTERVIEW WITH THE PROPHET EZEKIEL.
 I. 
I.
 II. 
II.
 II. 
CANTO II. THE PLOT OF MERDAN AND NARSES.
 III. 
CANTO III. THE HUNT.
 IV. 
CANTO IV. NEBUCHADNEZZAR'S CAVE.
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CANTO V. THE BATTLE.
 I. 
I.
 II. 
II.
 III. 
III.
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CANTO VI. THE BANQUET.
 I. 
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 II. 
II.
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CANTO VII. THE DEATH OF CYRA.
 I. 
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 II. 
II.
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CANTO VIII. THE END OF NEBUCHADNEZZAR.
 I. 
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 II. 
II.
 III. 
III.
 IV. 
IV.
  
GRANDMOTHER.
  
THE LYRE.
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A FATHER'S CURSE:
 I. 
VISION FIRST.
 II. 
VISION SECOND.
 III. 
VISION THIRD.
 IV. 
VISION FOURTH.
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A MOTHER'S BLESSING:
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ACT I.
 I. 
Scene I.
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ACT II.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
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ACT III.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
 IV. 
Scene IV.
 V. 
Scene V.
  
MONOGRAPH OF A FRIEND.
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THE CHURCHYARD.
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Night the First.
  
SONG OF THE CHURCHYARD CHILDREN.
 II. 
Night the Second.
 III. 
Night the Third.
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THE OLD SOLDIER.
 I. 
CAMPAIGN THE FIRST.
 II. 
CAMPAIGN THE SECOND.
 III. 
CAMPAIGN THE THIRD.
  
THE SHEPHERD'S DOG.
  
GENIUS.
  
THE DEMONIAC.
  
SONG OF TIME AND MAN.

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II.

Within an ivory coffin Cyra lay;
Odorous lamps around her night and day
Burned, shining on her with a sweet dim light;
And there the Monarch fed his sorrowing sight.
Yet oft retired he, as he gave his leave
To Salem's princes o'er the maid to grieve.
Ezekiel heard and came; by Daniel's side
Walking, the Brethren in the Furnace tried
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Came too; they stood around their daughter dead,
And lowly bowed was each majestic head.
Then communed they of Judah's earlier day,
Her prophet's vision, and her poet's lay,
Her judges, priests, her mighty men who fought
Jehovah's battles, and deliverance wrought;
Forgetting not those women famed of old,
For deeds beyond a woman's blood made bold.
Of Cyra then they spake, great was their praise
Of her endeavour Zion to upraise.
Then bowing down, when they had ceased to speak,
The sun of Buzi kissed the virgin's cheek,
Weeping the while. Forth from the place they go.
Back comes the King in his peculiar wo.
Long years—even till his death—his heart would there
Have kept her; but he rose from his despair;
Recalled her wish; and, greatly self-denied,
Ordained her body should not there abide,
But to Judea—such her last command—
Should go, should lie within her father's land.
Just to the dear departed one, he bade
Be chariots yoked, and horsemen swift arrayed,
At morn, a goodly escort, to convey
The honoured dead from Babylon away.
And in the tombs of Judah's princely race
Shall gentle Cyra have her burial-place:
Whate'er her birth, a praise with her she brings
More than the blood of many thronèd kings.
They come! they take her thence! Silent, aloof,
Stood the great King; then sought his Palace roof,
And saw that convoy darkly haste away
To Judah's land, beneath the western day.
Soft music mourned the while. On turrets stood,
On roofs and walls, the city's multitude,
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All westward looking; thousand thousands laid
Their foreheads low for Cyra, honoured maid.
As for the King, he tore his straitened vest,
To ease the swelling trouble of his breast;
And watched that sable troop, till from his eyes,
Far fused to mist, the swimming vision dies.
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