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The works of Lord Byron

A new, revised and enlarged edition, with illustrations. Edited by Ernest Hartley Coleridge and R. E. Prothero

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And thou, too, Scott! resign to minstrels rude
The wilder Slogan of a Border feud:
Let others spin their meagre lines for hire;
Enough for Genius, if itself inspire!
Let Southey sing, altho' his teeming muse,
Prolific every spring, be too profuse;
Let simple Wordsworth chime his childish verse,
And brother Coleridge lull the babe at nurse;
Let Spectre-mongering Lewis aim, at most,
To rouse the Galleries, or to raise a ghost;

370

Let Moore still sigh; let Strangford steal from Moore,
And swear that Camoëns sang such notes of yore;
Let Hayley hobble on, Montgomery rave,
And godly Grahame chant a stupid stave;
Let sonneteering Bowles his strains refine,
And whine and whimper to the fourteenth line;
Let Stott, Carlisle, Matilda, and the rest

371

Of Grub Street, and of Grosvenor Place the best,
Scrawl on, 'till death release us from the strain,
Or Common Sense assert her rights again;
But Thou, with powers that mock the aid of praise,
Should'st leave to humbler Bards ignoble lays:
Thy country's voice, the voice of all the Nine,
Demand a hallowed harp—that harp is thine.
Say! will not Caledonia's annals yield
The glorious record of some nobler field,
Than the vile foray of a plundering clan,
Whose proudest deeds disgrace the name of man?
Or Marmion's acts of darkness, fitter food
For Sherwood's outlaw tales of Robin Hood?
Scotland! still proudly claim thy native Bard,
And be thy praise his first, his best reward!
Yet not with thee alone his name should live,
But own the vast renown a world can give;
Be known, perchance, when Albion is no more,
And tell the tale of what she was before;
To future times her faded fame recall,
And save her glory, though his country fall.
 

By the bye, I hope that in Mr. Scott's next poem, his hero or heroine will be less addicted tp “Gramayre,” and more to Grammar, than the Lady of the Lay and her Bravo, William of Deloraine.

“Unjust.”—B., 1816.

It may be asked, why I have censured the Earl of Carlisle, my guardian and relative, to whom I dedicated a volume of puerile poems a few years ago?—The guardianship was nominal, at least as far as I have been able to discover; the relationship I cannot help, and am very sorry for it; but as his Lordship seemed to forget it on a very essential occasion to me, I shall not burden my memory with the recollection. I do not think that personal differences sanction the unjust condemnation of a brother scribbler; but I see no reason why they should act as a preventive, when the author, noble or ignoble, has, for a series of years, beguiled a “discerning public” (as the advertisements have it) with divers reams of most orthodox, imperial nonsense. Besides, I do not step aside to vituperate the earl: no—his works come fairly in review with those of other Patrician Literati. If, before I escaped from my teens, I said anything in favour of his Lordship's paper books, it was in the way of dutiful dedication, and more from the advice of others than my own judgment, and I seize the first opportunity of pronouncing my sincere recantation. I have heard that some persons conceive me to be under obligations to Lord Carlisle: if so, I shall be most particularly happy to learn what they are, and when conferred, that they may be duly appreciated and publicly acknowledged. What I have humbly advanced as an opinion on his printed things, I am prepared to support, if necessary, by quotations from Elegies, Eulogies, Odes, Episodes, and certain facetious and dainty tragedies bearing his name and mark:—

“What can ennoble knaves, or fools, or cowards?
Alas! not all the blood of all the Howards.”
So says Pope. Amen!—“Much too savage, whatever the foundation might be.”—B., 1816.