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CHAPTER VII
SCIENCE AND ART UNDER SOCIALISM
Proposed Roads to Freedom: Socialism, Anarchism and Syndicalism | ![]() |
7.
CHAPTER VII
SCIENCE AND ART UNDER SOCIALISM
Socialism has been advocated by most of its champions chiefly as a means of increasing the welfare of the wage earning classes, and more particularly their material welfare. It has seemed accordingly, to some men whose aims are not material, as if it has nothing to offer toward the general advancement of civilization in the way of art and thought. Some of its advocates, moreover—and among these Marx must be included—have written, no doubt not deliberately, as if with the Socialist revolution the millennium would have arrived, and there would be no need of further progress for the human race. I do not know whether our age is more restless than that which preceded it, or whether it has merely become more impregnated with the idea of evolution, but, for whatever reason, we have grown incapable of believing in a state of static perfection, and we demand, of any social system, which is to have our approval, that it shall contain within itself a stimulus and opportunity for progress toward something still better. The doubts thus raised by Socialist writers make it necessary to inquire whether Socialism would in fact be hostile to
It is not enough that men and women should be made comfortable in a material sense. Many members of the well-to-do classes at present, in spite of opportunity, contribute nothing of value to the life of the world, and do not even succeed in securing for themselves any personal happiness worthy to be so called. The multiplication of such individuals would be an achievement of the very minutest value; and if Socialism were merely to bestow upon all the kind of life and outlook which is now enjoyed by the more apathetic among the well-to-do, it would offer little that could inspire enthusiasm in any generous spirit.
"The true rôle of collective existence," says M. Naquet,[20] " . . . is to learn, to discover, to know. Eating, drinking, sleeping, living, in a word, is a mere accessory. In this respect, we are not distinguished from the brute. Knowledge is the goal. If I were condemned to choose between a humanity materially happy, glutted after the manner of a flock of sheep in a field, and a humanity existing in misery, but from which emanated, here and there, some eternal truth, it is on the latter that my choice would fall."
This statement puts the alternative in a very extreme form in which it is somewhat unreal. It may be said in reply that for those who have had the leisure and the opportunity to enjoy "eternal truths" it is easy to exalt their importance at the expense of sufferings which fall on others. This is true; but, if it is taken as disposing of the question, it leaves out of account the importance of thought for progress. Viewing the life of mankind as a whole, in the future as well as in the present, there can be no question that a society in which some men pursue knowledge while others endure great poverty offers more hope of ultimate good than a society in which all are sunk in slothful comfort. It is true that poverty is a great evil, but it is not true that material prosperity is in itself a great good. If it is to have any real value to society, it must be made a means to the advancement of those higher goods that belong to the life of the mind. But the life of the mind does not consist of thought and knowledge alone, nor can it be completely healthy unless it has some instinctive contact, however deeply buried, with the general life of the community. Divorced from the social instinct, thought, like art, tends to become finicky and precious. It is the position of such art and thought as is imbued with the instinctive sense of service to mankind that we wish to consider, for it is this alone that makes up the life of the mind
In considering this question we are, in a certain sense, passing outside the atmosphere of democracy. The general good of the community is realized only in individuals, but it is realized much more fully in some individuals than in others. Some men have a comprehensive and penetrating intellect, enabling them to appreciate and remember what has been thought and known by their predecessors, and to discover new regions in which they enjoy all the high delights of the mental explorer. Others have the power of creating beauty, giving bodily form to impalpable visions out of which joy comes to many. Such men are more fortunate than the mass, and also more important for the collective life. A larger share of the general sum of good is concentrated in them than in the ordinary man and woman; but also their contribution to the general good is greater. They stand out among men and cannot be wholly fitted into the framework of democratic equality. A social system which would render them unproductive would stand condemned, whatever other merits it might have.
The first thing to realize—though it is difficult in
I do not think this question can be answered without specifying the kind of Socialism that is intended: some forms of Socialism would, I believe, be even more destructive in this respect than the present capitalist régime, while others would be immeasurably better. Three things which a social system can provide or withhold are helpful to mental creation:
1. Technical Training.—Technical training at present, whether in science or art, requires one or other of two conditions. Either a boy must be the son of well-to-do parents who can afford to keep him while he acquires his education, or he must show so much ability at an early age as to enable him to subsist on scholarships until he is ready to earn his living. The former condition is, of course, a mere matter of luck, and could not be preserved in its present form under any kind of Socialism or Communism. This loss is emphasized by defenders of the present system, and no doubt it would be, to same extent, a real loss. But the well-to-do are a small proportion of the population, and presumably on the average no more talented by nature than their less
The system of scholarships obtained by competition, though better than nothing, is objectionable from many points of view. It introduces the competitive spirit into the work of the very young; it makes them regard knowledge from the standpoint of what is useful in examinations rather than in the light of its intrinsic interest or importance; it places a premium upon that sort of ability which is displayed precociously in glib answers to set questions rather than upon the kind that broods on difficulties and remains for a time rather dumb. What is perhaps worse than any of these defects is the tendency to cause overwork in youth, leading to lack of vigor and interest when manhood has been reached. It can hardly be doubted that by this cause, at present, many fine minds have their edge blunted and their keenness destroyed.
State Socialism might easily universalize the system of scholarships obtained by competitive examination, and if it did so it is to he feared that it
Much the simplest solution, and the only really effective one, is to make every kind of education free up to the age of twenty-one for all boys and girls who desire it. The majority will be tired of education before that age, and will prefer to begin other work sooner; this will lead to a natural selection of those with strong interests in some pursuit requiring a long training. Among those selected in this way
2. Liberty to follow the creative impulse.—When a man's training has been completed, if he is possessed of really great abilities, he will do his best
Nevertheless, the bulk of the creative work of the world is done at present by men who subsist by some other occupation. Science, and research generally, are usually done in their spare time by men who live by teaching. There is no great objection to this in the case of science, provided the number of hours devoted to teaching is not excessive. It is partly because science and teaching are so easily
The bureaucratic State Socialist will have a simple solution for these difficulties. He will appoint a body consisting of the most eminent celebrities in an art or a science, whose business it shall be to judge the work of young men, and to issue licenses to those whose productions find favor in their eyes. A licensed artist shall be considered to have performed his duty to the community by producing works of art. But of course he will have to prove his industry by never failing to produce in reasonable quantities, and his continued ability by never failing to please his eminent judges—until, in the fulness of time, he becomes a judge himself. In this way, the authorities will insure that the artist shall be competent, regular, and obedient to the best traditions of his art. Those who fail to fulfil these conditions will be compelled by the withdrawal of their license to seek
In such a world all that makes life tolerable to the lover of beauty would perish. Art springs from a wild and anarchic side of human nature; between the artist and the bureaucrat there must always be a profound mutual antagonism, an age-long battle in which the artist, always outwardly worsted, wins in the end through the gratitude of mankind for the joy that he puts into their lives. If the wild side of human nature is to be permanently subjected to the orderly rules of the benevolent, uncomprehending bureaucrat, the joy of life will perish out of the earth, and the very impulse to live will gradually wither and die. Better a thousandfold the present world with all its horrors than such a dead mummy of a world. Better Anarchism, with all its risks, than a State Socialism that subjects to rule what must be spontaneous and free if it is to have any value. It is this nightmare that makes artists, and lovers of beauty generally, so often suspicious of Socialism. But there is nothing in the essence of Socialism to make art impossible: only certain forms of Socialism would entail this danger. William Morris was a Socialist, and was a Socialist very largely because he was an artist. And in this he was not irrational.
It is impossible for art, or any of the higher
There are two ways by which the artist could secure freedom under Socialism of the right kind. He might undertake regular work outside his art, doing only a few hours' work a day and receiving proportionately less pay than those who do a full day's work. He ought, in that case, to be at liberty to sell his pictures if he could find purchasers. Such a system would have many advantages. It would leave absolutely every man free to become an artist, provided he were willing to suffer a certain economic loss. This would not deter those in whom the impulse was strong and genuine, but would tend to
The other possibility[21] would be that the necessaries of life should be free, as Anarchists desire, to all equally, regardless of whether they work or not. Under this plan, every man could live without work: there would be what might be called a "vagabond's wage," sufficient for existence but not for luxury. The artist who preferred to have his whole time for art and enjoyment might live on the "vagabond's wage"—traveling on foot when the humor seized him to see foreign countries, enjoying the air and the sun, as free as the birds, and perhaps scarcely less happy. Such men would bring color and diversity into the life of the community; their outlook would be different from that of steady, stay-at-home workers, and would keep alive a much-needed element of light-heartedness which our sober, serious civilization tends to kill. If they became very numerous, they might be too great an economic burden on the workers; but I doubt if there are many with enough capacity for simple enjoyments to choose poverty and freedom
By either of these methods, freedom can be preserved for the artist in a socialistic commonwealth—far more complete freedom, and far more widespread, than any that now exists except for the possessors of capital.
But there still remain some not altogether easy problems. Take, for example, the publishing of books. There will not, under Socialism, be private publishers as at present: under State Socialism, presumably the State will be the sole publisher, while under Syndicalism or Guild Socialism the Fédération du Livre will have the whole of the trade in its hands. Under these circumstances, who is to decide what MSS. are to be printed? It is clear that opportunities exist for an Index more rigorous than that of the Inquisition. If the State were the sole publisher, it would doubtless refuse books opposed to State Socialism. If the Fédération du Livre were the ultimate arbiter, what publicity could be obtained for works criticising it? And apart from such political difficulties we should have, as regards literature, that very censorship by eminent officials which we agreed to regard as disastrous when we were considering the fine arts in general. The difficulty is serious, and a way of meeting it must be found if literature is to remain free.
Kropotkin, who believes that manual and intellectual work should be combined, holds that authors themselves should be compositors, bookbinders, etc. He even seems to suggest that the whole of the manual work involved in producing books should be done by authors. It may be doubted whether there are enough authors in the world for this to be possible, and in any case I cannot but think that it would be a waste of time for them to leave the work they understand in order to do badly work which others could do far better and more quickly. That, however, does not touch our present point, which is the question how the MSS. to be printed will be selected. In Kropotkin's plan there will presumably be an Author's Guild, with a Committee of Management, if Anarchism allows such things. This Committee of Management will decide which of the books submitted to it are worthy to be printed. Among these will be included those by the Committee and their friends, but not those by their enemies. Authors of rejected MSS. will hardly have the patience to spend their time setting up the works of successful rivals, and there will have to be an elaborate system of log-rolling if any books are to be printed at all. It hardly looks as if this plan would conduce to harmony among literary men, or would lead to the publication of any book of an unconventional tendency.
The only way of meeting these difficulties, whether under State Socialism or Guild Socialism or Anarchism, seems to be by making it possible for an author to pay for the publication of his book if it is not such as the State or the Guild is willing to print at its own expense. I am aware that this method is contrary to the spirit of Socialism, but I do not see what other way there is of securing freedom. The payment might be made by undertaking to engage for an assigned period in some work of recognized utility and to hand over such proportion of the earnings as might be necessary. The work undertaken might of course be, as Kropotkin suggests, the manual part of the production of books, but I see no special reason why it should be. It would have to be an absolute rule that no book should be refused, no matter what the nature of its contents might be, if payment for publication were offered at the standard rate. An author who had admirers would be able to secure their help in payment. An unknown author might, it is true, have to suffer a considerable loss of comfort in order to make his payment, but that would give an automatic means of eliminating those whose writing was not the result of any very profound impulse and would be by no means wholly an evil.
Probably some similar method would be desirable
What we have been suggesting will, no doubt, be objected to by orthodox Socialists, since they will find something repugnant to their principles in the whole idea of a private person paying to have certain work done. But it is a mistake to be the slave of a system, and every system, if it is applied rigidly, will entail evils which could only be avoided by some concession to the exigencies of special cases. On the whole, a wise form of Socialism might afford infinitely better opportunities for the artist and the man of science than are possible in a capitalist community, but only if the form of Socialism adopted is one which is fitted for this end by means of provisions such as we have been suggesting.
3. Possibility of Appreciation.—This condition is one which is not necessary to all who do creative work, but in the sense in which I mean it the great majority find it very nearly indispensable. I do not mean widespread public recognition, nor that ignorant, half-sincere respect which is commonly accorded to artists who have achieved success. Neither of these serves much purpose. What I mean is rather understanding, and a spontaneous feeling that things of beauty are important. In a thoroughly commercialized society, an artist is respected if he makes money, and because he makes money, but there is no
It is not appreciation of the artist that is necessary so much as appreciation of the art. It is difficult for an artist to live in an environment in which everything is judged by its utility, rather than by its intrinsic quality. The whole side of life of which art is the flower requires something which may be called disinterestedness, a capacity for direct enjoyment without thought of tomorrow's problems and difficulties. When people are amused by a joke they do not need to be persuaded that it will serve some important purpose. The same kind of direct pleasure is involved in any genuine appreciation of art.
A general sense of progress and achievement is an immense stimulus to all forms of creative work. For this reason, a great deal will depend, not only in material ways, upon the question whether methods of production in industry and agriculture become stereotyped or continue to change rapidly as they have done during the last hundred years. Improved methods of production will be much more obviously
I think we may fairly conclude that, from the point of view of all three requisites for art and science, namely, training, freedom and appreciation, State Socialism would largely fail to remove existing
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CHAPTER VII
SCIENCE AND ART UNDER SOCIALISM
Proposed Roads to Freedom: Socialism, Anarchism and Syndicalism | ![]() |