The Complete Poetical Works of Samuel Taylor Coleridge ::

The Complete Poetical Works of Samuel Taylor Coleridge

including Poems and Versions of Poems now Published for the First Time: Edited with Textual and Bibliographical Notes by Ernest Hartley Coleridge

Coleridge, Samuel Taylor (1772-1834)

VOL. I: POEMS

II.

VOL. II: DRAMATIC WORKS AND APPENDICES

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PREFACE

The first part of the following poem was written in the year 1797, at Stowey, in the county of Somerset. The second part, after my return from Germany, in the year 1800, at Keswick, Cumberland. It is probable that if the

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poem had been finished at either of the former periods, or if even the first and second part had been published in the year 1800, the impression of its originality would have been much greater than I dare at present expect. But for this I have only my own indolence to blame. The dates are mentioned for the exclusive purpose of precluding charges of plagiarism or servile imitation from myself. For there is amongst us a set of critics, who seem to hold, that every possible thought and image is traditional; who have no notion that there are such things as fountains in the world, small as well as great; and who would therefore charitably

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derive every rill they behold flowing, from a perforation made in some other man's tank. I am confident, however, that as far as the present poem is concerned, the celebrated poets whose writings I might be suspected of having imitated, either in particular passages, or in the tone and the spirit of the whole, would be among the first to vindicate me from the charge, and who, on any striking coincidence, would permit me to address them in this doggerel version of two monkish Latin hexameters.

'Tis mine and it is likewise yours;
But an if this will not do;
Let it be mine, good friend! for I
Am the poorer of the two.

I have only to add that the metre of Christabel is not, properly speaking, irregular, though it may seem so from its being founded on a new principle: namely, that of counting in each line the accents, not the syllables. Though the latter may vary from seven to twelve, yet in each line the accents will be found to be only four. Nevertheless, this occasional variation in number of syllables is not introduced wantonly, for for the mere ends of convenience, but in correspondence with some transition in the nature of the imagery or passion.

University of Virginia Library

PREFACE