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The works of Lord Byron

A new, revised and enlarged edition, with illustrations. Edited by Ernest Hartley Coleridge and R. E. Prothero

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359

When some brisk youth, the tenant of a stall,
Employs a pen less pointed than his awl,
Leaves his snug shop, forsakes his store of shoes,
St. Crispin quits, and cobbles for the Muse,
Heavens! how the vulgar stare! how crowds applaud!
How ladies read, and Literati laud!
If chance some wicked wag should pass his jest,
'Tis sheer ill-nature—don't the world know best?
Genius must guide when wits admire the rhyme,
And Capel Lofft declares 'tis quite sublime.

360

Hear, then, ye happy sons of needless trade!
Swains! quit the plough, resign the useless spade!
Lo! Burns and Bloomfield, nay, a greater far,
Gifford was born beneath an adverse star,
Forsook the labours of a servile state,
Stemmed the rude storm, and triumphed over Fate:
Then why no more? if Phœbus smiled on you,
Bloomfield! why not on brother Nathan too?
Him too the Mania, not the Muse, has seized;
Not inspiration, but a mind diseased:
And now no Boor can seek his last abode,
No common be inclosed without an ode.
Oh! since increased refinement deigns to smile
On Britain's sons, and bless our genial Isle,
Let Poesy go forth, pervade the whole,
Alike the rustic, and mechanic soul!
Ye tuneful cobblers! still your notes prolong,
Compose at once a slipper and a song;
So shall the fair your handywork peruse,
Your sonnets sure shall please—perhaps your shoes.

361

May Moorland weavers boast Pindaric skill,
And tailors' lays be longer than their bill!
While punctual beaux reward the grateful notes,
And pay for poems—when they pay for coats.
 

“This was meant for poor Blackett, who was then patronised by A. I. B.” (Lady Byron); “but that I did not know, or this would not have been written, at least I think not.”—B., 1816.

Capel Lofft, Esq., the Mæcenas of shoemakers, and Preface-writer-General to distressed versemen; a kind of gratis Accoucheur to those who wish to be delivered of rhyme, but do not know how to bring it forth.

See Nathaniel Bloomfield's ode, elegy, or whatever he or any one else chooses to call it, on the enclosures of “Honington Green.”

Vide Recollections of a Weaver in the Moorlands of Staffordshire.