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The Fire King ; or, Albert and Rosalie

A Grand Magic Ballet of Action, in two Parts
  
  
  

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SCENE I.
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SCENE I.

King Baldwin's Grand Encampment—the Christian Cross fixed conspicuously on one side of the Royal Tent, which occupies the centre of the Stage, the figure of the Virgin on the other; Battering Rams, and other implements of antient Warfare mingled amidst the Tents.
King Baldwin and his army discovered drawn up ready to repel the Enemy's attack—Rosalie bending in adoration to the Cross—the trumpets of the Saracens heard without, accompanied by loud shouts,

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which are answered by the trumpets and huzzas of the Christians—Count Albert in a splendid Persian dress, preceded by his magic banner, and followed by Saracens, rushes on, assails, and disarms Baldwin, to whose assistance a Christian officer hastes, and receives, on his shield, the blow destined to dispatch his Monarch, who is led off.—Albert quickly vanquishes the Officer, and meeting Rosalie, a combat between them ensues; her Helmet is struck off and his Turban, both wounded, recognize each other, and, bending to the cross, he faints—Rosalie, agitated, and almost breathless, supports him—he revives—she points to her wounds—he views her with anguish, and kneels to her for pardon—she raises, and leads him to the figure of the Virgin, to which he repentant kneels —thunder, &c.—King Baldwin returns re-armed to the fight; attacks Albert, who attempts to repel him, his sword flies from his grasp; the magic banner disappears, and he again falls breathless at the foot of the Cross.—(During this action on the front of the Stage, a general battle takes place in the rear;) After a short pause, Osric, with a party, rush on and bear off Rosalie, while the Soldan takes Count Albert captive; the remnant of the Saracens yield to King Baldwin and his forces.