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1. Sources: Père André, Oeuvres
philosophiques du Père
André, ed.
Victor Cousin (Paris, 1843). Aristotle, Metaphys-
ics, III, 13; Problemata, XVII, 1. 915b; Poetics, Chs. 6-8.
Saint Augustine, City of
God, X, 14; Confessions, IV, 13,
15; X,
27; XI, 18; De musica; De Trinitate, VI, 10;
VIII,
6; X, 1; Epistolae, I, 3. René
Bray, La formation de la
doctrine classique en
France (Paris, 1927), p. 127; translated
by Herbert
Dieckmann. Edmund Burke, A Philosophical
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the Origin of our Ideas of the Sublime and
Beautiful, ed. J.
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Étienne Gilson, Introduction à l'étude de Saint
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1886), II, 96. Francis H. Hutcheson, An Enquiry into the
Original of our Ideas of Beauty
and Virtue (1725). All
quotations are from Treatise I:
“Of Beauty, Order, Harmony,
Design.” Immanuel
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Plato, Hippias
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2. Further Readings. Bernard Bosanquet, A History of
Aesthetic (London and New York, 1892). E. F. Carritt, The
Theory of Beauty, 6th ed. (London and New
York, 1962);
idem, What is Beauty? (Oxford,
1932). Katharine E. Gilbert
and Helmut Kuhn, A
History of Esthetics (New York, 1953).
Water J. Hipple, Jr.,
The Beautiful, the Sublime, & the
Picturesque in Eighteenth-Century Aesthetic Theory (Car-
bondale, 1957). H. R. Jauss, ed.,
Die Nicht Mehr Schönen
Künste. Grenzphänomene des Aesthetischen
(Munich,
1968). William A. Knight, The Philosophy of
the Beautiful,
2 vols. (New York, 1898). Charles Lalo,
Introduction à
l'esthétique (Paris, 1912); idem, Notions d'esthétique (Paris,
1960). Charles
Lévêque, La Science du beau,
2 vols. (Paris,
1872). George Santayana, The Sense of
Beauty (New York,
1896). K. H. von Stein, Die Entstehung der neueren Ästhetik
(Stuttgart,
1886). Robert Zimmermann, Geschichte der
Aesthetik
als Philosophischer Wissenschaft, 2 vols. (Vienna,
1858).
The translation of Fénelon is by the author of this
article.
HERBERT DIECKMANN
[See also Art and Play;
Beauty; Creativity; Neo-Platonism;
Platonism; Romanticism; Sublime; Taste.]
