The Poetical Works of Thomas Moore Collected by Himself. In Ten Volumes |
 | I, II. |
| III, IV. |
| V. |
| VI, VII. |
 | VIII, IX. |
|
| 1. |
| 2. |
| 3. |
|
|
|
|
|
| X. |
 | The Poetical Works of Thomas Moore |  |
TO THE MARCHIONESS DOWAGER OF DONEGALL.
Woos the bright touches of that artist hand;
Whether you sketch the valley's golden meads,
Where mazy Linth his lingering current leads ;
Enamour'd catch the mellow hues that sleep,
At eve, on Meillerie's immortal steep;
Or musing o'er the Lake, at day's decline,
Mark the last shadow on that holy shrine ,
Where, many a night, the shade of Tell complains
Of Gallia's triumph and Helvetia's chains;
Oh! lay the pencil for a moment by,
Turn from the canvass that creative eye,
Upon a shepherd's harp, illume my lay.
Chase not the wonders of your art divine;
Still, radiant eye, upon the canvass dwell;
Still, magic finger, weave your potent spell;
And, while I sing the animated smiles
Of fairy nature in these sun-born isles,
Oh, might the song awake some bright design,
Inspire a touch, or prompt one happy line,
Proud were my soul, to see its humble thought
On painting's mirror so divinely caught;
While wondering Genius, as he lean'd to trace
The faint conception kindling into grace,
Might love my numbers for the spark they threw,
And bless the lay that lent a charm to you.
To those pure isles of ever-blooming shade,
Which bards of old, with kindly fancy, plac'd
For happy spirits in th' Atlantic waste?
Brought echoes of their own undying fame,
In eloquence of eye, and dreams of song,
They charm'd their lapse of nightless hours along:—
Nor yet in song, that mortal ear might suit,
For every spirit was itself a lute,
Where Virtue waken'd, with elysian breeze,
Pure tones of thought and mental harmonies.
Floated our bark to this enchanted land,—
These leafy isles upon the ocean thrown,
Like studs of emerald o'er a silver zone,—
Not all the charm, that ethnic fancy gave
To blessed arbours o'er the western wave,
Could wake a dream, more soothing or sublime,
Of bowers ethereal, and the Spirit's clime.
When the first perfume of a cedar hill
The fairy harbour woo'd us to its arms.
Gently we stole, before the whispering wind,
Through plaintain shades, that round, like awnings, twin'd
And kiss'd on either side the wanton sails,
Breathing our welcome to these vernal vales;
While, far reflected o'er the wave serene,
Each wooded island shed so soft a green
That the enamour'd keel, with whispering play,
Through liquid herbage seem'd to steal its way.
Or rest its anchor in a lovelier tide!
Along the margin, many a shining dome,
White as the palace of a Lapland gnome,
Brighten'd the wave;—in every myrtle grove
Secluded bashful, like a shrine of love,
And, while the foliage interposing play'd,
Lending the scene an ever-changing grace,
Fancy would love, in glimpses vague, to trace
The flowery capital, the shaft, the porch ,
And dream of temples, till her kindling torch
Lighted me back to all the glorious days
Of Attic genius; and I seem'd to gaze
On marble, from the rich Pentelic mount,
Gracing the umbrage of some Naiad's fount.
The spirit race that come at poet's call,
Delicate Ariel! who, in brighter hours,
Liv'd on the perfume of these honied bowers,
And win with music every rose's sigh.
Though weak the magic of my humble strain
To charm your spirit from its orb again,
Yet, oh, for her, beneath whose smile I sing,
For her (whose pencil, if your rainbow wing
Were dimm'd or ruffled by a wintry sky,
Could smooth its feather and relume its dye,)
Descend a moment from your starry sphere,
And, if the lime-tree grove that once was dear,
The sunny wave, the bower, the breezy hill,
The sparkling grotto can delight you still,
Oh cull their choicest tints, their softest light,
Weave all these spells into one dream of night,
And, while the lovely artist slumbering lies,
Shed the warm picture o'er her mental eyes;
Take for the task her own creative spells,
And brightly show what song but faintly tells.
Lady Donegall, I had reason to suppose, was at this time still in Switzerland, where the well-known powers of her pencil must have been frequently awakened.
M. Gebelin says, in his Monde Primitif, “Lorsque Strabon crût que les anciens théologiens et poëtes plaçoient les champs élysées dans les isles de l'Océan Atlantique, il n'entendit rien à leur doctrine.” M. Gebelin's supposition, I have no doubt, is the more correct; but that of Strabo is, in the present instance, most to my purpose.
Nothing can be more romantic than the little harbour of St. George's. The number of beautiful islets, the singular clearness of the water, and the animated play of the graceful little boats, gliding for ever between the islands, and seeming to sail from one cedar-grove into another, formed altogether as lovely a miniature of nature's beauties as can well be imagined.
This is an illusion which, to the few who are fanciful enough to indulge in it, renders the scenery of Bermuda particularly interesting. In the short but beautiful twilight of their spring evenings, the white cottages, scattered over the islands, and but partially seen through the trees that surround them, assume often the appearance of little Grecian temples; and a vivid fancy may embellish the poor fisherman's hut with columns such as the pencil of a Claude might imitate. I had one favourite object of this kind in my walks, which the hospitality of its owner robbed me of, by asking me to visit him. He was a plain good man, and received me well and warmly, but I could never turn his house into a Grecian temple again.
| The Poetical Works of Thomas Moore | |