University of Virginia Library


115

CLASSICAL SKETCHES.

SAPPHO.

------ She was one
Whose lyre the spirit of sweet song had hung
With myrtle and with laurel; on whose head
Genius had shed his starry glories ------
“------ transcripts of woman's loving heart
And woman's disappointment.” ------

She leant upon her harp, and thousands looked
On her in love and wonder—thousands knelt
And worshipp'd in her presence—burning tears,
And words that died in utterance, and a pause
Of breathless, agitated eagerness,
First gave the full heart's homage: then came forth

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A shout that rose to heaven; and the hills,
The distant valleys, all rang with the name
Of the Æolian Sappho—every heart
Found in itself some echo to her song.
Low notes of love—hopes beautiful and fresh,
And some gone by for ever—glorious dreams,
High aspirations, those thrice gentle thoughts
That dwell upon the absent and the dead,
Were breathing in her music—and these are
Chords every bosom vibrates to. But she
Upon whose brow the laurel crown is placed,
Her colour's varying with deep emotion—
There is a softer blush than conscious pride
Upon her cheek, and in that tremulous smile
Is all a woman's timid tenderness:
Her eye is on a Youth, and other days

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And young warm feelings have rushed on her soul
With all their former influence,—thoughts that slept
Cold, calm as death, have wakened to new life—
Whole years' existence have passed in that glance...
She had once loved in very early days:
That was a thing gone by: one had called forth
The music of her soul: he loved her too,
But not as she did—she was unto him
As a young bird, whose early flight he trained,
Whose first wild song were sweet, for he had taught
Those songs—but she looked up to him with all
Youth's deep and passionate idolatry:
Love was her heart's sole universe—he was
To her, Hope, Genius, Energy, the God
Her inmost spirit worshipped—in whose smile
Was all e'en minstrel pride held precious; praise
Was prized but as the echo of his own.

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But other times and other feelings came:
Hope is love's element, and love with her
Sickened of its own vanity....She lived
Mid bright realities and brighter dreams,
Those strange but exquisite imaginings
That tinge with such sweet colours minstrel thoughts;
And fame, like sunlight, was upon her path;
And strangers heard her name, and eyes that never
Had looked on Sappho, yet had wept with her.
Her first love never wholly lost its power,
But, like rich incense shed, although no trace
Was of its visible presence, yet its sweetness
Mingled with every feeling, and it gave
That soft and melancholy tenderness
Which was the magic of her song....That Youth
Who knelt before her was so like the shape
That haunted her spring dreams—the same dark eyes,

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Whose light had once been as the light of heaven!—
Others breathed winning flatteries—she turned
A careless hearing—but when Phaon spoke,
Her heart beat quicker, and the crimson light
Upon her cheek gave a most tender answer....
She loved with all the ardour of a heart
Which lives but in itself: her life had passed
Amid the great creations of the mind:
Love was to her a vision—it was now
Heightened into devotion....But a soul
So gifted and so passionate as her's
Will seek companionship in vain, and find
Its feelings solitary....Phaon soon
Forgot the fondness of his Lesbian maid;
And Sappho knew that genius, riches, fame,
May not soothe slighted love.—

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—There is a dark rock looks on the blue sea;
'Twas there love's last song echoed—there She sleeps,
Whose lyre was crowned with laurel, and whose name
Will be remembered long as Love or Song
Are sacred—the devoted Sappho!

121

BACCHUS AND ARIADNE.

Leonardi.
'Tis finished now: look on my picture, Love!

Alvine.
Oh, that sweet ring of graceful figures! one
Flings her white arms on high, and gaily strikes
Her golden cymbals—I can almost deem
I hear their beatings; one with glancing feet
Follows her music, while her crimson cheek
Is flushed with exercise, till the red grape
'Mid the dark tresses of a sister nymph
Is scarcely brighter: there another stands,
A darker spirit yet, with joyous brow,

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And holding a rich goblet: oh, that child!
With eyes as blue as spring-days, and those curls
Throwing their auburn shadow o'er a brow
So arch, so playful—have you bodied forth
Young Cupid in your colours?

Leonardi.
No—oh no,
I could not paint Love as a careless boy,—
That passionate Divinity, whose life
Is of such deep and intense feeling! No,
I am too true, too earnest, and too happy,
To ever image by a changeful child
That which is so unchangeable. But mark
How sweet, how pale, the light that I have thrown
Over the picture: it is just the time
When Dian's dewy kiss lights up the dreams
That make Endymion's sleep so beautiful.

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Look on the calm blue sky, so set with stars:
Is it not like to what we both recall?
Those azure shadows of a summer night,
That veiled the cautious lutanist who waked
Thy slumbers with his song. How more than fair,
How like a spirit of that starry hour,
I used to think you, as your timid hand
Unbarr'd the casement, and you leant to hear,
Your long hair floating loose amid the vines
Around your lattice; and how very sweet
Your voice, scarce audible, with the soft fear
That mingled in its low and tender tones!

Alvine.
Nay, now I will not listen to the tales
Our memory is so rich in. I have much
For question here. Who is this glorious shape,
That, placed on a bright chariot in the midst,

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Stands radiant in his youth and loveliness?
Around his sunny locks there is a wreath
Of the green vine leaves, and his ivory brow
Shines out like marble, when a golden ray
Of summer light is on it, and his step
Scarce seems to touch his pard-drawn car, but floats
Buoyant upon the air;—and who is she
On whom his ardent gaze is turned? So pale,—
Her dark hair gathered round her like a shroud,
Yet far more lovely than the sparkling nymphs
Dancing around that chariot. Yet how sweet,
Though dimmed with tears, those deep blue eyes,
Half turned and half averted timidly
From the youth's lightning glance. Oh tell me now
One of those legends that I love so well:
Has not this picture some old history?


125

Leonardi.
'Tis one of those bright fictions that have made
The name of Greece only another word
For love and poetry; with a green earth—
Groves of the graceful myrtle—summer skies,
Whose stars are mirror'd in ten thousand streams—
Winds that move but in perfume and in music,
And, more than all, the gift of woman's beauty.
What marvel that the earth, the sky, the sea,
Were filled with all those fine imaginings
That love creates, and that the lyre preserves!

Alvine.
But for the history of that pale girl
Who stands so desolate on the sea shore?

Leonardi.
She was the daughter of a Cretan king—
A tyrant. Hidden in the dark recess

126

Of a wide labyrinth, a monster dwelt,
And every year was human tribute paid
By the Athenians. They had bowed in war;
And every spring the flowers of all the city,
Young maids in their first beauty—stately youths,
Were sacrificed to the fierce King! They died
In the unfathomable den of want,
Or served the Minotaur for food. At length
There came a royal Youth, who vowed to slay
The monster or to perish!—Look, Alvine,
That statue is young Theseus.

Alvine.
Glorious!
How like a god he stands, one haughty hand
Raised in defiance! I have often looked
Upon the marble, wondering it could give
Such truth to life and majesty.


127

Leonardi.
You will not marvel Ariadne loved.
She gave the secret clue that led him safe
Through all the labyrinth, and she fled with him.

Alvine.
Ah, now I know your tale: he proved untrue.
This ever has been woman's fate,—to love,
To know one summer day of happiness,
And then to be most wretched!

Leonardi.
She was left
By her so heartless lover while she slept.
She woke from pleasant dreams—she dreamt of him—
Love's power is felt in slumber—woke, and found
Herself deserted on the lonely shore!
The bark of the false Theseus was a speck
Scarce seen upon the waters, less and less,
Like hope diminishing, till wholly past.

128

I will not say, for you can fancy well,
Her desolate feelings as she roamed the beach,
Hurled from the highest heaven of happy love!
But evening crimsoned the blue sea—a sound
Of music and of mirth came on the wind,
And radiant shapes and laughing nymphs danced by,
And he, the Theban God, looked on the maid,
And looked and loved, and was beloved again.
This is the moment that the picture gives:
He has just flung her starry crown on high,
And bade it there a long memorial shine
How a god loved a mortal. He is springing
From out his golden car—another bound—
Bacchus is by his Ariadne's side!

Alvine.
She loved again! Oh cold inconstancy!
This is not woman's love; her love should be

129

A feeling pure and holy as the flame
The vestal virgin kindles, fresh as flowers
The spring has but just coloured, innocent
As the young dove, and changeless as the faith
The martyr seals in blood. 'Tis beautiful
This picture, but it wakes no sympathy.

Leonardi.
Next time, Alvine, my pencil shall but give
Existence to the memory of love's truth.

Alvine.
Do you recall a tale you told me once,
Of the forsaken Nymph that Paris left
For new love and ambition; at his death
He bade them bear him to Enone's arms?
She never had forgotten him: her heart,
Which beat so faithfully, became his pillow;
She closed his eyes, and pardoned him and died!


130

Leonardi.
Love, yes; I'll paint their meeting: the wan youth,
Dying, but yet so happy in forgiveness;
The sweet Enone, with her gentle tears,
Filled with meek tenderness, her pensive brow
Arching so gracefully, with deep blue eyes
Half hidden by the shadowy lash—a look
So patient, yet so fraught with tenderest feeling,
Like to an idol placed upon the shrine
Of faith, for all to worship. She shall be,
Saving thine own inimitable smile,
In all like thee, Alvine!


131

UNKNOWN FEMALE HEAD.

I know not of thy history, thou sad
Yet beautiful faced Girl:—the chestnut braid
Bound darkly round thy forehead, the blue veins
Wandering in azure light, the ivory chin
Dimpled so archly, have no characters
Graven by memory; but thy pale cheek,
Like a white rose on which the sun hath looked
Too wildly warm, (is not this passion's legend?)
The drooping lid whose lash is bright with tears,
A lip which has the sweetness of a smile
But not its gaiety—do not these bear
The scorched footprints sorrow leaves in passing

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O'er the clear brow of youth?—It may but be
An idle thought, but I have dreamed thou wert
A captive in thy hopelessness: afar
From the sweet home of thy young infancy,
Whose image unto thee is as a dream
Of fire and slaughter, I can see thee wasting,
Sick for thy native air, loathing the light
And cheerfulness of men; thyself the last
Of all thy house, a stranger and a slave!

133

LEANDER AND HERO.

It is a tale that many songs have told,
And old, if tale of love can e'er be old;
Yet dear to me this lingering o'er the fate
Of two so young, so true, so passionate!
And thou, the idol of my harp, the soul
Of poetry, to me my hope, my whole
Happiness of existence, there will be
Some gentlest tones that I have caught from thee!
Will not each heart-pulse vibrate, as I tell
Of faith even unto death unchangeable!
Leander and his Hero! they should be,
When youthful lovers talk of constancy,
Invoked. Oh, for one breath of softest song,
Such as on summer evenings floats along,

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To murmur low their history! every word
That whispers of them, should be like those heard
At moonlight casements, when th' awakened maid
Sighs her soft answer to the serenade.
She stood beside the altar, like the queen,
The bright-eyed queen that she was worshipping.
Her hair was bound with roses, which did fling
A perfume round, for she that morn had been
To gather roses, that were clustering now
Amid the shadowy curls upon her brow.
One of the loveliest daughters of that land,
Divinest Greece! that taught the painter's hand
To give eternity to loveliness;
One of those dark-eyed maids, to whom belong
The glory and the beauty of each song
Thy poets breathed, for it was theirs to bless

135

With life the pencil and the lyra's dreams,
Giving reality to visioned gleams
Of bright divinities. Amid the crowd
That in the presence of young Hero bowed,
Was one who knelt with fond idolatry,
As if in homage to some deity,
Gazing upon her as each gaze he took
Must be the very last—that intense look
That none but lovers give, when they would trace
On their heart's tablets some adored face.
The radiant priestess from the temple past:
Yet there Leander staid, to catch the last
Wave of her fragrant hair, the last low fall
Of her white feet, so light and musical;
And then he wandered silent to a grove,
To feed upon the full heart's ecstasy.

136

The moon was sailing o'er the deep blue sky,
Each moment shedding fuller light above,
As the pale crimson from the west departs.
Ah, this is just the hour for passionate hearts
To linger over dreams of happiness,
All of young love's delicious loveliness!
The cypress waved upon the evening air
Like the long tresses of a beauty's hair;
And close beside was laurel; and the pale
Snow blossoms of the myrtle tree, so frail
And delicate, like woman; 'mid the shade
Rose the white pillars of the colonnade
Around the marble temple, where the Queen
Of Love was worshipped, and there was seen,
Where the grove ended, the so glorious sea
Now in its azure sleep's tranquillity.

137

He saw a white veil wave,—his heart beat high:
He heard a voice, and then a low toned sigh.
Gently he stole amid the shading trees—
It is his love—his Hero that he sees!
Her hand lay motionless upon the lute,
Which thrilled beneath the touch, her lip was mute,
Only her eyes were speaking; dew and light
There blended like the hyacinth, when night
Has wept upon its bosom; she did seem
As consciousness were lost in some sweet dream—
That dream was love! Blushes were on her cheek,
And what, save love, do blushes ever speak?
Her lips were parted, as one moment more,
And then the heart would yield its hidden store.
'Twas so at length her thought found utterance:
Light, feeling, flashed from her awakened glance—

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She paused—then gazed on one pale star above,
Poured to her lute the burning words of love!
Leander heard his name! How more than sweet
That moment, as he knelt at Hero's feet,
Breathing his passion in each thrilling word,
Only by lovers said, by lovers heard.
That night they parted—but they met again;
The blue sea rolled between them—but in vain!
Leander had no fear—he cleft the wave—
What is the peril fond hearts will not brave!
Delicious were their moonlight wanderings,
Delicious were the kind and gentle things
Each to the other breathed; a starry sky,
Music and flowers,—this is love's luxury:
The measure of its happiness is full,
When all round shares its own enchanted lull.

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There were sweet birds to count the hours, and roses,
Like those which on a blushing cheek reposes;
Violets fresh as violets could be;
Stars overhead, with each a history
Of love told by its light; and waving trees,
And perfumed breathings upon every breeze:
These were beside them when they met. And day,
Though each was from the other far away,
Had still its pleasant memories; they might
Think what they had forgotten the last night,
And make the tender thing they had to say
More warm and welcome from its short delay.
And then their love was secret,—oh, it is
Most exquisite to have a fount of bliss
Sacred to us alone, no other eye
Conscious of our enchanted mystery,

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Ourselves the sole possessors of a spell
Giving us happiness unutterable!
I would compare this secrecy and shade
To that fair island, whither Love conveyed
His Psyche, where she lived remote from all:
Life one long, lone, and lovely festival;
But when the charm, concealment's charm, was known,
Oh then good by to love, for love was flown!
Love's wings are all too delicate to bear
The open gaze, the common sun and air.
There have been roses round my lute; but now
I must forsake them for the cypress bough.
Now is my tale of tears:—One night the sky,
As if with passion darkened angrily,

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And gusts of wind swept o'er the troubled main
Like hasty threats, and then were calm again:
That night young Hero by her beacon kept
Her silent watch, and blamed the night, and wept,
And scarcely dared to look upon the sky:
Yet lulling still her fond anxiety—
With, “Surely in such a storm he cannot brave,
If but for my sake only, wind and wave.” [OMITTED]
At length Aurora led young Day and blushed,
In her sweet presence sea and sky were hushed;
What is there beauty cannot charm? her power
Is felt alike, in storm and sunshine hour;
And light and soft the breeze which waved the veil
Of Hero, as she wandered, lone and pale,
Her heart sick with its terror, and her eye
Roving in tearful, dim uncertainty.

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Not long uncertain,—she marked something glide,
Shadowy and indistinct, upon the tide—
On rushed she in that desperate energy,
Which only has to know, and, knowing, die—
It was Leander!

143

HEAD OF ARIADNE.

Oh, why should Woman ever love,
Throwing her chance away,
Her little chance of summer shine,
Upon a rainbow ray?
Look back on each old history,
Each fresh remembered tale;
They'll tell how often love has made
The cheek of woman pale;—
Her unrequited love, a flower
Dying for air and light;

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Her love betrayed, another flower
Withering before a blight.
Look down within the silent grave;
How much of breath and bloom
Have wasted,—passion's sacrifice
Offered to the lone tomb.
Look on her hour of solitude,
How many bitter cares
Belie the smile with which the lip
Would sun the wound it bears.
Mark this sweet face! oh, never blush
Has past o'er one more fair,
And never o'er a brighter brow
Has wandered raven hair.

145

And mark how carelessly those wreaths
Of curl are flung behind,
And mark how pensively the brow
Leans on the hand reclined.
'Tis she of Crete!—another proof
Of woman's weary lot;
Their April doom of sun and shower,—
To love, then be forgot.
Heart-sickness, feelings tortured, torn,
A sky of storm above,
A path of thorns,—these are love's gifts,—
Ah, why must woman love!

146

A NEREID FLOATING ON A SHELL.

Thy dwelling is the coral cave,
Thy element the blue sea wave,
Thy music the wild billows dashing,
Thy light the diamond's crystal flashing:
I'd leave this earth to dwell with thee,
Bright-haired daughter of the sea!
It was an hour of lone starlight
When first my eye caught thy sweet sight:
Thy white feet press'd a silver shell,
Love's own enchanted coracle;
Thy fair arms waved like the white foam
The seas dash from their billowy home;

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And far behind, thy golden hair,
A bright sail, floated on the air;
And on thy lips there was a song,
As music wafted thee along.
They say, sweet daughter of the sea,
Thy look and song are treachery;
Thy smile is but the honied bait
To lure thy lover to his fate.
I know not, and I care still less;
It is enough of happiness
To be deceived. Oh, never yet
Could love doubt—no, one doubt would set
His fettered pinions free from all
His false but most delicious thrall.
Love cannot live and doubt; and I,
Vowed slave to my bright deity,

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Have but one prayer: Come joy, come ill,
If you deceive, deceive me still;
Better the heart in faith should die
Than break beneath love's perjury.

149

THE THESSALIAN FOUNTAIN.

Gleamings of poetry,—if I may give
That name of beauty, passion, and of grace,
To the wild thoughts that in a starlit hour,
In a pale twilight, or a rose-bud morn,
Glance o'er my spirit—thoughts that are like light,
Or love, or hope, in their effects.

A small clear fountain, with green willow trees
Girdling it round, there is one single spot
Where you may sit and rest, its only bank;
Elsewhere the willows grow so thick together:
And it were like a sin to crush that bed
Of pale and delicate narcissus flowers,
Bending so languidly, as still they found
In the pure wave a love and destiny;

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But here the moss is soft, and when the wind
Has been felt even through the forest screen,—
For round, like guardians to the willows, stand
Oaks large and old, tall firs, dark beach, and elms
Rich with the yellow wealth that April brings,—
A shower of rose-leaves makes it like a bed
Whereon a nymph might sleep, when, with her arm
Shining like snow amid her raven hair,
She dreamt of the sweet song wherewith the faun
Had lulled her, and awakening from her rest
When through the leaves an amorous sunbeam stole
And kissed her eyes; the fountain were a bath
For her to lave her ivory feet, and cool
The crimson beauty of her sleep-warm cheek,
And bind her ruffled curls in the blue mirror
Of the transparent waters. But these days

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Of visible poetry have long been past!—
No fear that the young hunter may profane
The haunt of some immortal; but there still—
For the heart clings to old idolatry,
If not with true belief, with tenderness,—
Lingers a spirit in the woods and flowers
Which have a Grecian memory,—some tale
Of olden love or grief linked with their bloom,
Seem beautiful beyond all other ones.
The marble pillars are laid in the dust,
The golden shrine and its perfume are gone;
But there are natural temples still for those
Eternal though dethroned Deities,
Where from green altars flowers send up their incense:
This fount is one of them.—

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AN OLD MAN OVER THE BODY OF HIS SON.

I am too proud by far to weep,
Though earth had nought so dear
As was the Soldier Youth to me
Now sleeping on that bier.
It were a stain upon his fame
Would do his laurel crown a shame,
To shed one single tear.
It was a blessed lot to die
In battle, and for liberty!
He was my first, my only child,
And when my race was run,
I was so proud to send him forth
To do as I had done.

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It was his last, his only field:
They brought him back upon his shield,
But victory was won.
I cannot weep when I recall
Thy land has cause to bless thy fall.
When others tell their children all
The fame that warriors win,
I must sit silent, and but think
On what my child had been.
It is a father's joy to see
The young eyes glow exultingly
When warlike tales begin;
And yet I know no living one
I would change for my sleeping Son.

154

L'AMORE DOMINATORE.

They built a temple for the God,
'Twas in a myrtle grove,
Where the bee and the butterfly
Vied for each blossom's love.
The marble pillars rose like snow,
Glittering in the sunshine:
A thousand roses shed their breath,
Like incense, o'er the shrine.
And there were censers of perfume,
Vases with their sweet showers,

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And wreaths of every blended hue
That lights the summer flowers.
And, like the breathing of those flowers
Made audible, a sound
Came, lulling as a waterfall,
From lutes and voices 'round.
I looked upon the altar,—there
The pictured semblance lay
Of him the temple's lord; it shone
More beautiful than day.
It was a sleeping child, as fair
As the first-born of spring;
Like Indian gold waved the bright curls
In many a sunny ring.

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His cheek was flushed with its own rose,
And with the crimson shed
From the rich wings that like a cloud
Were o'er his slumbers spread.
And by him lay his feathered shafts,
His golden bow unbent;—
Methought that, even in his sleep,
His smile was on them sent.
I heard them hymn his name—his power,—
I heard them, and I smiled;
How could they say the earth was ruled
By but a sleeping child?
I went then forth into the world
To see what might be there;

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And there I heard a voice of wo,
Of weeping, and despair.
I saw a youthful warrior stand
In his first light of fame,—
His native city filled the air
With her deliverer's name.
I saw him hurry from the crowd,
And fling his laurel crown,
In weariness, in hopelessness,
In utter misery, down.
And what the sorrow, then I asked,
Can thus the warrior move
To scorn his meed of victory?
They told me it was Love.

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I sought the forum, there was one
With dark and haughty brow,—
His voice was as the trumpet's tone,
Mine ear rings with it now.
They quailed before his flashing eye,—
They watched his lightest word,—
When suddenly that eye was dim,
That voice no longer heard.
I looked upon his lonely hour,
The weary solitude;
When over dark and bitter thoughts
The sick heart's left to brood.
I marked the haughty spirit's strife
To rend its bonds in vain:

159

Again I asked the cause of ill,
And heard Love's name again.
Yet on I went: I thought that Love
To woman's gentle heart,
Perhaps, had flung a lighter shaft,
Had given a fairer part.
I looked upon a lovely face,
Lit by a large dark eye;
But on the lash there was a tear,
And on the lip a sigh.
I asked not why that form had drooped,
Nor why that cheek was pale?

160

I heard the maiden's twilight song,
It told me all her tale.
I saw an urn, and round it hung
An April diadem
Of flowers, telling they mourned one
Faded and fair like them.
I turned to tales of other days,
They spoke of breath and bloom;
And proud hearts that were bow'd by Love
Into an early tomb.
I heard of every suffering
That on this earth can be:
How can they call a sleeping child
A likeness, Love, of thee?

161

They cannot paint thee:—let them dream
A dark and nameless thing.
Why give the likeness of the dove
Where is the serpent's sting?