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Chronicles and Characters

By Robert Lytton (Owen Meredith): In Two Volumes
Lytton, Edward Robert Bulwer Lytton (1831-1891)
  
[dedication]

collapse sectionI. 
VOL.I
  
PRELUDE.
 I. 
I.OPIS AND ARGE.
 II. 
II.CROESUS AND ADRASTUS.
 III. 
III.GYGES AND CANDAULES.
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BOOK II.
  
THANATOS ATHANATOU.
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BOOK III. ROMANCES.
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LICINIUS.
 I. 
PART I. THE TIME.
 II. 
PART II. THE MAN.
 III. 
PART III. THE GODS.
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PART IV. THE PAST.
 I. 
I.
 II. 
II.
 III. 
III.
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PART V. THE PRESENT.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 VI. 
PART VI. THE FUTURE.
  
GENSERIC.
  
IRENE.
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BOOK IV.
  
THE SCROLL AND ITS INTERPRETERS.
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BOOK V. LEGENDS AND ROMANCES.
  
MOHAMMED.
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THE ROSES OF SAADI.
 I. 
I.MOSES AND THE DERVISH.
 II. 
II.THE BOY AND THE RING.
 III. 
III.THE EYES OF MAHMUD.
  
THE APPLE OF LIFE.
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BOOK VI.
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THE SIEGE OF CONSTANTINOPLE.
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PART I.
 I. 
I.THE EMPEROR ISAAC.
 II. 
II.IS SAD.
 III. 
III.AND SO IS HIS BROTHER ALEXIUS: WHO PROPOSES
 IV. 
IV.A PARTY OF PLEASURE.
 V. 
V.WHICH ENDS UNPLEASANTLY.
 VI. 
VI.OUT OF THE LIGHT, INTO THE DARK.
 VII. 
VII.ALEXIUS THE YOUNGER FLIES FROM ALEXIUS THE ELDER.
 VIII. 
VIII.AND TRIES HIS FORTUNES AND HIS FRIENDS.
 IX. 
IX.A GREAT MAN.
 X. 
X.AND SOME NOTABLE MEN.
 XI. 
XI.LE VALET DE CONSTANTINOPLE.
 XII. 
XII.A BLIND MAN SEES FAR.
 XIII. 
XIII.QUOT HOMINES TOT SENTENTIAE.
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PART II.
 I. 
I. THE EMPEROR MAKES A PROCLAMATION.
 II. 
II. AND RECEIVES THE AMBASSADORS.
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VOL. II. BOOK VI. (Continued.) THE SIEGE OF CONSTANTINOPLE.
 I. 
I.HOW THE EMPEROR PICKED UP WHAT THE DEVIL LET FALL.
 II. 
II.GAVE AWAY WHAT HE NO LONGER POSSESSED.
 III. 
III.WHAT WAS SHOWN TO THEOCRITE, THE MONK.
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PART IV.
 I. 
I.JUSTICE
 II. 
II.ARMED
 III. 
III.BY SEA AND LAND
 IV. 
IV.IS TRIUMPHANT.
 V. 
V.SICUT FUMUS.
 VI. 
VI.TWO BLIND MEN.
 VII. 
VII.THE DOGE IS OBSTINATE.
 VIII. 
VIII.VERTIGO.
 IX. 
IX.A DARK DEED.
 X. 
X.THE FULNESS OF TIME.
 XI. 
XI.THE HORSES OF LYSIPPUS.
 XII. 
XII.AND THE LION OF ST. MARK.
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BOOK VII. LEGENDS, BALLADS, AND ROMANCES.
  
FAREWELL TO THE HOLY LANDS.
  
DOGE ORSO'S NIGHT'S WORK.
  
SALZBURGENSIS VAGABUNDUS.
  
A KING AND A QUEEN.
  
FAIR YOLAND WITH THE YELLOW HAIR.
  
TRIAL BY COMBAT.
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RABBI BEN EPHRAIM'S TREASURE.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
 XIII. 
XIII.
 XIV. 
XIV.
 XV. 
XV.
 XVI. 
XVI.
 XVII. 
XVII.
 XVIII. 
XVIII.
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CATTERINA CORNARO.
 I. 
I.
 II. 
II.
 III. 
III.
  
JACQUELINE,
  
THE DIRGE.
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BOOK VIII. NARRATIVE, DRAMATIC, AND LYRICAL.
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THE DEAD POPE.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
 XIII. 
XIII.
 XIV. 
XIV.
 XV. 
XV.
 XVI. 
XVI.
 XVII. 
XVII.
 XVIII. 
XVIII.
 XIX. 
XIX.
 XX. 
XX.
 XXI. 
XXI.
  
THOMAS MÜNTZER TO MARTIN LUTHER.
  
ADOLPHUS, DUKE OF GUELDERS.
  
THE DUKE'S LABORATORY.
  
VANINI
  
JOHN PETER CARAFA.
  
PICAROONS.
  
CHRISTIAN, THE DOL-HARTZOG.
  
ELISABETTA SIRANI.
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RICHELIEU.
 I. 
I. THE POETS.
 II. 
II THE THREE ESTATES.
 III. 
III. WALLENSTEIN'S DEATH.
  
THE DAUPHIN.
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BOOK IX. HERE AND THERE.
  
ATLANTIS.
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MISERY.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
  
MELANCHOLIA.
  
LAST WORDS
  
A BEATEN ARMY.
  
A POOR MAN
  
A MAN OF SCIENCE
  
A GREAT MAN.
  
MABEL MAY.
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[section]
  
EPILOGUE.

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128

XX.

It would seem, however, all texts agree
(And this should suffice us at anyrate)
In assuming for certain that, early or late,
The dead Pope got to the Golden Gate
Where the mitred Apostle sits with the key,
—Peter, whose heir upon earth was he.
And further than this to speculate
I, for one, do not feel justified.
Tho' a fact there is, I am bound to state:
A renegade Monk avers he descried
In a vision that very night,
When the storm was spending its fiercest hate
(—And what he saw, so much the sight
Impress'd him, he wrote as soon as he woke:
—Was it a dream, or a wicked joke?)
What pass'd before That Gate.
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