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The works of Thomas Hood

Comic and serious: In prose and verse. Edited, with notes, by his son

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VOLUME II.
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II. VOLUME II.


220

1828.

[Continued.]

LAMIA;

A ROMANCE.

    DRAMATIS PERSONÆ

  • Apollonius, a philosopher, a sophist, tutor to Lycius.
  • Lycius, a young man of noble birth, pupil to Apollonius.
  • Mercutius, a young wild gallant of Corinth.
  • Curio, a young wild gallant of Corinth.
  • Gallo, and others, young wild gallants of Corinth.
  • Julius, brother to Lycius.
  • Domus (pro tempore), butler to Lamia.
  • Picus (pro tempore), steward to Lamia.
  • Lamia, an Enchantress, by nature a Serpent, but now under the disguise of a beautiful woman.

[[SCENE I.]]

The scene is in or near Corinth.

221

A mossy Bank with Trees, on the high Road near Corinth.
Enter Lamia.
Lamia.
Here I'll sit down and watch; till his dear foot
Pronounce him to my ear. That eager hope
Hath won me from the brook before I viewed
My unacquainted self.—But yet it seemed
A most rare change—and still methinks the change
Has left the old fascination in my eyes.
Look, here's a shadow of the shape I am—
A dainty shadow! [She sits down on the bank.

How fair the world seems now myself am fair!
These dewy daffodils! these sweet green trees!
I've coiled about their roots—but now I pluck
Their drooping branches with this perfect hand!
Sure those were Dryades
That with such glancing looks peeped through the green
To gaze upon my beauty. [Lycius enters and passes on without noting her.

Lycius! sweet Lycius!—what, so cruel still!
What have I done thou ne'er wilt deign a look,
But pass me like a worm?

LYCIUS.
Ha! who art thou? [Looking back.

O goddess, (for there is no mortal tint,
No line about thee lower than divine,)
What may that music mean, thy tuneful tongue
Hath sent in chase of me?—I slight! I scorn thee!
By all the light of day, till this kind hour
I never saw that face!—nor one as fair.


222

LAMIA.
O fie, fie, fie!—what, have you never met
That face at Corinth?—turned too oft towards you,
Like the poor maiden's that adored Apollo:—
You must have marked it!—

LYCIUS.
Nay, then hear me swear!
By all Olympus and its starry thrones—
My eyes have never chanced so sweet a sight,
Not in my summer dreams!—

LAMIA.
Enough, enough!—why then I've watched in vain—
Tracked all your ways, and followed like your shadow;
Hung you with blessings—haunted you with love—
And waited on your aspect—all in vain!—
I might as well have spent my loving looks,
Like Ariadne, on the sullen sea,
And hoped for a reflection. Youth, farewell.

LYCIUS.
O not yet—not yet farewell!
Let such an unmatched vision still shine on,
Till I have set an impress in my heart
To cope with life's decay!

LAMIA.
You say but well.
I must soon hie me to my elements;
But take your pleasure at my looks till then.

LYCIUS.
You are not of this earth, then?

[Sadly.

223

LAMIA.
Of this earth?
Why not? And of this same and pleasant isle.
My world is yours, and I would have no other.
One earth, one sea, one sky, in one horizon,
Our room is wide enough, unless you hate me.

LYCIUS.
Hate you!

LAMIA.
Then you may wish to set the stars between us,
The dim and utter lamps of east and west.
So far you'd have me from you.

LYCIUS.
Cruel Syren!
To set your music to such killing speech.
Look if my eyes turn from you—if my brows,
Or any hinting feature, show dislike.
Nay, hear my lips—

LAMIA.
If they will promise love
Or talk of it; but chide, and you will kill me!

LYCIUS.
Then, love, speak forth a promise for thyself,
And all heaven's witnesses be by to hear thee.—

LAMIA.
Hold, hold! I'm satisfied. You'll love me, then?

LYCIUS.
With boundless, endless love.


224

LAMIA.
Ay, give me much on't—for you owe me much,
If you knew all.
I've licked the very dust whereon you tread—

LYCIUS.
It is not true!

LAMIA.
I'll swear it, if you will. Jove heard the words,
And knows they are sadly true.

LYCIUS.
And this for me

LAMIA.
Ay, sweet, and more. A poor, fond wretch, I filled
The flowers with my tears; and lay supine
In coverts wild and rank—fens, horrid, desolate!
'Twould shock your very soul if you could see
How this poor figure once was marred and vilified,
How grovelled and debased; contemned and hated
By my own self, because, with all its charms,
It then could hope no favor in your eyes;
And so I hid it,
With toads and newts, and hideous shiny things,
Under old ruins, in vile solitudes,
Making their haunts my own.

LYCIUS.
'Tis strange and piteous.—Why, then, you maddened?

LAMIA.
I was not quite myself—(not what I am)—

225

Yet something of the woman stayed within me,
To weep she was not dead.

LYCIUS.
Is this no fable?

LAMIA.
O most distrustful Lycius! Hear me call
On Heaven, anew, for vouchers to these facts. [It thunders.

There! Could'st thou question that? Sweet skies I thank ye!
Now, Lycius, doubt me if you may or can;
And leave me if you will. I can but turn
The wretched creature that I was, again,
Crushed by our equal hate. Once more, farewell.

LYCIUS.
Farewell, but not till death. O gentlest, dearest,
Forgive my doubts. I have but paused till now
To ask if so much bliss could be no dream.
Now I am sure—
Thus I embrace it with my whole glad heart
For ever and for ever; I could weep.
Thy tale hath shown me such a matchless love,
It makes the elder chronicles grow dim.
I always thought
I wandered all uncared for on my way,
Betide me good or ill—nor caused more tears
Than hung upon my sword. Yet I was hung
With dews, rich pearly dews—shed from such spheres
As sprinkle them in amber. Thanks, bounteous stars.
Henceforth you shall but rain your beams upon me
To bless my brightened days.

LAMIA.
O sweet! sweet! sweet!

226

To hear you parley thus and gaze upon you!
Lycius, dear Lycius!
But tell me, dearest, will you never—never
Think lightly of myself, nor scorn a love
Too frankly set before you! because 'twas given
Unasked, though you should never give again:
Because it was a gift and not a purchase—
A boon, and not a debt; not love for love,
Where one half's due for gratitude.

LYCIUS.
Thrice gracious seems thy gift!

LAMIA.
Oh, no! Oh, no!
I should have made you wait, and beg, and kneel,
And swear as though I could but half believe you;
I have not even stayed to prove your patience
By crosses and feigned slights—given you no time
For any bribing gifts or costly shows.
I know you will despise me.

LYCIUS.
Never, never
So long as I have sight within these balls,
Which only now I've learned to thank the gods for.

LAMIA.
'Tis prettily sworn; and frankly I'll believe you!
Now shall we on our way? I have a house
(Till now no home) within the walls of Corinth:
Will you not master it as well as me?

LYCIUS.
My home is in your heart; but where you dwell,
There is my dwelling-place. But let me bear you, sweet!


227

LAMIA.
No, I can walk, if you will charm the way
With such discourse; it makes my heart so light,
I seem to have wings within; or, if I tire,
I'll lean upon you thus.

LYCIUS.
So lean for ever!

[Exeunt.

SCENE II.

The Market-place at Corinth.
Apollonius is discovered discoursing with various young Gallants, namely, Mercutius, Curio, &c.
APOLLONIUS.
Hush, sirs!
You raise a tingling blush about my ears,
That drink such ribaldry and wanton jests—
For shame!—for shame!—
You misapply good gifts the gods have granted!

MERCUTIUS.
The gods have made us tongues—brains, too, I hope—
And time will bring us beards. You sages think
Minerva's owl dwells only in such bushes.

CURIO.
Ha! ha!—Why we'll have wigs upon our chins—
Long grizzled ones—and snarl about the streets,
Hugged up in pride and spleen like any mantle,
And be philosophers!


228

APOLLONIUS.
You will do wisely.

CURIO.
Ay—I hope—why not?
Though age has heaped no winter on our pates.
Is wisdom such a frail and spoiling thing
It must be packed in ice?

GALLO.
Or sopped in vinegar?

APOLLONIUS.
We would you were more gray—

MERCUTIUS.
Why, would you have us gray before our time?
Oh, Life's poor capital is too soon spent
Without discounting it. Pray do not grudge us
Our share;—a little wine—a little love—
A little youth!—a little, little folly,
Since wisdom has the gross. When they are past,
We'll preach with you, and call 'em vanities.

APOLLONIUS.
No!—leave that to your mummies. Sure your act
Will purchase you an embalming. Let me see!—
Here's one hath spent his fortune on a harlot,
And—if he kept to one it was a merit!—
The next has rid the world of so much wine—
Why that's a benefit. And you, Sir Plume,
Have turned your Tailor to a Senator;—
You've made no man the worse—(for manner's sake;
My speech exempts yourself). You've all done well;
If not, your dying shall be placed to your credit.


229

CURIO.
You show us bravely—could you ever praise one?

APOLLONIUS.
One? and no more! why then I answer, yes—
Or rather, no; for I could never praise him.
He's as beyond my praise as your complexion—
I wish you'd take a pattern!—

CURIO.
Of whose back, sir?

APOLLONIUS.
Ay, there you must begin and try to match
The very shadow of his virtuous worth,
Before you're half a man.

MERCUTIUS.
Who is this model?
An ape—an Afric ape—what he and Plato
Conspire to call a Man.

APOLLONIUS.
Then you're a man already; but no model,
So I must set my own example up;
To show you Virtue, Temperance, and Wisdom,
And in a youth too!—
Not in a withered graybeard like myself,
In whom some virtues are mere worn-out vices,
And wisdom but a due and tardy fruit.
He, like the orange, bears both fruit and flower
Upon his odorous bough—the fair and ripe!—

CURIO.
Why, you can praise too!


230

APOLLONIUS.
As well as I dispraise:—They're both in one,
Since you're disparaged when I talk of graces.
For example, when I say that he I spoke of
Is no wild sin-monger—no sot—no dicer,
No blasphemer o' th' gods—no shameless scoffer,
No ape—no braggart—no foul libertine—
Oh no—
He hugs no witching wanton to his heart,
He keeps no vices he's obliged to muffle;—
But pays a filial honour to gray hairs,
And guides him by that voice, Divine Philosophy.

GALLO.
Well, he's a miracle!—and what's he called?

(ALL.)
Ay, who is he?—who is he?

APOLLONIUS.
His name is Lycius.

CURIO.
Then he's coming yonder:—
Lord, how these island fogs delude our eyes!
I could have sworn to a girl too with him.

APOLLONIUS.
Ay, ay—you know these eyes can shoot so far,
Or else the jest were but a sorry one.

CURIO.
Mercutius sees her too.

MERCUTIUS.
In faith, I do, sir.


231

APOLLONIUS.
Peace, puppies!—nine days hence you will see truer.

CURIO.
Nay, but by all the gods—

GALLO.
We'll take our oath on't.

APOLLONIUS.
Peace, peace! (aside)
I see her too—This is some mockery,

Illusion, damned illusion!—
What, ho! Lycius!

[Lycius (entering) wishes to pass aside. Lamia clings close to him.
LAMIA.
Hark!—who is that!—quick, fold me in your mantle;
Don't let him see my face!—

LYCIUS.
Nay, fear not, sweet—
'Tis but old Apollonius, my sage guide.

LAMIA.
Don't speak to him—don't stay him—let him pass!—
I have a terror of those graybeard men—
They frown on Love with such cold churlish brows.
That sometimes he hath flown!—

LYCIUS.
Ay, he will chide me;
But do not you fear aught. Why, how you tremble!

LAMIA.
Pray shroud me closer. I am cold—death cold!—

[Old Apollonius comes up, followed by the Gallants.

232

APOLLONIUS.
My son, what have you here?

LYCIUS.
A foolish bird that flew into my bosom:—
You would not drive him hence?

APOLLONIUS.
Well, let me see it;
I have some trifling skill in augury,
And can divine you from its beak and eyes
What sort of fowl it is.

LYCIUS.
I have learned that, sir;—
'Tis what is called—a dove—sacred to Venus:—

[The Youths laugh, and pluck Apollonius by the sleeve.
APOLLONIUS.
Fool! drive it out!

[To Lycius.
LYCIUS.
No, not among these hawks here.

APOLLONIUS.
Let's see it, then.

(ALL.)
Ay, ay, old Graybeard, you say well for once;
Let's see it;—let's see it!—

APOLLONIUS.
And sure it is no snake—to suit the fable—
You've nestled in your bosom?

LAMIA
(under the mantle).
Lost! lost! lost!—


233

MERCUTIUS.
Hark! the dove speaks—I knew it was a parrot!—

APOLLONIUS.
Dear Lycius—my own son (at least till now),
Let me forewarn you, boy!—

LYCIUS.
No, peace, I will not.

CURIO.
There spoke a model for you.

APOLLONIUS.
O Lycius, Lycius!
My eyes are shocked, and half my age is killed,
To see your noble self so ill accompanied!—

LYCIUS.
And, sir, my eyes are shocked too—Fie! is this
A proper retinue—for those gray hairs?
A troop of scoffing boys!—Sirs, by your leave
I must and will pass on.

[To the Gallants.
MERCUTIUS.
That as you can, sir—

LYCIUS.
Why then this arm has cleared a dozen such.

[They scuffle: in the tumult Apollonius is overturned.
APOLLONIUS.
Unhappy boy!—this overthrow's your own!—

[Lycius frees himself and Lamia, and calls back.
LYCIUS.
Lift—help him—pick him up!—fools—braggarts—apes—
Step after me who dares!—

[Exit with Lamia.

234

GALLO.
Whew!—here's a model!—
How fare you, sir (to Apollonius)
—your head?—I fear

Your wisdom has suffered by this fall.

APOLLONIUS.
My heart aches more.
O Lycius! Lycius!—

CURIO.
Hark! he calls his model!—
'Twas a brave pattern. We shall never match him.
Such wisdom and such virtues—in a youth too!
He keeps no muffled vices.

MERCUTIUS.
No! no! not he!—
Nor hugs no naughty wantons in his arsm—

CURIO.
But pays a filial honor to gray hairs,
And listens to thy voice—Divine Philosophy!

[They run off, laughing and mocking.
APOLLONIUS.
You have my leave to jest. The gods unravel
This hellish witchery that hides my scholar!
O Lycius! Lycius!

[Exit Apollonius.

235

SCENE III.

A rich Chamber, with Pictures and Statues.
Enter Domus unsteadily, with a flask in his hand.
DOMUS.
Here's a brave palace! [Looking round.

Why, when this was spread
Gold was as cheap as sunshine. How it's stuck
All round about the walls. Your health, brave palace!
Ha! Brother Picus! Look! are you engaged too? (Enter Picus.)

Hand us your hand: you see I'm butler here.
How came you hither?

PICUS.
How? Why a strange odd man—
A sort of foreign slave, I think—addressed me
I' the market, waiting for my turn,
Like a beast of burthen, and hired me for this service.

DOMUS.
So I was hired, too.

PICUS.
'Tis a glorious house!
But come, let's kiss the lips of your bottle.

DOMUS.
Ay, but be modest: wine is apt to blush!

PICUS.
'Tis famous beverage:
It makes me reel i' the head.


236

DOMUS.
I believe ye, boy.
Why, since I sipped it—(mind, I'd only sipped)—
I've had such glorious pictures in my brains—
Such rich rare dreams!
Such blooms, and rosy bowers, and tumbling fountains,
With a score of moons shining at once upon me—
I never saw such sparkling!

[Drinks.
PICUS.
Here's a vision!

DOMUS.
The sky was always bright; or, if it gloomed,
The very storms came on with scented waters,
And, if it snowed, 'twas roses; claps of thunder
Seemed music, only louder; nay, in the end,
Died off in gentle ditties. Then, such birds!
And gold and silver chafers bobbed about;
And when there came a little gush of wind,
The very flowers took wing and chased the butterflies!

PICUS.
Egad, 'tis very sweet. I prithee, dearest Domus,
Let me have one small sup!

DOMUS.
No! hear me out.
The hills seemed made of cloud, bridges of rainbows.
The earth like trodden smoke.
Nothing at all was heavy, gross, or human:
Mountains, with climbing cities on their backs,
Shifted about like castled elephants;
You might have launched the houses on the sea,

237

And seen them swim like galleys!
The stones I pitched i' the ponds would barely sink—
I could have lifted them by tons.

[Drinks.
PICUS.
Dear Domus, let me paint, too—dear, dear Domus.

DOMUS.
Methought I was all air—Jove! I was feared,
I had not flesh enough to hold me down
From mounting up to the moon.
At every step—
Bounce! when I only thought to stride a pace,
I bounded thirty.

PICUS.
Thirty! Oh, let me drink!

DOMUS.
And that too when I'd even eat or drank
At the rate of two meals to the hour!

[Drinks.
PICUS.
Two meals to the hour—nay Domus—let me drink,
Dear Domus let me drink—before 'tis empty!—

DOMUS.
But then my fare was all so light and delicate,
The fruits, the cakes, the meats so dainty frail,
They would not bear a bite—no, not a munch,
But melted away like ice. Come, here's the bottle!

PICUS.
Thanks, Domus—Pshaw, it's empty!—Well, who cares—
There's something thin and washy after all

238

In these poor visions. They all end in emptiness,
Like this.

[Turns down the bottle.
DOMUS.
Then fill again, boy—fill again!
And be ---. I say, look there!—

PICUS.
It is our Lady!

[Lamia enters leaning upon Lycius.
DOMUS.
Our Lady's very welcome: (bowing)
yours, my lady—

Sir, your poor butler: (to Lycius)
Picus—man—speak up,

The very same that swam so in my dreams;
I had forgot the goddess!—

LAMIA.
Peace, rude knave!
You've tasted what belonged to nobler brains,
And maddened!—My sweet love (to Lycius)
twas kept for you,

'Tis nature's choicest vintage. (to Domus)

Drink no more, sir!
Except what I'll provide you.

DOMUS.
O sweet Lady!
Lord, and I had a cup I'd thank you in it!—
But you've been drunk—sweet lady—you've been drunk!
Here's Master Picus knows—for we drunk you.

PICUS.
Not I, in faith.

LYCIUS.
Ha! ha! my gentle love,
Methinks your butler should have been your steward.


239

DOMUS.
Why you are merry, sir—
And well you may. Look here's a house we've come to!
O Jupiter!
Look here are pictures, sir, and here's our statues!
That's Bacchus!
[Pointing.
And there's Apollo—just aiming at the serpent.

LAMIA.
Peace, fool—my dearest Lycius,
Pray send him forth.

LYCIUS.
Sirrah, take him off!

[To Steward.
PICUS.
Fie, Domus—know your place.

DOMUS.
My place, slave!
What, don't I know my place?
[Falls on his back.
Ain't I the butler?

LYCIUS.
No more—no more—there—pull him out by the heels— [Domus is dragged out.

(To Lamia.)
My most dear love—how fares it with you now?
Your cheek is somewhat pale.

LAMIA.
Indeed, I'm weary,
We'll not stay here—I have some cheer provided
In a more quiet chamber.

Exeunt.

240

SCENE IV.

A Street in Corinth; on one side a very noble building, which is the residence of Lamia. Mercutius, with the other Gallants, come and discourse in front of the house.
MERCUTIUS.
So, here they're lodged!
In faith a pretty nest!

GALLO.
The first that led us hither for revenge—
O brave Mercutius!

CURIO.
Now my humor's different,
For while there's any stone left in the market-place
That hurt these bones, when that pert chick o'erset us,
I'd never let him sleep!—

GALLO.
Nor I, by Nemesis!
I'd pine him to a ghost for want of rest.
To the utter verge of death.

MERCUTIUS.
And then you'd beat him.
Is that your noble mind?

GALLO.
Lo! here's a turncoat!
D'ye hear him, gentles?—he's come here to fool us!

MERCUTIUS.
Not I; but that I'm turned, I will confess it;

241

For as we came—in thinking over this—
Of Lycius, and the lady whom I glanced
Crouching within his mantle—
Her most distressful look came so across me—
Her death-white cheeks—
That I, for one, can find no heart to fret her.

CURIO.
Shall Lycius then go free?

MERCUTIUS.
Ay, for her sake:—
But do your pleasure; it is none of mine.

Exit.
GALLO.
Why, a false traitor!

CURIO.
Sirs, I can expound him;
He's smit—he's passion-smit—I heard him talk
Of her strange witching eyes—such rare ones
That they turned him cold as stone.

GALLO.
Why let him go then—but we'll to our own.

CURIO.
Ay, let's be plotting
How we can vent our spites on this Sir Lycius—
I own it stirs my spleen, more than my bruises,
To see him fare so well—hang him!—a model!—
One that was perked too, underneath our noses,
For virtue and for temperance.
I have a scheme will grieve 'em without end:
I planned it by the way.

242

You know this fellow, Lycius, has a father
Some fifteen leagues away. We'll send him thither
By some most urgent message.

GALLO.
Bravely plotted:
His father shall be dying. Ah! 'tis excellent.
I long to attempt the lady;—nay, we'll set
Mercutius, too, upon her! Pray, let's to it.
Look! here's old Ban-dog.

Apollonius appears in the distance.
CURIO.
Nay, but I will act
Some mischief ere I go. There's for thee, Lycius!

[He casts a stone through the window, and they run off.
Enter Apollonius.
APOLLONIUS.
Go to, ye silly fools!—Lo! here's a palace!
I have grown gray in Corinth, but my eyes
Never remember it. Who is the master?
Some one is coming forth. Lycius again!

[Lycius comes out disordered, with his face flushed, and reels up to Apollonius.
LYCIUS.
Why, how now, Graybeard? What! are these your frolics,
To sound such rude alarum in our ears?
Go to!

APOLLONIUS.
Son, do you know me?

LYCIUS.
Know you? Why?
Or how? You have no likeness in our skies!

243

Gray hairs and such sour looks! You'd be a wonder!
We have nothing but bright faces. Hebes, Venuses;
No age, no frowns!
No wrinkle, but our laughter shakes in wine.
I wish you'd learn to drink.

APOLLONIUS.
O Lycius! Lycius!
Would you had never learned to drink, except those springs
We supped together! These are mortal draughts;—
Your cup is drugged with death!

LYCIUS.
Grave sir, you lie!
I'm a young god. Look! do you not behold
The new wings on my shoulders? You may die;
That moss upon your chin proclaims you're mortal,
And feel decays of age. But I'm renewable
At every draught I take! Here, Domus! Domus!
Enter Domus.
Bring a full cup of nectar for this churl.
[Exit Domus.
'Twill give you back your youth, sir—ay, like magic—
And lift you o'er the clouds. You'll dream of nothing
That's meaner than Olympus. Smiling goddesses
Will haunt you in your sleep. You'll walk on flowers,
And never crush their heads.

Enter Domus with wine.
APOLLONIUS.
Peace, madman, peace!
None of your draughts for me—your magic potions,
That stuff your brains with such pernicious cheats!
I say, bear off the bowl!


244

LYCIUS.
What!—will he not?—
Then cast it over him—'twill do as well;—
He shall be a demi-god against his will.
Cast it, I say!—

[To Domus.
DOMUS.
'Tis such a sinful waste!
Why, there, then—there! [He throws it over Apollonius.

Look how it falls to the ground!
Lord, you might soak him in it year by year,
And never plump him up to a comely youth
Like you or me, sir!—

LYCIUS.
Let him go. Farewell!—
Look, foolish Graybeard—I am going back
To what your wisdom scorned. A minute hence
My soul is in Elysium!

[Exit with Domus
APOLLONIUS.
Fool, farewell!
Why, I was sprinkled; yet I feel no wet.
'Tis strange!—this is some magic, against which
Philosophy is proof. I must untangle it.
Hold!— [He stands in meditation.

I have it faintly dawning in my brain.
'Tis somewhere in my books (which I'll refer to)—
Speaking of Nature's monstrous prodigies,
That there be witching snakes—Circean births—
Who, by foul spells and forgeries, can take
The mask and shape of woman—fair externe,
But viperous within. And so they creep
Into young hearts, and falsify the brain

245

With juggling mockeries. Alas, poor boy,
If this should be thy case! These are sad tales
To send unto thy father.

[Mercutius enters without perceiving Apollonius: going up to Lamia's house, he recollects himself.
MERCUTIUS.
Here again?
What folly led me hither? I thought I was
Proceeding homeward. Why I've walked a circle
And end where I began!

[Apollonius goes up and calls in his ear.
APOLLONIUS.
I'll tell you, dreamer;
It's magic, it's vile magic brought you hither,
And made you walk in a fog.
There, think of that;—be wise, and save yourself!
I've better men to care for!

[Exit Apollonius.
MERCUTIUS.
What did he say?
The words were drowned in my ear by something sweeter. [A strain of wild music within the house.

Music! rare music!—It must be her voice;
I ne'er heard one so thrilling! Is it safe
To listen to a song so syren-sweet—so exquisite?—
That I might hold my breath, entranced, and die
Of ardent listening? She is a miracle! Enter Domus.

Look, here's a sot will tell me all he knows.
One of her servants—
Is that your lady's voice? (to Domus)
her pipe's a rare one.


DOMUS.
Ay, marry. If you heard it sound within,

246

Till it makes the glasses chime, and all the bottles,
You'd think yourself in heaven.

MERCUTIUS.
I wish she'd sing again.

DOMUS.
And if you saw her eyes, how you would marvel!
I have seen my master watch them, and fall back
Like a man in his fits. I'm rather dizzy,
And drunken-like myself. The vile quandaries
Her beauty brings one into—
[Staggers about.
Ay, I'm crazed. But you should see our Picus—
Lord, how he stands agape, till he drops his salver,
And then goes down on his knees.

MERCUTIUS.
And so should I,
Had I been born to serve her!

[Sighs.
DOMUS.
Why you shall, boy;
And have a leather jerkin—marry, shall you!
We need a helper sadly. I'm o'er-burdened
(You see how I am burdened); but I'll teach you
What manners you may want.

MERCUTIUS.
Well, I'm for you—
(I will dislike no place that brings me near her)—
Mind, you have 'listed me.

DOMUS.
And I can promise
You'll not dislike your fare—'tis excellent, light

247

As well as savoury, and will not stuff you;
But when you've eat your stretch to the outer button,
In half an hour you'll hunger. It is all feasting,
With barely a tithe of fasting. Then such drinking!
There's such a cellar!
One hundred paces long (for I have paced it),
By about two hundred narrow. Come along, boy!

[Exeunt.

SCENE V.

A Chamber in Lamia's House. Lamia and Lycius are discovered sitting on a couch.
LAMIA.
Nay, sweet-lipped Silence,
'Tis now your turn to talk. I'll not be cheated
Of any of my pleasures; which I shall be,
Unless I sometimes listen.

LYCIUS.
Pray talk on,
A little further on. You have not told me
What country bore you, that my heart may set
Its name in a partial place. Nay, your own name—
Which ought to be my better word for beauty—
I know not.

LAMIA.
Wherefore should I talk of such things
I care not to remember? A lover's memory
Looks back no further than when love began,
As if the dawn o' the world.
As for my birth—suppose I like to think

248

That we were dropped from two strange several stars
(Being thus meant for one), why should you wish
A prettier theory, or ask my name,
As if I did not answer, heart and eyes,
To those you call me by? In sooth, I will not
Provide you with a worse.

LYCIUS.
Then I must find it. Now I am but puzzled
To compound sweet superlatives enough
In all the world of words.

[Domus enters boisterously with a letter.
DOMUS.
An express! an express!
Faith, I've expressed it. I did not even wait (aside)
To pry between the folds.


[Lycius takes the letter, and reads in great agitation. Lamia watches him.
LAMIA.
Alas! what news is this? Lycius! dear Lycius!
Why do you clutch your brow so? What has chanced
To stab you with such grief? Speak! speak!

LYCIUS.
My father!

LAMIA.
Dead?

LYCIUS.
Dying—dying—if not dead by this.
I must leave you instantly.

LAMIA.
Alas! I thought
This fair-eyed day would never see you from me!
But must you go, indeed?


249

LYCIUS.
I must! I must!
This is some fierce and fearful malady
To fall so sudden on him. Why, I left him,
No longer since—ay, even when I met you
We had embraced that morn.

LAMIA.
It was but yesterday! How soon our bliss is marred! And must you leave me?

LYCIUS.
Oh! do not ask again with such a look,
Or I shall linger here and pledge my soul
To everlasting shame and keen remorse!

LAMIA.
The Fates are cruel!
Yet let me cling to thee and weep awhile:
We may not meet again. I cannot feel
You are safe but in these arms!

[She embraces him.
LYCIUS.
I'm split asunder
By opposite factions of remorse and love;
But all my soul clings here.

DOMUS.
It makes me weep.
He will not see his father.

[Lycius casts himself on the couch.
LAMIA
(striking Domus).
Wretch! take that,
For harrowing up his griefs! Dearest!—my Lycius!
Lean not your brow upon that heartless pillow!


250

DOMUS.
How he groaned then!

LAMIA.
Lycius, you fright me!
You turn me cold!

LYCIUS
(rising up).
Oh! in that brief rest,
I've had a waking vision of my father!
Even as he lay on his face and groaned for me,
And shed like bitter tears!
Oh, how those groans will count in heaven against me!
One for pain's cruelty, but two for mine,
That gave a sting to his anguish.
His dying breath will mount to the skies and curse me.
His angered ghost
Will haunt my sight, and when I'd look upon you
Step in like a blot between us.

LAMIA.
Go, go! or you will hate me. Go and leave me!
If I now strive by words or tears to stay you
For my pleasure's sake or pain's,
You'd say there was something brutal in my nature
Of cold and fiendish, and unlike woman;
Some taint that devilish—
Yet give me one long look before you go—
One last long look!

[She fixes her eyes on his.
LYCIUS.
O gods! my spirit fails me,
And I have no strength to go, although I would!

LAMIA.
Perhaps he is dead already!


251

LYCIUS.
Ha! Why, then,
What can I? Or, if not, what can I still?
Can I keep him from his urn? or give him breath?
Or replenish him with blood?

LAMIA.
Alas! alas!
Would I had art or skill enough to heal him!

LYCIUS.
Ay, art and skill, indeed, do more than love
In such extremities. Stay! here, hard by,
There dwells a learned and most renowned physician,
Hath wrought mere miracles.
Him I'll engage, armed with our vows and prayers,
To spend his utmost study on my father,
And promptly visit him. A short farewell.

[Exit. Domus follows.
LAMIA.
Farewell—be not o'er long. It made me tremble
That he should see his father! The oldest eyes
Look through some fogs that young ones cannot fathom,
And lay bare mysteries. Ah me! how frail
Are my foundations! Dreams, mere summer dreams,
Which, if a day-beam pierce, return to nothing!
And let in sadder shows. A foot—so soon!
Why, then, my wishes hold.

Enter Domus and Picus.
DOMUS.
He's gone! he's gone!
He had not snuffed the air, outside o' the gate,

252

When it blew a change in his mind. He bade me tell you,
A voice from the sky-roof, where the gods look down,
Commanded him to his father.

LAMIA.
No more! no more!
(The skies begin, then, to dispute my charms.)
But did he ne'er turn back?

DOMUS.
Ay, more than twice
He turned on his heel, and stood—then turned again,
And tramped still quicker as he got from hence,
Till at last he ran like a lapwing!

LAMIA.
This is a tale
Coined by the silly drunkard. You, sir, speak.

[To Picus.
PICUS.
Nay, by our troths—

LAMIA.
Then, sirrah, do not speak.
If such vile sense be truth, I've had too much on't.
Hence! fly! or I will kill you with a frown.
You've maddened me!

PICUS.
I saw her eyes strike fire!

[Picus and Domus run out. Lamia looks round the chamber
LAMIA.
Alone! alone!
Then, Lamia, weep, and mend your shatter-web,
And hang your tears, like morning dew, upon it.
Look how your honey-bee has broken loose

253

Through all his meshes, and now wings away,
Showing the toils were frail. Ay, frail as gossamers
That stretch from rose to rose. Some adverse power
Confronts me, or he could not tear them thus.
Some evil eye has pierced my mystery!
A blight is in its ken!
I feel my charms decay—my will's revoked—
And my keen sight, once a prophetic sense,
Is blinded with a cloud, horrid and black,
Like a veil before the face of Misery!

Another Apartment in Lamia's House. Enter Julius (Lycius's brother) and Domus.
JULIUS.
Rumour has not belied the house i' the least;
'Tis all magnificent. I pray you, sir,
How long has your master been gone?

DOMUS.
About two quarts, sir;
That is, as long as one would be a drinking 'em.
'Tis a very little while since he set off, sir.

JULIUS.
You keep a strange reckoning.
Where is your mistress? Will she see me?

DOMUS.
Ay, marry;
That is, if you meet; for it is good broad daylight.

JULIUS.
This fellow's manners speak but ill for the house.
(Aside.)
Go, sirrah, to your lady, with my message:
Tell her one Julius, Lycius's best friend,

254

Desires a little converse. Exit Domus

Now for this miracle, whose charms have bent
The straightest stem of youth strangely awry—
My brother Lycius!
He was not use to let his inclination
Thus domineer his reason: the cool, grave shade
Of Wisdom's porch dwelt ever on his brow
And governed all his thoughts, keeping his passions
Severely chastened. Lo! she comes. How wondrously
Her feet glide o'er the ground. Ay, she is beautiful!
So beautiful, my task looks stern beside her,
And duty faints like doubt. Enter Lamia.

Oh, thou sweet fraud!
Thou fair excuse for sin, whose matchless cheek
Vies blushes with the shame it brings upon thee,
Thou delicate forgery of love and virtue,
Why art thou as thou art, not what here seems
So exquisitely promised?

LAMIA.
Sir, do you know me?
If not—and my near eyes declare you strange—
Mere charity should make you think me better.

JULIUS.
Oh, would my wishful thought could think no worse
Than I might learn by gazing.
Why are not those sweet looks—those heavenly looks,
True laws to judge thee by, and call thee perfect?
'Tis pity, indeed 'tis pity,
That anything so fair should be a fraud!

LAMIA.
Sir, I beseech you, wherefore do you hang

255

These elegies on me? For pity's sake
What do you take me for? No woman, sure,
By aiming thus to wound me

(weeping).
JULIUS.
Ay, call these tears
Into your ready eyes! I'd have them scald
Your cheeks until they fade, and wear your beauty
To a safe and ugly ruin. Those fatal charms
Can show no sadder wreck than they have brought
On many a noble soul, and noble mind.
Pray count me:
How many men's havocks might forerun the fall
Of my lost brother Lycius?

LAMIA.
Are you his brother?
Then I'll not say a word to vex you: not a look
Shall aim at your offence. You are come to chide me.
I know, for winning him to sell his heart
At such a worthless rate. Yet I will hear you,
Patiently, thankfully, for his dear sake.
I will be as mild and humble as a worm
Beneath your just rebuke. 'Tis sure no woman
Deserved him; but myself the least of all,
Who fall so far short in his value.

JULIUS.
She touches me!

(Aside.)
LAMIA.
Look, sir, upon my eyes. Are they not red?
Within an hour, I've rained a flood of tears.
To feel, to know
I am no better than the thing I am,

256

Having but just now learned to rate my vileness.
You cannot charge
My unworthy part so bitterly as I do.
If there's about me anything that's honest,
Of true and womanly, it belongs to Lycius,
And all the rest is Grief's.

JULIUS.
Then I'll not grieve you—
I came with frowns, but I depart in tears
And sorrow for you both; for what he was,
And what you might have been—a pair of wonders.
The grace and pride of nature—now disgraced,
And fallen beyond redress.

LAMIA.
You wring my heart!

JULIUS.
Ay, if you think how you have made him stain
The fair-blown pride of his unblemished youth,
His studious years—
And for what poor exchange? these fading charms—
I will not say how frail.

LAMIA.
O hold—pray hold!
Your words have subtle cruel stings, and pierce
More deeply than you aim! This sad heart knows
How little of such wrong and spiteful ill
Were in love's contemplation when it clasped him!
Lycius and bliss made up my only thought;
But now, alas!
A sudden truth dawns on me, like a light

257

Through the remainder tatters of a dream,
And shows my bliss in shreds.

JULIUS.
I pity you!
Nay, doubtless, you will be, some wretched day,
A perished cast-off weed when found no flower—
Or else even then, his substance being gone,
My brother's heart will break at your desertion.

LAMIA.
O never, never! [Fervently.

Never, by holy truth! while I am woman
Be false what may, at least my heart is honest.
Look round you, sir; this wealth, such as it is,
Once mine, is now all his; and when 'tis spent,
I'll beg for him, toil for him, steal for him!
God knows how gladly I would share his lot
This speaking moment in a humble shed,
Like any of our peasants!—ay, lay these hands
To rude and rugged tasks, expose these cheeks
You are pleased to flatter, to the ardent sun;
So we might only live in safe pure love
And constant partnership—never to change
In each other's hearts and eyes!

JULIUS.
You mend your fault.
This late fragmental virtue much redeems you;
Pray, cherish it. Hark! what a lawless riot. [A loud boisterous shout is heard from below.

O hope—Again! (the noise renewed)
why then this is a triumph

Of your true fame, which I had just mistaken;
Shame on thee, smooth dissembler—shame upon thee!

258

Is this the music of your songs of sorrow,
And well-feigned penitence—lo! here, are these
Your decent retinue—

Enter the wild Gallants, flushed with wine.
LAMIA.
Sir, by Heaven's verity
I do not know a face! indeed I do not;
They are strange to me as the future.

CURIO.
Then the future
Must serve us better, chuck. Here, bully mates,
These, lady, are my friends, and friends of Lycius!

JULIUS.
Is it so?—then Lycius is fallen indeed!

CURIO.
Ay, he has had his trip—as who has not, sir?
I'll warrant you've had your stumbles.

JULIUS.
Once—on an ape.
Get out o' the way of my shins.

[Going.
LAMIA.
Sir, dearest sir,
In pity do not go, for your brother's sake,
If not for mine—take up my guardianship
'Gainst these ungentle men.

[She lays hold of Julius.
JULIUS.
Off, wanton, off!
Would you have me of your crew, too?

Exit roughly.

259

GALLO.
Let him go!—
He has a graft in him of that sour crab,
The Apollonius—let him go, a churl!

CURIO.
Sweet lady, you look sad—fie, it was ill done of Lycius
To leave his dove so soon—but he has some swan
At nest in another place.

GALLO.
I'll bet my mare on't.

LAMIA.
Kind sirs, indeed I'm sorry
Your friend's not here. If he were by,
He would help you to your welcome.

CURIO.
We've no doubt on't; [Bitterly.

But we'll not grieve, since here we are quite enough
For any merriment.

GALLO.
And as for a welcome,
We'll acknowledge it on your cheer.

LAMIA.
Then that's but sorry, sir,
If you mean what lies in my heart.

GALLO.
No, no, in faith,
We mean what lies in your cellar—wine, rare wine,
We will pledge you in floods on't, and when knocked off our legs,
Adore you on our knees.


260

LAMIA.
Hear me, sweet gentles,
How you shall win my favour. Set to work and copy—
Be each a Lycius.

GALLO.
Lycius, forsooth! hang him!
A model again! the perfect model!

CURIO.
As if we could not match his vices!
Pray ask your Lycius, when he's new come back
(If ever he come back),
What his father ailed, or if he ailed at all,
And how it ailed too, that his brother Julius
Got no such forged advice.

GALLO.
It had charmed your heart to see how swift he ran
(Whether to get from hence or gain elsewhere,
I know not), but I never saw such striving,
Save at the Olympic games to win the goal.

(ALL.)
Ha! ha! ha!

LAMIA.
Laugh on, I pray, laugh on. Ye puny spites!
You think to fret me with those ill-coined tales;
But look, I join in your glee, [She attempts to laugh.

Or if I cannot, 'tis because I'm choked with a curse.

[She hurries out.
GALLO.
It works! it wings her! What shall we next?
Follow her, or carry her off?


261

CURIO.
These are too violent,
And perilous to ourselves; but I will fit
Our revenge to its other half. Sir Lycius now
Must have the green eye set in his head, and then
They'll worry each other's hearts without our help.
Julius or Apollonius will be our ready organs
To draw his ear.

GALLO.
'Tis plausible, and cannot fail to part 'em,
And when he has shaken her from off his bough
It needs she must fall to us.

CURIO.
I wonder where
That poor sick fool Mercutius is gone?
He hath a chance now.

GALLO.
Methought I glanced him
Below, and, forsooth, disguised as a serving-man;
But he avoided me.

CURIO.
The subtle fox!
Let us go beat him up.

[Exeunt, hallooing.

262

SCENE VI.

The Street before Lamia's House. Enter Apollonius with Julius.
APOLLONIUS.
I say she is a snake—

JULIUS.
And so say I;

APOLLONIUS.
But not in the same sense—

JULIUS.
No, not exactly.
You take that literal, which I interpret
But as a parable—a figure feigned
By the elder sages (much inclined to mark
Their subtle meanings in dark allegories)
For those poisonous natures—those bewitching sins—
That armed and guarded with a woman's husk,
But viperous within, seduce young hearts,
And sting where they are cherished.

APOLLONIUS.
Your guess is shrewd;
Nay, excellent enough to have been my own.
But, hark you, I have read in elder oracles
Than ever you will quote, the fact which backs me.
In Greece, in the midst of Greece, it hath been known,
And attested upon oath, i' the faith of multitudes,
That such true snakes have been—real hissing serpents,
Though outwardly like women.
With one of such, a youth, a hopeful youth,

263

Sober, discreet, and able to subdue
His passions otherwise—even like our Lycius—
For a fortnight lived in a luxury of wealth,
Till suddenly she vanished, palace and all,
Like the shadow of a cloud.

JULIUS.
The dainty fable!
But now unto the proof. Methinks this sounds
Like a real door (knocking)
; a cloud scarce wars so,

But when Jove strikes it with a thunderbolt.
I'll tell you, sir,
She is a wanton, and that's quite enough
To perish a world of wealth. [Picus comes to the door.

Ho, sirrah! fellow!
Is your lady now within?

PICUS.
No, sir, she's out.
Something hath put her out—she will see nobody.
She's ill, she's grievous bad—her head won't bear
The rout of company.

[A loud shout without.
APOLLONIUS.
Why, then, I think
The medical conclave might observe more quiet.
Look, knave! are these her grave, her learned physicians?
Well met, sirs.

[Another shout, and Curio, &c., issue forth.
CURIO.
That's as may be. Ha! old mastiff!
Go to your kennel.

JULIUS.
You are just in time, sirs,

264

To settle our dispute: we have a gage on't,
The sophist here and I.
There is one lives in that house— (pointing to Lamia's)
—how would you call her?

A woman?

CURIO.
Ay; and sure a rare one,
As I have proved upon her lips.

[Lamia opens a window gently and listens.
GALLO.
Ay, marry, have we!
She was kind enough, for our poor sakes, to send
One Lycius, her late suitor, on an errand
That will make him footsore.

CURIO.
Yes, a sort of summons
Cunningly forged to bid him haste to his father,
Who lay in the jaws of death. Lord, how he'll swear
To find the old cock quite well!

JULIUS.
This is too true. [To Apollonius.

I left our father but this very morn
The halest of old men. He was then on his way
Toward this city, on some state affair.
They'll encounter upon the road!

APOLLONIUS.
Here is some foul and double-damned deception. [Lamia, by signs, assents to this reflection.

I'll catechise myself. Here, sir—you—you— [To Curio.

Who have gazed upon this witch, touched her, and talked with her,
How know you she is woman, flesh and blood,

265

True clay and mortal lymph, and not a mockery
Made up of infernal elements of magic?
Canst swear she is no cloud—no subtle ether—
No fog, bepainted with deluding dyes—
No cheating underplot—no covert shape,
Making a filthy masquerade of nature?
I say, how know ye this?

CURIO.
How? by my senses.
If I nipped her cheek till it brought the white and red,
I wot she is no fog.

APOLLONIUS.
Fie on the senses!
What are the senses but our worst arch-traitors?
What is a madman but a king betrayed
By the corrupted treason of his senses?
His robe a blanket, and his sceptre a straw,
His crown his bristled hair.
Fie on the shallow senses! What doth swear
Such perjuries as the senses?—what give birth
To such false rumors and base verdicts render
In the very spite of truth? Go to: thy senses
Are bond-slaves, both to madness and to magic,
And all the mind's disease. I say the senses
Deceive thee, though they say a stone's a stone.
And thou wilt swear by them an oath, forsooth,
And say the outer woman is utter woman,
And not a whit a snake! Hark! there's my answer. [Lamia closes the window violently.

That noise shall be my comment.

GALLO.
He talks in riddles,

266

Like a sphinx lapped in a blanket. Gentles—Curio—
Let us leave him to his wisdom.

APOLLONIUS.
Ay, I'll promise
'Twill dive far deeper than your feather wits
Into some mysteries.

[Going towards the door.
CURIO.
There's one I know in her house,
By name Mercutius, a most savage fellow:
I commend ye to his wrath.

Exeunt Curio, Gallo, &c.
APOLLONIUS.
So, get ye gone,
Ye unregarded whelps.

JULIUS.
But will you in,
Whether she will or no?

APOLLONIUS.
Indeed I mean it.
Sirrah (to Picus)
, lead on. I'll charge you with your message.


[Exeunt.

SCENE VII.

A Chamber in Lamia's House. Enter Mercutius in a distracted manner.
MERCUTIUS.
Where is this haunting witch? Not here! not here!—
Why then for a little rest and unlooked calm—
Ay, such a calm

267

As the shipmate curses on the stagnate sea
Under the torrid zone, that bakes his deck
Till it burns the sole of his foot. My purpose idles,
But my passions burn without pause; O how this hot
And scarlet plague runs boiling through my veins
Like a molten lava! I'm all parched up.
There's not a shady nook throughout my brain
For a quiet thought to lie—no, not a spring
Of coolness left in my heart. If I have any name,
It is Fever, who is all made up of fire,
Of pangs—deliriums—raving ecstacies—
And desperate impulse. Ha! a foot!—I know it!—
Now then, I'll ambush here, and come upon her
Like a wild boar from a thicket.

[He hides himself behind an arras: Lamia enters, holding her forehead betwixt her palms.
LAMIA.
This should be a real head, or 'twould not throb so;
Who ever doubts it?
I would he had these racking pains within;
Ay, and those he hath set in my heart, to drive him mad.
How now, sir!

Enter Picus.
PICUS.
There are two below beseech you
For a conference. The one's a wrinkled greybeard,
The other—

LAMIA.
You need not name. I will see neither;
And tell them—look—with a copy of this frown,
If they congregate again beneath my eaves,

268

I have that will hush their twitting.
[Exit Picus.
Why must I reap
These unearned spites where I have sown no hate?
Do the jealous gods
Stir up these cankered spirits to pursue me?
Another! (Mercutius comes forward)
What brings thee hither?


MERCUTIUS
(gloomily).
I do not know—
If love or hate—indeed I do not know—
Or whether a twine of both—they're so entangled.
Mayhap to clasp thee to my heart, and kiss thee,
To fondle thee, or tear thee, I do not know:
Whether I come to die, or work thy death,
Whether to be thy tyrant or thy slave,
In truth, I do not know.
But that some potent yearning draws me to thee,
Something, as if those lips were rich and tempting,
And worthy of caressing—fondly endeared—
And something as if a tortured devil within me
Sought revenge of his pangs: I cannot answer
Which of these brings me hither.

LAMIA.
Then prythee hence,
Till that be analysed.

MERCUTIUS.
Ha! ha! turn back:
Why if I am a tiger—here's my prey—
Or if the milk-mild dove—here is my choice—
Do you think I shall turn back howe'er it be?
Let the embrace prove which. Nay, do not shrink,

269

If an utter devil press into thy arms,
Thyself invoked him!

LAMIA.
Ah! I know by this
Your bent is evil!

MERCUTIUS.
Then 'twas evil born!
As it works 'twas wrought on—look—say what I am,
For I have no recognisance of myself.
Am I wild beast or man—civil or savage—
Reasoning or brutal—or gone utter mad—
So am I as thou turned me—hellish or heavenly,
The slavish subject of thy influence—
I know not what I am—nor how I am,
But by thy own enforcement—come to force thee,
Being passion-mad.

LAMIA.
How have I brought thee hither?
I would thou wert away!

MERCUTIUS.
Why dost thou sit, then,
I' the middle of a whirlpool drawing me unto thee?
My brain is dizzy, and my heart is sick,
With the circles I have made round thee and round thee!
Till I dash into thy arms!

LAMIA.
There shalt thou never
Go! desperate man; away!—and fear thy gods,
Or else the hot indignation in my eyes
Will blast thee. O, beware! I have within me

270

A dangerous nature, which, if thou provoke,
Acts cruelty. Ne'er chafe me; thou hadst better
Ruffle a scorpion than the thing I am!
Away!
Or I'll bind thy bones till they crack!

MERCUTIUS.
Ha! ha! dost threaten?
Why then come ruin, anguish or death,
Being goaded onward by my headlong fate
I'll clasp thee!—
Though there be sugared venom on thy lips
I'll drink it to the dregs—though there be plagues
In thy contagious touch—or in thy breath
Putrid infections—though thou be more cruel
Than lean-ribbed tigers—thirsty and open fanged,
I will be as fierce a monster for thy sake,
And grapple thee.

LAMIA.
Would Lycius were here!

MERCUTIUS.
Ha! would'st thou have him gashed and torn in strips
As I would scatter him? then so say I
“Would Lycius were here!” I have oft clenched
My teeth in that very spite.

LAMIA.
Thou ruthless devil!
To bear him so bloody a will!—Why then, come hither,
We are a fit pair.

[Mercutius embracing her, she stabs him in the back with a small dagger.

271

MERCUTIUS
(falling).
O thou false witch!
Thou hast pricked me to the heart! Ha! what a film
Falls from my eyes!—or have the righteous gods
Transformed me to a beast for this! Thou crawling spite,
Thou hideous—venomous—

[Dies.
LAMIA.
Let the word choke thee!
I know what I am. Thou wilful desperate fool,
To charge upon the spikes!—thy death be upon thee!—
Why would'st thou have me sting? Heaven knows I had spared thee,
But for thy menace of a dearer life.
O! Lycius! Lycius!
I have been both woman and serpent for thy sake—
Perchance to be scorned in each:—I have but gored
This ill-starred man in vain!—hush, methought he stirred;
I'll give him another thrust (stabs the body)
; there—lie thou quiet.

What a frown he hath upon his face! May the gods ne'er mention it
In their thunders, nor set the red stain of his blood
For a sign of wrath in the sky!—O thou poor wretch!
Not thee, dull clod!—but for myself I weep—
The sport of malicious destinies!
Why was I heiress of these mortal gifts
Perishing all whether I love or hate?
Nay, come out of sight [To the body.

With thy dismal puckering look—'twill fright the world
Out of its happiness. [She drags the body aside, and covers it with drapery.

Would I could throw
A thicker curtain on thee—but I see thee

272

All through and through, as though I had
The eyes of a god within; alas, I fear
I am here all human, and have that fierce thing
They call a conscience!

[Exit.

273

1829.


275

ON A PICTURE OF HERO AND LEANDER.

Why, Lover, why
Such a water rover?
Would she love thee more
For coming half seas over?
Why, Lady, why
So in love with dipping?
Must a lad of Greece
Come all over dripping?
Why, Cupid, why
Make the passage brighter?
Were not any boat
Better than a lighter?
Why, Madam, why
So intrusive standing?
Must thou be on the stair
When he's on the landing?

276

THE FAREWELL.

[_]

TO A FRENCH AIR.

Fare thee well,
Gabrielle!
Whilst I join France,
With bright cuirass and lance!
Trumpets swell,
Gabrielle!
War horses prance,
And Cavaliers advance!
In the night,
Ere the fight,
In the night,
I'll think of thee!
And in pray'r,
Lady fair,
In thy pray'r,
Then think of me!
Death may knell,
Gabrielle!
Where my plumes dance,
By arquebuss or lance!
Then farewell,
Gabrielle!
Take my last glance!
Fair Miracle of France!

293

THE DREAM OF EUGENE ARAM.

'Twas in the prime of summer time,
An evening calm and cool,
And four-and-twenty happy boys
Came bounding out of school:
There were some that ran and some that leapt,
Like troutlets in a pool.
Away they sped with gamesome minds,
And souls untouch'd by sin;
To a level mead they came, and there
They drave the wickets in:
Pleasantly shone the setting sun
Over the town of Lynn.

294

Like sportive deer they coursed about,
And shouted as they ran,—
Turning to mirth all things of earth,
As only boyhood can;
But the Usher sat remote from all,
A melancholy man!
His hat was off, his vest apart,
To catch heaven's blessed breeze;
For a burning thought was in his brow,
And his bosom ill at ease:
So he lean'd his head on his hands, and read
The book between his knees!
Leaf after leaf he turn'd it o'er,
Nor ever glanced aside,
For the peace of his soul he read that book
In the golden eventide:
Much study had made him very lean,
And pale, and leaden-eyed.
At last he shut the ponderous tome,
With a fast and fervent grasp
He strain'd the dusky covers close,
And fix'd the brazen hasp:
“Oh, God! could I so close my mind,
And clasp it with a clasp!”
Then leaping on his feet upright,
Some moody turns he took,—
Now up the mead, then down the mead,
And past a shady nook,—
And, lo! he saw a little boy
That pored upon a book!

295

“My gentle lad, what is 't you read—
Romance or fairy fable?
Or is it some historic page,
Of kings and crowns unstable?”
The young boy gave an upward glance,—
“It is ‘The Death of Abel.’”
The Usher took six hasty strides,
As smit with sudden pain,—
Six hasty strides beyond the place,
Then slowly back again;
And down he sat beside the lad,
And talk'd with him of Cain;
And, long since then, of bloody men,
Whose deeds tradition saves;
Of lonely folk cut off unseen,
And hid in sudden graves;
Of horrid stabs, in groves forlorn,
And murders done in caves;
And how the sprites of injured men
Shriek upward from the sod,—
Aye, how the ghostly hand will point
To show the burial clod;
And unknown facts of guilty acts
Are seen in dreams from God!
He told how murderers walk the earth
Beneath the curse of Cain,—
With crimson clouds before their eyes,
And flames about their brain:
For blood has left upon their souls
Its everlasting stain!

296

“And well,” quoth he, “I know, for truth,
Their pangs must be extreme,—
Woe, woe, unutterable woe,—
Who spill life's sacred stream!
For why? Methought, last night, I wrought
A murder, in a dream!
“One that had never done me wrong—
A feeble man, and old;
I led him to a lonely field,—
The moon shone clear and cold:
Now here, said I, this man shall die,
And I will have his gold!
“Two sudden blows with a ragged stick,
And one with a heavy stone,
One hurried gash with a hasty knife,—
And then the deed was done:
There was nothing lying at my foot
But lifeless flesh and bone!
“Nothing but lifeless flesh and bone,
That could not do me ill;
And yet I fear'd him all the more,
For lying there so still:
There was a manhood in his look,
That murder could not kill!
“And, lo! the universal air
Seem'd lit with ghastly flame;—
Ten thousand thousand dreadful eyes
Were looking down in blame:
I took the dead man by his hand,
And call'd upon his name!

297

“Oh, God! it made me quake to see
Such sense within the slain!
But when I touch'd the lifeless clay,
The blood gush'd out amain!
For every clot, a burning spot
Was scorching in my brain!
“My head was like an ardent coal,
My heart as solid ice;
My wretched, wretched soul, I knew,
Was at the Devil's price:
A dozen times I groan'd; the dead
Had never groan'd but twice!
“And now, from forth the frowning sky,
From the Heaven's topmost height,
I heard a voice—the awful voice
Of the blood-avenging Sprite:—
‘Thou guilty man! take up thy dead
And hide it from my sight!’
“I took the dreary body up,
And cast it in a stream,—
A sluggish water, black as ink,
The depth was so extreme:—
My gentle Boy, remember this
Is nothing but a dream!
“Down went the corse with a hollow plunge,
And vanish'd in the pool;
Anon I cleansed my bloody hands,
And wash'd my forehead cool,
And sat among the urchins young,
That evening in the school.

298

“Oh, Heaven! to think of their white souls,
And mine so black and grim!
I could not share in childish prayer,
Nor join in Evening Hymn:
Like a Devil of the Pit I seem'd,
'Mid holy Cherubim!
“And peace went with them, one and all,
And each calm pillow spread;
But Guilt was my grim Chamberlain
That lighted me to bed;
And drew my midnight curtains round,
With fingers bloody red!
“All night I lay in agony,
In anguish dark and deep;
My fever'd eyes I dared not close,
But stared aghast at Sleep:
For Sin had render'd unto her
The keys of Hell to Keep!
“All night I lay in agony,
From weary chime to chime,
With one besetting horrid hint,
That rack'd me all the time;
A mighty yearning, like the first
Fierce impulse unto crime!
“One stern tyrannic thought, that made
All other thoughts its slave;
Stronger and stronger every pulse
Did that temptation crave,—
Still urging me to go and see
The Dead Man in his grave!

299

“Heavily I rose up, as soon
As light was in the sky,
And sought the black accursed pool
With a wild misgiving eye;
And I saw the Dead in the river bed,
For the faithless stream was dry.
“Merrily rose the lark, and shook
The dew-drop from its wing;
But I never mark'd its morning flight,
I never heard it sing:
For I was stooping once again
Under the horrid thing.
“With breathless speed, like a soul in chase,
I took him up and ran;—
There was no time to dig a grave
Before the day began:
In a lonesome wood, with heaps of leaves
I hid the murder'd man!
“And all that day I read in school,
But my thought was other where;
As soon as the mid-day task was done,
In secret I was there:
And a mighty wind had swept the leaves,
And still the corse was bare!
“Then down I cast me on my face,
And first began to weep,
For I knew my secret then was one
That earth refused to keep:
Or land or sea, though he should be
Ten thousand fathoms deep.

300

“So wills the fierce avenging Sprite,
Till blood for blood atones!
Ay, though he's buried in a cave,
And trodden down with stones,
And years have rotted off his flesh,—
The world shall see his bones!
“Oh, God! that horrid, horrid dream
Besets me now awake!
Again—again, with dizzy brain,
The human life I take;
And my red right hand grows raging hot,
Like Cranmer's at the stake.
“And still no peace for the restless clay,
Will wave or mould allow;
The horrid thing pursues my soul,—
It stands before me now!”
The fearful Boy look'd up, and saw
Huge drops upon his brow.
That very night, while gentle sleep
The urchin eyelids kiss'd,
Two stern-faced men set out from Lynn,
Through the cold and heavy mist;
And Eugene Aram walk'd between,
With gyves upon his wrist.

306

THE EPPING HUNT.

“HUNT'S ROASTED ------.”

“On Monday they began to hunt.” —Chevy Chase.

John Huggins was as bold a man
As trade did ever know;
A warehouse good he had, that stood
Hard by the church of Bow.
There people bought Dutch cheeses round
And single Glos'ter flat;
And English butter in a lump,
And Irish—in a pat.
Six days a week beheld him stand,
His business next his heart,
At counter, with his apron tied
About his counter-part.

307

The seventh, in a Sluice-house box
He took his pipe and pot;
On Sundays, for eel-piety,
A very noted spot.
Ah, blest if he had never gone
Beyond its rural shed!
One Easter-tide, some evil guide
Put Epping in his head!
Epping, for butter justly famed,
And pork in sausage popp'd;
Where, winter time or summer time,
Pig's flesh is always chopp'd.
But famous more, as annals tell,
Because of Easter chase;
There every year, 'twixt dog and deer,
There is a gallant race.
With Monday's sun John Huggins rose,
And slapped his leather thigh,
And sang the burden of the song,
“This day a stag must die.”
For all the live-long day before,
And all the night in bed,
Like Beckford, he had nourished “Thoughts
On Hunting” in his head.
Of horn and morn, and hark and bark,
And echo's answering sounds,
All poets' wit hath every writ
In dog-rel verse of hounds.

308

Alas! there was no warning voice
To whisper in his ear,
Thou art a fool in leaving Cheap
To go and hunt the deer!
No thought he had of twisted spine,
Or broken arms or legs;
Not chicken-hearted he, although
'Twas whispered of his eggs!
Ride out he would, and hunt he would,
Nor dreamt of ending ill;
Mayhap with Dr. Ridout's fee,
And Surgeon Hunter's bill.
So he drew on his Sunday boots,
Of lustre superfine;
The liquid black they wore that day
Was Warren-ted to shine.
His yellow buckskins fitted close,
As erst upon a stag;
Thus well equipped he gayly skipped,
At once upon his nag.
But first to him that held the rein
A crown he nimbly flung;
For holding of the horse?—why, no—
For holding of his tongue.
To say the horse was Huggins' own
Would only be a brag;
His neighbour Fig and he went halves,
Like Centaurs, in a nag.

309

And he that day had got the gray,
Unknown to brother cit;
The horse he knew would never tell,
Although it was a tit.
A well-bred horse he was, I wis,
As he began to show,
By quickly “rearing up within
The way he ought to go.”
But Huggins, like a wary man,
Was ne'er from saddle cast;
Resolved, by going very slow,
On sitting very fast.
And so he jogged to Tot'n'am Cross,
An ancient town well known,
Where Edward wept for Eleanor
In mortar and in stone.
A royal game of fox and goose,
To play on such a loss;
Wherever she set down her orts,
Thereby he put a cross.
Now Huggins had a crony here,
That lived beside the way;
One that had promised sure to be
His comrade for the day.
Whereas the man had changed his mind
Meanwhile upon the case!
And meaning not to hunt at all,
Had gone to Enfield Chase!

310

For why, his spouse had made him vow
To let a game alone,
Where folks that ride a bit of blood
May break a bit of bone.
“Now, be his wife a plague for life!
A coward sure is he!”
Then Huggins turned his horse's head,
And crossed the bridge of Lea,
Thence slowly on through Laytonstone,
Past many a Quaker's box—
No Friends to hunters after deer,
Though followers of a Fox.
And many a score behind—before—
The self-same rout inclined;
And, minded all to march one way,
Made one great march of mind.
Gentle and simple, he and she,
And swell, and blood, and prig;
And some had carts, and some a chaise,
According to their gig.
Some long-eared jacks, some knacker's hacks
(However odd it sounds),
Let out that day to hunt, instead
Of going to the hounds!
And some had horses of their own,
And some where forced to job it:
And some, while they inclined to Hunt,
Betook themselves to Cob-it.

311

All sorts of vehicles and vans,
Bad, middling, and the smart;
Here rolled along the gay barouche,
And there a dirty cart!
And lo! a cart that held a squad
Of costermonger line;
With one poor hack, like Pegasus,
That slaved for all the Nine!
Yet marvel not at any load
That any horse might drag;
When all, that morn, at once were drawn
Together by a stag.
Now when they saw John Huggins go
At such a sober pace;
“Hallo!” cried they; “come, trot away,
You'll never see the chase!”
But John, as grave as any judge,
Made answer quite as blunt;
“It will be time enough to trot,
When I begin to hunt!”
And so he paced to Woodford Wells,
Where many a horseman met,
And letting go the reins, of course,
Prepared for heavy wet.
And lo! within the crowded door,
Stood Rounding, jovial elf;
Here shall the Muse frame no excuse,
But frame the man himself.

312

A snow-white head, a merry eye,
A cheek of jolly blush;
A claret tint laid on by health,
With master Reynard's brush;
A hearty frame, a courteous bow,
The prince he learned it from;
His age about threescore and ten,
And there you have Old Tom.
In merriest key I trow was he,
So many guests to boast;
So certain congregations meet,
And elevate the host.
“Now welcome lads,” quoth he, “and prads,
You're all in glorious luck:
Old Robin has a run to-day,
A noted forest buck.
Fair Mead's the place, where Bob and Tom,
In red already ride;
'Tis but a step, and on a horse,
You soon may go a-stride.”
So off they scampered, man and horse,
As time and temper pressed—
But Huggins, hitching on a tree,
Branched off from all the rest.
Howbeit he tumbled down in time
To join with Tom and Bob,
All in Fair Mead, which held that day
Its own fair meed of mob.

313

Idlers to wit—no Guardians some,
Of Tattlers in a squeeze;
Ramblers in heavy carts and vans,
Spectators up in trees.
Butchers on backs of butchers' hacks,
That shambled to and fro!
Bakers intent upon a buck,
Neglectful of the dough!
Change Alley Bears to speculate,
As usual for a fall;
And green and scarlet runners, such
As never climbed a wall!
'Twas strange to think what difference
A single creature made;
A single stag had caused a whole
Stagnation in their trade.
Now Huggins from his saddle rose,
And in the stirrups stood;
And lo! a little cart that came
Hard by a little wood.
In shape like half a hearse—though not
For corpses in the least;
For this contained the deer alive,
And not the dear deceased!
And now began a sudden stir,
And then a sudden shout,
The prison doors were opened wide,
And Robin bounded out!

314

His antlered head shone blue and red,
Bedecked with ribbons fine;
Like other bucks that comes to 'list
The hawbucks in the line.
One curious gaze of mild amaze,
He turned and shortly took:
Then gently ran adown the mead,
And bounded o'er the brook.
Now Huggins, standing far aloof,
Had never seen the deer,
Till all at once he saw the beast
Come charging in his rear.
Away he went, and many a score
Of riders did the same,
On horse and ass—like High and Low
And Jack pursuing Game!
Good Lord! to see the riders now,
Thrown off with sudden whirl,
A score within the purling brook,
Enjoyed their “early purl.”
A score were sprawling on the grass,
And beavers fell in showers;
There was another Floorer there,
Beside the Queen of Flowers!
Some lost their stirrups, some their whips,
Some had no caps to show:
But few, like Charles at Charing Cross,
Rode on in Statue quo.

315

“O dear! O dear!” now might you hear,
“I've surely broke a bone;”
“My head is sore”—with many more
Such Speeches from the Thrown.
Howbeit their wailings never moved
The wide Satanic clan,
Who grinned, as once the Devil grinned,
To see the fall of Man.
And hunters good, that understood,
Their laughter knew no bounds,
To see the horses “throwing off”
So long before the hounds.
For deer must have due course of law,
Like men the Courts among;
Before those Barristers the dogs
Proceed to “giving tongue.”
But now Old Robin's foes were set
That fatal taint to find,
That always is scent after him,
Yet always left behind.
And here observe how dog and man
A different temper shows:
What hound resents that he is sent
To follow his own nose?
Towler and Jowler—howlers all,
No single tongue was mute;
The stag had led a hart, and lo!
The whole pack followed suit.

316

No spur he lacked; fear stuck a knife
And fork in either haunch;
And every dog he knew had got
An eye-tooth to his paunch!
Away, away! he scudded like
A ship before the gale;
Now flew to “hills we know not of,”
Now, nun-like, took the vale.
Another squadron charging now,
Went off at furious pitch;—
A perfect Tam O'Shanter mob,
Without a single witch.
But who was he with flying skirts,
A hunter did endorse,
And, like a poet, seemed to ride
Upon a wingèd horse?
A whipper-in? no whipper in:
A huntsman? no such soul:
A connoisseur, or amateur?
Why, yes—a horse patrol.
A member of police, for whom
The county found a nag,
And, like Acteon in the tale,
He found himself in stag!
Away they went, then, dog and deer,
And hunters all away;
The maddest horses never knew
Mad staggers such as they!

317

Some gave a shout, some rolled about,
And anticked as they rode;
And butchers whistled on their curs,
And milkmen tally-ho'd!
About two score there were, or more,
That galloped in the race;
The rest, alas! lay on the grass,
As once in Chevy Chase!
But even those that galloped on
Were fewer every minute;
The field kept getting more select,
Each thicket served to thin it.
For some pulled up, and left the hunt
Some fell in miry bogs,
And vainly rose and “ran a muck,”
To overtake the dogs.
And some, in charging hurdle stakes,
Were left bereft of sense;
What else could be premised of blades
That never learned to fence?
But Roundings, Tom and Bob, no gate,
Nor hedge, nor ditch could stay;
O'er all they went, and did the work
Of leap-years in a day!
And by their side see Huggins ride,
As fast as he could speed;
For, like Mazeppa, he was quite
At mercy of his steed.

318

No means he had, by timely check,
The gallop to remit,
For firm and fast, between his teeth,
The biter held the bit.
Trees raced along, all Essex fled
Beneath him as he sate;
He never saw a county go
At such a county rate!
“Hold hard! hold hard! you'll lame the dogs!”
Quoth Huggins, “so I do;
I've got the saddle well in hand,
And hold as hard as you!”
Good Lord! to see him ride along,
And throw his arms about,
As if with stitches in the side
That he was drawing out!
And now he bounded up and down,
Now like a jelly shook;
Till bumped and galled—yet not where Gall
For bumps did ever look!
And rowing with his legs the while,
As tars are apt to ride;
With every kick he gave a prick
Deep in the horse's side!
But soon the horse was well avenged
For cruel smart of spurs,
For, riding through a moor, he pitched
His master in a furze!

319

Where, sharper set than hunger is,
He squatted all forlorn;
And, like a bird, was singing out
While sitting on a thorn!
Right glad was he, as well might be,
Such cushion to resign:
“Possession is nine points,” but his
Seems more than ninety-nine.
Yet worse than all the prickly points
That entered in his skin,
His nag was running off the while
The thorns were running in!
Now had a Papist seen his sport,
Thus laid upon the shelf,
Although no horse he had to cross,
He might have crossed himself.
Yet surely still the wind is ill
That none can say is fair;
A jolly wight there was, that rode
Upon a sorry mare!
A sorry mare, that surely came
Of pagan blood and bone;
For down upon her knees she went
To many a stock and stone!
Now seeing Huggins' nag adrift,
This farmer, shrewd and sage,
Resolved, by changing horses here,
To hunt another stage!

320

Though felony, yet who would let
Another's horse alone,
Whose neck is placed in jeopardy
By riding on his own?
And yet the conduct of the man
Seemed honest-like and fair;
For he seemed willing, horse and all,
To go before the mare!
So up on Huggins' horse he got,
And swiftly rode away,
While Huggins mounted on the mare
Done brown upon a bay!
And off they set in double chase,
For such was fortune's whim,
The farmer rode to hunt the stag,
And Huggins hunted him!
Alas! with one that rode so well
In vain it was to strive;
A dab was he, as dabs should be—
All leaping and alive!
And here of Nature's kindly care
Behold a curious proof,
As nags are meant to leap, she puts
A frog in every hoof!
Whereas the mare, although her share
She had of hoof and frog,
On coming to a gate stopped short
As stiff as any log;

321

While Huggins in the stirrup stood
With neck like neck of crane,
As sings the Scottish song—“to see
The gate his hart had gane.”
And, lo! the dim and distant hunt
Diminished in a trice:
The steeds, like Cinderella's team,
Seemed dwindling into mice;
And, far remote, each scarlet coat
Soon flitted like a spark—
Though still the forest murmured back
An echo of the bark!
But sad at soul John Huggins turned:
No comfort could he find;
While thus the “Hunting Chorus” sped,
To stay five bars behind.
For though by dint of spur he got
A leap in spite of fate—
Howbeit there was no toll at all—
They could not clear the gate.
And, like Fitzjames, he cursed the hunt,
And sorely cursed the day,
And mused a new Gray's elegy
On his departed gray.
Now many a sign at Woodford town
Its Inn-vitation tells:
But Huggins, full of ills, of course
Betook him to the Wells,

322

Where Rounding tried to cheer him up
With many a merry laugh:
But Huggins thought of neighbour Fig,
And called for half-and-half.
Yet, spite of drink, he could not blink
Remembrance of his loss;
To drown a care like his, required
Enough to drown a horse.
When thus forlorn, a merry horn
Struck up without the door—
The mounted mob were all returned;
The Epping Hunt was o'er!
And many a horse was taken out
Of saddle, and of shaft;
And men, by dint of drink, became
The only “beasts of draught.”
For now begun a harder run
On wine, and gin, and beer;
And overtaken men discussed
The overtaken deer.
How far he ran, and eke how fast,
And how at bay he stood,
Deerlike, resolved to sell his life
As dearly as he could:—
And how the hunters stood aloof,
Regardful of their lives,
And shunned a beast, whose very horns
They knew could handle knives!

323

How Huggins stood when he was rubbed
By help and ostler kind,
And when they cleaned the clay before,
How worse “remained behind.”
And one, how he had found a horse
Adrift—a goodly gray!
And kindly rode the nag, for fear
The nag should go astray;
Now Huggins, when he heard the tale,
Jumped up with sudden glee;
“A goodly gray! why, then, I say,
That gray belongs to me!
“Let me endorse again my horse,
Delivered safe and sound;
And gladly I will give the man
A bottle and a pound!”
The wine was drunk—the money paid,
Though not without remorse,
To pay another man so much
For riding on his horse;—
And let the chase again take place
For many a long, long year—
John Huggins will not ride again
To hunt the Epping Deer!

MORAL.

Thus Pleasure oft eludes our grasp
Just when we think to grip her;
And hunting after Happiness,
We only hunt a slipper.

328

THE SHIP LAUNCH.

[_]

SUNG BY MR. MATHEWS IN THE ENTERTAINMENT CALLED “THE SPRING MEETING.”

WORDS BY THOMAS HOOD, ESQ. MUSIC BY S. BLEWITT.

The day is bright, the wind is light,
And gay with flags and streamers;
From side to side old Thames's tide
Is mobb'd with boats and steamers.
Put up, my dear, the bottled beer,
And pack the mutton haunch now;
Then off we go, row, brothers, row,
And let us see the launch now.

332

GOG AND MAGOG.

A GUILDHALL DUET.

MAGOG.
Why, Gog, I say, it's after One,
And yet no dinner carved;
Shall we endure this sort of fun,
And stand here to be starved?

GOG.
I really think our City Lords
Must be a shabby set;
I've stood here since King Charles's time,
And had no dinner yet!


333

MAGOG.
I vow I can no longer stay;
I say, are we to dine to-day?

GOG.
My hunger would provoke a saint,
I've waited till I'm sick and faint;
I'll tell you what, they'll starve us both,
I'll tell you what, they'll stop our growth.

MAGOG.
I wish I had a round of beef
My hungry tooth to charm;
I've wind enough in my inside
To play the Hundredth Psalm.

GOG.
And yet they feast beneath our eyes
Without the least remorse;
This very week I saw the Mayor
A feeding like a horse!

MAGOG.
Such loads of fish, and flesh, and fowl,
To think upon it makes me growl!

GOG.
I wonder where the fools were taught,
That they should keep a giant short!
They'll stop our growth, they'll stop our growth;
They'll starve us both, they'll starve us both!


334

MAGOG.
They said, a hundred years ago,
That we should dine at One;
Why, Gog, I say, our meat by this
Is rather over-done.

GOG.
I do not want it done at all,
So hungry is my maw,
Give me an Alderman in chains,
And I will eat him raw!

MAGOG.
Of starving weavers they discuss,
And yet they never think of us.
I say, are we to dine to-day;
Are we to dine to-day?

GOG.
Oh dear, the pang it is to feel
So mealy-mouthed without a meal!

MAGOG.
I'll tell you what, they'll stop our growth!

GOG.
I'll tell you what, they'll starve us both!

BOTH.
They'll stop our growth, they'll starve us both!


335

VALENTINE'S DAY.

Surely the mornin' Cupid was born in
Ought to be kept, 'tis Valentine's day,
Father and Mother, Sister and Brother;
This, that and t'other may preach as they may,
But nothing shall hinder a peep at the winder
To see if the Postman is over the way.

339

THE LORD MAYOR'S SHOW.

[_]

SUNG BY MR. MATHEWS FOR THE SPRING MEETING.

[[1.]]

How well I remember the ninth of November,
The sky very foggy, the Sun looking groggy,
In fact, altogether pea-soup coloured weather.
Shop-windows all shuttered, the pavement all buttered,
Policemen paraded, the street barricaded,
And a peal from the steeple of Bow!
Low women in pattens, high ladies in satins,
And Cousin Suburbans, in flame-coloured turbans,
Quite up to the attics, inviting rheumatics,
A great mob collecting, without much selecting,
And some, it's a pity, are free of the City,
As your pockets may happen to know!
Such hustle and bustle, and mobbing and robbing,
All, all to see the Lord Mayor's Show!

341

2.

How well I remember the ninth of November,
Six trumpets on duty, as shrill as Veluti,
A great City Marshal, to riding not partial,
The footmen, the state ones, with calves very great ones,
The Cook and the Scullion, well basted with bullion,
And the squad of each Corporate Co.
Four draymen from Perkins, in steel and brass jerkins,
A Coach like a lantern, I wonder it can turn,
All carved like old buildings, and drawn by six gildings,
With two chubby faces, where sword and where mace is,
The late Mayor, the Ex one, a thought that must vex one,
And the new Mayor just come into blow!
Such hustle and bustle, and mobbing and robbing,
All, all to see the Lord Mayor's Show!

343

3.

How well I remember the ninth of November,
The fine Lady Mayoress, an Ostrich's heiress,
In best bib and tucker, and dignified pucker,
The learned Recorder, in Old Bailey order,
The Sheriffs together,—with their hanging weather,
And their heads like John Anderson's pow!
The Alderman courtly, and looking 'red port'ly,
And buckler and bargemen, with other great large men,
With streamers and banners, held up in odd manners,
A mob running “arter,” to see it by “vater,”
And the Wharfs popping off as they go!
Such hustle and bustle, and mobbing and robbing,
All, all to see the Lord Mayor's Show!

345

LIEUTENANT LUFF.

A COMIC BALLAD.

All you that are too fond of wine,
Or any other stuff,
Take warning by the dismal fate
Of one Lieutenant Luff.
A sober man he might have been,
Except in one regard,
He did not like soft water,
So he took to drinking hard!
Said he, “Let others fancy slops,
And talk in praise of Tea,
But I am no Bohemian,
So do not like Bohea.
If wine's a poison, so is Tea,
Though in another shape;
What matter whether one is kill'd
By canister or grape!”
According to this kind of taste
Did he indulge his drouth,
And being fond of Port, he made
A port-hole of his mouth!
A single pint he might have sipp'd
And not been out of sorts,
In geologic phrase—the rock
He split upon was quarts!

346

To “hold the mirror up to vice”
With him was hard, alas!
The worse for wine he often was,
But not “before a glass.”
No kind and prudent friend had he
To bid him drink no more,—
The only chequers in his course
Were at a tavern door!
Full soon the sad effects of this
His frame began to show,
For that old enemy the gout
Had taken him in toe!
And join'd with this an evil came
Of quite another sort,—
For while he drank, himself, his purse
Was getting “something short.”
For want of cash he soon had pawn'd
One half that he possess'd,
And drinking show'd him duplicates
Beforehand of the rest!
So now his creditors resolved
To seize on his assets;
For why,—they found that his half-pay
Did not half-pay his debts.
But Luff contrived a novel mode
His Creditors to chouse;
For his own execution he
Put into his own house!

347

A pistol to the muzzle charged
He took devoid of fear;
Said he, “This barrel is my last,
So now for my last bier!
Against his lungs he aimed the slugs,
And not against his brain,
So he blew out his lights—and none
Could blow them in again!
A Jury for a Verdict met
And gave it in these terms:—
“We find as how as certain slugs
Has sent him to the worms!”

LOVE HAS NOT EYES.

Of all the poor old Tobits a-groping in the street,
A Lover is the blindest that ever I did meet,
For he's blind, he's blind, he's very blind,—
He's as blind as any mole!
He thinks his love the fairest that ever yet was clasp'd,
Though her clay is overbaked, and it never has been rasp'd.
For he's blind, &c.
He thinks her face an angel's, although it's quite a frump's,
Like a toad a-taking physic, or a monkey in the mumps.
For he's blind, &c.
Upon her graceful figure then how he will insist,
Though she's all so much awry, she can only eat a twist!
For he's blind, &c.

348

He'll swear that in her dancing she cuts all others out,
Though like a Gal that's galvanised, she throws her legs about.
For he's blind, &c.
If he should have a letter in answer to his sighs,
He'll put it to his lips up, instead of to his eyes.
For he's blind, &c.
Then if he has a meeting the question for to put,
In suing for her hand he'll be kneeling at her foot.
For he's blind, &c.
Oh Love is like a furnace wherein a Lover lies,
And like a pig before the fire, he scorches out his eyes.
Till he's blind, &c.

349

SONG.

[My mother bids me spend my smiles]

[_]

Air—“My mother bids me.”

My mother bids me spend my smiles
On all who come and call me fair,
As crumbs are thrown upon the tiles,
To all the sparrows of the air.
But I've a darling of my own
For whom I hoard my little stock—
What if I chirp him all alone,
And leave mamma to feed the flock!

350

SONNET FOR THE 14TH OF FEBRUARY.

No popular respect will I omit
To do thee honour on this happy day,
When every loyal lover tasks his wit
His simple truth in studious rhymes to pay,
And to his mistress dear his hopes convey.
Rather thou knowest I would still outrun
All calendars with Love's,—whose date alway
Thy bright eyes govern better than the Sun,—
For with thy favour was my life begun;
And still I reckon on from smiles to smiles,
And not by summers, for I thrive on none
But those thy cheerful countenance compiles:
Oh! if it be to choose and call thee mine,
Love, thou art every day my Valentine.

A BUNCH OF FORGET-ME-NOTS.

Forget me not! It is the cry of clay,
From infancy to age, from ripe to rotten;
For who, “to dumb forgetfulness a prey,”
Would be forgotten?
Hark the poor infant, in the age of pap,
A little Laplander on nurse's lap,

351

Some strange, neglectful, gossiping old Trot,
Meanwhile on dull Oblivion's lap she lieth,
In her shrill Baby-lonish language crieth—
What?
“Forget me not!”
The schoolboy writes unto the self-same tune,
The yearly letter, guiltless of a blot,
“We break up on the twenty-third of June;”
And then, with comps. from Dr. Polyglot,
“P.S. Forget me not!”
When last my elder brother sailed for Quito,
My chalky foot had in a hobble got—
Why did he plant his timber toe on my toe,
To stamp on memory's most tender spot
“Forget me not!”
The dying nabob, on whose shrivelled skin
The Indian “mulliga” has left its “tawny,”
Leaving life's pilgrimage so rough and thorny,
Bindeth his kin
Two tons of sculptured marble to allot—
A small “Forget me not!”
The hardy sailor parting from his wives,
Sharing among them all that he has got,
Keeps a fond eye upon their after-lives,
And says to seventeen—“If I am shot,
Forget me not.”
Why, all the mob of authors that now trouble
The world with cold-pressed volumes and with hot,

352

They all are seeking reputation's bubble,
Hopelessly hoping, like Sir Walter Scott,
To tie in fame's own handkerchief a double
Forget-me-knot!
A past past tense,
In fact, is sought for by all human kind,
And hence
Our common Irish wish—to leave ourselves behind.
Forget me not!—It is the common chorus
Swell'd by all those behind and before us;
Each fifth of each November
Calls out “Remember!”
And even a poor man of straw will try
To live by dint of powder and of plot.
In short, it is the cry of every Guy—
“Forget me not!”

WRITTEN IN A YOUNG LADY'S ALBUM.

A pretty task, Miss S---, to ask
A Benedictine pen,
That cannot quite at freedom write
Like those of other men.

353

No lover's plaint my Muse must paint
To fill this page's span,
But be correct and recollect
I'm not a single man
Pray only think for pen and ink
How hard to get along,
That may not turn on words that burn
Or Love, the life of song!
Nine Muses, if I chooses, I
May woo all in a clan,
But one Miss S--- I daren't address—
I'm not a single man.
Scribblers unwed, with little head
May eke it out with heart,
And in their lays it often plays
A rare first-fiddle part.
They make a kiss to rhyme with bliss,
But if I so began,
I have my fears about my ears—
I'm not a single man.
Upon your cheek I may not speak,
Nor on your lip be warm,
I must be wise about your eyes,
And formal with your form,
Of all that sort of thing, in short,
On T. H. Bayly's plan,
I must not twine a single line—
I'm not a single man.

354

A watchman's part compels my heart
To keep you off its beat,
And I might dare as soon to swear
At you as at your feet.
I can't expire in passion's fire
As other poets can—
My life (she's by) won't let me die—
I'm not a single man.
Shut out from love, denied a dove,
Forbidden bow and dart,
Without a groan to call my own,
With neither hand nor heart,
To Hymen vow'd, and not allow'd
To flirt e'en with your fan,
Here end, as just a friend, I must—
I'm not a single man.

356

1831.


360

SONNET.

[Time was I liked a cheesecake well enough—]

“Sweets to the sweet—farewell.” —Hamlet.

Time was I liked a cheesecake well enough—
All human children have a sweetish taste;
I used to revel in a pie, or puff,
Or tart—we all were Tartars in our youth;
To meet with jam or jelly was good luck,
All candies most complacently I crumped,
A stick of liquorice was good to suck,
And sugar was as often liked as lumped!
On treacle's “linkèd sweetness long drawn out,”
Or honey I could feast like any fly;
I thrilled when lollipops were hawked about;
How pleased to compass hard-bake or bull's-eye;
How charmed if Fortune in my power cast
Elecampane—but that campaign is past.

361

THE PAINTER PUZZLED.

“Draw, Sir!” —Old Play.

Well, something must be done for May,
The time is drawing nigh,
To figure in the catalogue
And woo the public eye.
Something I must invent and paint;
But, oh! my wit is not
Like one of those kind substantives
That answer Who and What?
Oh, for some happy hit! to throw
The gazer in a trance:
But posé là—there I am posed,
As people say in France.
In vain I sit and strive to think,
I find my head, alack!
Painfully empty, still, just like
A bottle “on the rack.”
In vain I task my barren brain
Some new idea to catch,
And tease my hair—ideas are shy
Of “coming to the scratch.”

362

In vain I stare upon the air,
No mental visions dawn;
A blank my canvas still remains,
And worse—a blank undrawn:
An “aching void” that mars my rest
With one eternal hint,
For, like the little goblin page,
It still keeps crying “Tint!”
But what to tint? ay, there's the rub,
That plagues me all the while,
As, Selkirk-like, I sit without
A subject for my i'le.
“Invention's seventh heaven” the bard
Has written—but my case
Persuades me that the creature dwells
In quite another place.
Sniffing the lamp, the ancients thought
Demosthenes must toil;
But works of art are works indeed,
And always “smell of oil.”
Yet painting pictures, some folks think,
Is merely play and fun;
That what is on an easel set
Must easily be done.
But, zounds! if they could sit in this
Uneasy easy-chair,
They'd very soon be glad enough
To cut the Camel's hair.

363

Oh! who can tell the pang it is
To sit as I this day—
With all my canvas spread, and yet
Without an inch of way.
Till, mad at last to find I am
Amongst such empty skullers,
I feel that I could strike myself
But no—I'll “strike my colours.”

TO MR. WRENCH AT THE ENGLISH OPERA HOUSE.

Oh very pleasant Mr. Wrench,—
The first, upon the pit's first bench,
I've scrambled to my place,
To hail thee on these summer boards
With joy, even critic-craft affords,
And watch thy welcome face!
Ere thou art come, how I rejoice
To hear thy free and easy voice,
Lounging about the slips;
And then thy figure comes and owns
The voice as careless as the tones
That saunter from thy lips.

364

Oh come and cast a quiet glance,
To glad a nameless friend, askance
The lamps' ascending glare;
Better it is than bended knees,
Heart-squeezing, and profound congés—
That old familiar air.
Even in the street, in that apt face,
Full of gay gravity, I trace
The soul of native whim;
A constant, never-failing store
Of quiet mirth, that ne'er runs o'er,
But ay is near the brim.
Quoth I, “There goes a happy wight,
Inimical to spleen and spite,
And careless of all care;
Who oils the ruffled waves of strife,
And makes the work-day suit of life
Of very easy wear.
Lord! if he had some people's ills
To cope—their hungry bonds and bills,
How faintly they would tease;
Things that have cost both tears and sighs—
Their foes, as motelings in his eyes—
Their duns, his summer fleas!
The stage, I guess, is not thy school—
Thou dost not antic like the fool
That wept behind his mask;
Thy playing is thy play—a sport—
A revel, as perform'd at Court,
And not a trade—a task!

365

Gay Freeman, art thou hired for him?
No—'tis thy humour and thy whim
To be that easy guest;
Whereas whoever plays for pelf,
(Like Bennett) only gives him-self,
Or her—like Mrs. West!
Nay, thou—to look beyond the stage,
Thy life is but another page
Continued of the play;
The same companionable sprite—
Thy whim and pleasantry by night
Are with thee in the day!

367

1832.


369

ODE TO N. A. VIGORS, ESQ.

ON THE PUBLICATION OF “THE GARDENS AND MENAGERIE OF THE ZOOLOGICAL SOCIETY.”

“Give you good den.” —Shakespeare.

So Mr. V.,—no Vigors—I beg pardon—
You've published your Zoological Garden!
A book of which I've heard a deal of talk,
And your Menagerie—indeed, 'tis too bad o' me,
But I have never seen your Beast Academy!
Or set my feet
In Brute-on Street,
Or ever wandered in your “Bird-cage Walk.”
Yet, I believe that you were truly born
To be a kind of brutal overseer,

370

And, like the royal quarterings, appear
Between a lion and a unicorn:
There is a sort of reason about rhyme
That I have pondered many, many a time;
Where words, like birds of feather,
Likely to come together,
Are quite prophetically made to chime;
So your own office is forestalled, O Vigors!
Your proper Surname having but one single
Appropriate jingle,
------ Tigers!
Where is your gardening volume? like old Mawe's!
Containing rules for cultivating brutes,
Like fruits.
Through April, May, or June,
As thus—now rake your Lions' manes, and prune
Your Tigers' claws;
About the middle of the month, if fair,
Give your Chameleons air;
Choose shady walls for Owls,
Water your Fowls,
And plant your Leopards in the sunniest spots;
Earth up your Beavers; train your Bears to climb;
Thin out your Elephants about this time;
And set some early Kangaroos in pots.
In some warm sheltered place,
Prepare a hot-bed for the Boa race,
Leaving them room to swell;
Prick out your Porcupines; and blanch your Ermine;
Stick up Opossums; trim your Monkeys well;
And “destroy all vermin.”

371

Oh, tell me, Mr. Vigors! for the fleas
Of curiosity begin to tease—
If they bite rudely I must crave your pardon,
But if a man may ask,
What is the task
You have to do in this exotic garden?
If from your title one may guess your ends,
You are a sort of Secretary Bird
To write home word
From ignorant brute beasts to absent friends.
Does ever the poor little Coati Mundi
Beg you to write to ma'
To ask papa
To send him a new suit to wear on Sunday?
Does Mrs. L. request you'll be so good
—Acting a sort of Urban to Sylvanus—
As write to her “two children in the wood,”
Addressed—post-paid—to Leo Africanus?
Does ever the great Sea-Bear Londinensis
Make you amanuensis
To send out news to some old Arctic stager—
“Pray write that Brother Bruin, on the whole,
Has got a head on this day's pole,
And say my Ursa has been made a Major?”
Do you not write dejected letters—very—
Describing England for poor “Happy Jerry,”
Unlike those emigrants who take in flats,
Throwing out New South Wales for catching sprats?
Of course your penmanship you ne'er refuse
For “begging letters” from poor Kangaroos;
Of course you manage bills and their acquittance,
And sometimes pen for Pelican a double
Letter to Mrs. P., and brood in trouble.

372

Enclosing a small dab, as a remittance;
Or send from Mrs. B. to her old cadger,
Her full-length, done by Harvey, that rare draughtsman
And skilful craftsman,
A game one too, for he can draw a Badger.
Does Doctor Bennett never come and trouble you
To break the death of Wolf to Mrs. W.?
To say poor Buffalo his last has puffed,
And died quite suddenly, without a will,
Soothing the widow with a tender quill,
And gently hinting—“would she like him stuffed?’
Does no old sentimental Monkey weary
Your hand at times to vent his scribbling itch?
And then your pen must answer to the query
Of Dame Giraffe, who has been told her deary
Died on the spot—and wishes to know which?
New candidates meanwhile your help are waiting—
To fill up cards of thanks, with due refinement,
For Missis 'Possum, after her confinement;
To pen a note of pretty Poll's dictating—
Or write how Charles the Tenth's departed reign
Disquiets the crowned Crane,
And all the royal Tigers;
To send a bulletin to brother Asses
Of Zebra's health, what sort of night he passes;—
Is this your duty, Secretary Vigors?
Or are your brutes but Garden-brutes indeed,
Of the old shrubby breed,
Dragons of holly—Peacocks cut in yew?
But no—I've seen your book,

373

And all the creatures look
Like real creatures, natural and true!
Ready to prowl, to growl, to prey, to fight,
Thanks be to Harvey who their portraits drew,
And to the cutters praise is justly due,
To Branston always, and to always Wright.
Go on then, publishing your monthly parts,
And let the wealthy crowd,
The noble and the proud,
Learn of brute beasts to patronise the Arts.
So may your Household flourish in the Park,
And no long Boa go to his long home,
No Antelope give up the vital spark,
But all with this your scientific tome,
Go on as swimmingly as old Noah's Ark!

ODE TO JOSEPH HUME, ESQ., M.P.

“I lisped in numbers, for the numbers came.”

Oh, Mr. Hume, thy name
Is travelling post upon the road to fame,
With four fast horses and two sharp postilions;
Thy reputation
Has friends by numeration,
Units, Tens, Hundreds, Thousands, Millions.
Whenever public men together dine,
They drink to thee
With three times three—
That's nine.
And oft a votary proposes then
To add unto the cheering one cheer more—

374

Nine and One are Ten;
Or somebody, for thy honour still more keen,
Insists on four times four—
Sixteen!
In Parliament no star shines more or bigger,
And yet thou dost not care to cut a figure;
Equally art thou eloquent and able,
Whether in showing how to serve the nation
Or laying its petitions on the Table
Of Multiplication.
In motion thou art second unto none,
Though fortune on thy motions seems to frown,
For though you set a number down
You seldom carry one.
Great at speech thou art, though some folks cough,
But thou art greatest at a paring off.
But never blench,
Although in stirring up corruption's worms
You make some factions
Vulgar as certain fractions,
Almost reduced unto their lowest terms.
Go on, reform, diminish, and retrench;
Go on, for ridicule not caring;
Sift on from one to nine with all their noughts,
And make state cyphers eat up their own orts,
And only in thy saving be unsparing;
At soldiers' uniforms make awful rackets,
Don't trim though, but untrim their jackets.
Allow the tin mines no tin tax,
Cut off the Great Seal's wax!

375

Dock all the dock-yards, lower masts and sails,
Search foot by foot the Infantry's amounts,
Look into all the Cavalry's accounts,
And crop their horses' tails.
Look well to Woolwich and each Money-vote,
Examine all the cannons' charges well,
And those who found th' Artillery compel
To forge twelve-pounders for a five-pound note.
Watch Sandhurst too, its debts and its Cadets—
Those Military pets.
Take Army—no, take Leggy Tailors
Down to the Fleet, for no one but a nincum
Out of our nations narrow income
Would furnish such wide trousers to the Sailors.
Next take, to wonder him,
The Master of the Horse's horse from under him;
Retrench from those who tend on Royal ills
Wherewith to gild their pills.
And tell the Stag-hound's Master he must keep
The deer, &c., cheap.
Close as new brooms
Scrub the Bed Chamber Grooms;
Abridge the Master of the Ceremonies
Of his very moneys;
In short, at every salary have a pull,
And when folks come for pay
On quarter-day,
Stop half and make them give receipts in full.
Oh, Mr. Hume, don't drink,
Or eat, or sleep, a wink,
Till you have argued over each reduction:
Let it be food to you, repose and suction;

376

Though you should make more motions by one half
Than any telegraph,
Item by item all these things enforce,
Be on your legs till lame, and talk till hoarse;
Have lozenges—mind, Dawson's—in your pocket,
And swing your arms till aching in their socket;
Or if awake you cannot keep,
Talk of retrenchment in your sleep;
Expose each Peachum, and show up each Lockit—
Go down to the M.P.'s before you sup,
And while they're sitting blow them up,
As Guy Fawkes could not do with all his nous;
But now we live in different Novembers,
And safely you may walk into the House,
First split its ears and then divide its members!

JARVIS AND MRS. COPE.

A DECIDEDLY SERIOUS BALLAD.

In Bunhill Row, some years ago,
There lived one Mrs. Cope;
A pious woman she was call'd,
As Pius as a Pope.
Not pious in its proper sense,
But chatt'ring like a bird
Of sin and grace—in such a case
Mag-piety's the word.

377

Cries she, “The Reverend Mr. Trigg
This day a text will broach,
And much I long to hear him preach,
So, Betty, call a coach.”
A bargain though she wish'd to make,
Ere they began to jog—
“Now, Coachman, what d'ye take me for?”
Says Coachman, “for a hog.”
But Jarvis, when he set her down,
A second hog did lack—
Whereas she only offered him
One shilling and “a track.”
Said he, “There ain't no tracks in Quaife,
You and your tracks be both—”
And, affidavit-like, he clench'd
Her shilling with an oath.
Said she, “I'll have you fined for this,
And soon it shall be done,
I'll have you up at Worship Street,
You wicked one, naught one!”
And sure enough at Worship Street
That Friday week they stood;
She said bad language he had used,
And thus she “made it good.”
“He said two shilling was his fare,
And wouldn't take no less—
I said one shilling was enough.—
And he said C—U—S!

378

“And when I raised my eyes at that,
He swore again at them,
I said he was a wicked man,
And he said D—A—M.”
Now Jarvy's turn was come to speak,
So he stroked down his hair,
“All what she says is false—cause why?
I'll swear I never swear!
“There's old Joe Hatch, the waterman,
Can tell you what I am;
I'm one of seven children, all
Brought up without a Dam!
“He'll say from two year old and less
Since ever I were nust,
If ever I said C—U—S,
I wish I may be cust!
“At Sion Cottage I takes up,
And raining all the while,
To go to New Jerusalem,
A wery long two mile.
“Well, when I axes for my fare,
She rows me in the street,
And uses words as is not fit
For coachmen to repeat!
“Says she,—I know where you will go,
You sinner! I know well,—
Your worship, it's the P—I—T
Of E and double L;”

379

Now here his worship stopp'd the case—
Said he—“I'll fine you both!
And of the two—why Mrs. Cope's
I think the biggest oath?”

MISS FANNY'S FAREWELL FLOWERS.

Not “the posie of a ring.” Shakespeare (all but the not).

I came to town a happy man:
I need not now dissemble
Why I return so sad at heart—
It's all through Fanny Kemble:
Oh! when she threw her flowers away,
What urged the tragic slut on
To weave in such a wreath as that,
Ah me! a bachelor's button.
None fought so hard, none fought so well,
As I to gain some token—
When all the pit rose up in arms,
And heads and hearts were broken;

380

“Huzza!” said I, “I'll have a flow'r
As sure as my name's Dutton;”—
I made a snatch—I got a catch—
By Jove! a bachelor's button!
I've lost my watch—my hat is smashed—
My clothes declare the racket;
I went there in a full dress coat,
And came home in a jacket.
My nose is swell'd—my eye is black—
My lip I've got a cut on!
Odds buds!—and what a bud to get—
The deuce! a bachelor's button!
My chest's in pain; I really fear
I've somewhat hurt my bellows,
By pokes and punches in the ribs
From those herb-strewing fellows.
I miss two teeth in my front row;
My corn has had a fut on;
And all this pain I've had to gain
This cursed bachelor's button.
Had I but won a rose—a bud—
A pansy—or a daisy—
A periwinkle—anything—
But this—it drives me crazy!
My very sherry tastes like squills,
I can't enjoy my mutton;
And when I sleep I dream of it—
Still—still—a bachelor's button!
My place is booked per coach to-night,
But oh, my spirit trembles

381

To think how country friends will ask
Of Knowleses and of Kembles.
If they should breathe about the wreath,
When I go back to Sutton,
I shall not dare to show my share,
That all!—a bachelor's button!
My luck in life was never good,
But this my fate will burden:
I ne'er shall like my farming more,—
I know I shan't the Garden.
The turnips all may have the fly,
The wheat may have the smut on,
I care not,—I've a blight at heart,—
Ah me!—a bachelor's button!

REPLY TO A PASTORAL POET

Tell us not of bygone days!
Tell us not of forward times!
What's the future—what's the past—
Save to fashion rhymes?
Show us that the corn doth thrive!
Show us there's no wintry weather!
Show us we may laugh and live—
(Those who love—together.)
Senses have we for sweet blossoms—
Eyes, which could admire the sun—
Passions blazing in our bosoms—
Hearts, that may be won!

382

But Labour doth for ever press us,
And Famine grins upon our board;
And none will help us, none will bless us,
With one gentle word!
None, none! our birthright or our fate,
Is hunger and inclement air—
Perpetual toil—the rich man's hate—
Want, scorn—the pauper's fare:
We fain would gaze upon the sky,
Lie pensive by the running springs;
But if we stay to gaze or sigh,
We starve—though the cuckoo sings!
The moon casts cold on us below;
The sun is not our own;
The very winds which fragrance blow,
But blanch us to the bone;
The rose for us ne'er shows its bloom,
The violet its blue eye;
From cradle murmuring to the tomb,
We feel no beauty, no perfume,
But only toil—and die!
Pauper.

ANSWER TO PAUPER.

Don't tell me of buds and blossoms,
Or with rose and vi'let wheedle—
Nosegays grow for other bosoms,
Churchwarden and Beadle.

383

What have you to do with streams?
What with sunny skies, or garish
Cuckoo songs, or pensive dreams?
Nature's not your parish!
What right have such as you to dun
For sun or moonbeams, warm or bright?
Before you talk about the sun,
Pay for window-light!
Talk of passions—amorous fancies;
While your betters' flames miscarry,
If you love your Dolls and Nancys,
Don't we make you marry?
Talk of wintry chill and storm,
Fragrant winds that blanch your bones!
Your poor can always keep you warm;—
Ain't there breaking stones?
Suppose you don't enjoy the spring,
Roses fair and vi'lets meek,
You can't look for everything
On eighteen pence a week!
With seasons what have you to do?
If corn doth thrive, or wheat is harmed!
What's weather to the cropless? You
Don't farm—but you are farmed!
Why everlasting murmurs hurled,
With hardship for the text?
If such as you don't like this world,
We'll pass you to the next.
Overseer

384

THE STAGE-STRUCK HERO.

“It must be. So Plato?—Thou reasonest?—Well.” School Cato.

It's very hard! oh, Dick, my boy,
It's very hard one can't enjoy
A little private spouting;
But sure as Lear or Hamlet lives,
Up comes our master, bounce! and gives
The tragic muse a routing!
Ay, there he comes again! be quick!
And hide the book—a playbook, Dick,
He must not set his eyes on!
It's very hard, the churlish elf
Will never let one stab one's self
Or take a bowl of p'ison
It's very hard, but when I want
To die—as Cato did—I can't,
Or go non compos mentis
But up he comes, all fire and flame;—
No doubt he'd do the very same
With Kemble for a 'prentice!

385

Oh, Dick! Oh, Dick! it was not so
Some half a dozen years ago!
Melpomene was no sneaker,
When, under Reverend Mister Poole,
Each little boy at Enfield School
Became an Enfield's speaker!
No cruel master-tailor's cane
Then thwarted the theatric vein;
The tragic soil had tillage.
O dear dramatic days gone by!
You, Dick, were Richard then—and I
Play'd Hamlet to the village,
Or, as Macbeth, the dagger clutch'd,
Till all the servant-maids were touch'd—
Macbeth, I think, my pet is;
Lord, how we spouted Shakespeare's works—
Dick, we had twenty little Burkes,
And fifty Master Betties!
Why, there was Julius Cæsar Dunn,
And Norval, Sandy Philips—one
Of Elocution's champions—
Genteelly taught by his mamma
To say, not father, but papa,
Kept sheep upon the Grampions!
Coriolanus Crumpe—and Fig
In Brutus, with brown-paper wig,
And Huggins great in Cato;
Only he broke so often off,
To have a fit of whooping-cough,
While reasoning with Plato.

386

And Zangra too,—but I shall weep,
If longer on this theme I keep,
And let remembrance loose, Dick;
Now forced to act—it's very hard—
“Measure for Measure” with a yard—
You Richard, with a goose, Dick!
Zounds! Dick, it's very odd our dads
Should send us there when we were lads
To learn to talk like Tullies;
And now, if one should just break out,
Perchance, into a little spout,
A stick about the skull is.
Why should stage-learning form a part
Of schooling for the tailor's art?
Alas! dramatic notes, Dick,
So well record the sad mistake
Of him who tried at once to make
Both Romeo and Coates, Dick!

TO A CHILD EMBRACING HIS MOTHER.

Love thy mother, little one!
Kiss and clasp her neck again,—
Hereafter she may have a son
Will kiss and clasp her neck in vain.
Love thy mother, little one!
Gaze upon her living eyes,
And mirror back her love for thee,—

387

Hereafter thou mayst shudder sighs
To meet them when they cannot see.
Gaze upon her living eyes!
Press her lips the while they glow
With love that they have often told,—
Hereafter thou mayst press in woe,
And kiss them till thine own are cold.
Press her lips the while they glow!
Oh, revere her raven hair!
Although it be not silver-grey;
Too early Death, led on by Care,
May snatch save one dear lock away.
Oh! revere her raven hair!
Pray for her at eve and morn,
That Heaven may long the stroke defer,—
For thou mayst live the hour forlorn
When thou wilt ask to die with her.
Pray for her at eve and morn!

FRAGMENT.

[I had a dream—the summer beam]

I had a dream—the summer beam
Play'd on the wings of merry hours—
(Made long long smiles of merry hours);
But Life 'gan throw a warp of woe,
Across its tapestry of flowers,
Fear's darker shade took form and made—
Like shadows darkling in light most sparkling. [OMITTED]

388

The fragrant tombs amid the blooms
Of April in a garden ground
Show'd many a name that none could claim
Half-read between the roses round.
Unbanish'd clouds like coffin-shrouds
Neighbour'd the sun amid the blue,
And tearful streams mix'd with his beams,
Yet made no promise as they flew. [OMITTED]
Young Hope indeed began to read
The prophecies with cheerful look,
But dark Despair look'd over there,
And wept black blots upon her book.
And scarce the form all bright and warm
Of Joy was woven into birth
When, like her shade, black Grief was laid
Prone at her feet along the earth. [OMITTED]
Then do not chide—the sunny side
Of monuments for Joy is made,
But Sorrow still must weep her fill
On those that lie beneath the shade.

416

A HAPPY NEW YEAR!

“If the affairs of this world did not make us so sad,
'Twould be easy enough to be merry.”
—Old Song.

There is nothing but plague in this house!
There's the turbot is stole by the cat,
The Newfoundland has eat up the grouse,
And the haunch has been gnawed by a rat!
It's the day of all days when I wish
That our friends should enjoy our good cheer;
Mr. Wiggins—our dinner is dished—
But I wish you a happy New Year!
Mr. Rudge has not called, but he will,
For his Rates, Church, and Highway, and Poor,
And the butcher has brought in his bill—
Twice as much as the quarter before.
Little Charles is come home with the mumps,
And Matilda with measles, I fear;
And I've taken two sov'reigns like dumps—
But I wish you a happy New Year!
Your poor brother is in the Gazette,
And your banker is off to New York;
Mr. Bigsby has died in your debt,
And the “Wiggins” has foundered near Cork.
Mr. Merrington's bill is come back;
You are chosen to serve overseer;
The new wall is beginning to crack—
But I wish you a happy New Year!

417

The best dinner-set's fallen to the ground;
The militia's called out, and you're drawn;
Not a piece of our plate can be found,
And there's marks of men's feet on the lawn:
Two anonymous letters have come,
That declare you shall die like a Weare;
And it may—or may not—be a hum—
But I wish you a happy New Year!
The old law-suit with Levy is lost;
You are fined for not cleansing the street;
And the water-pipe's burst with the frost,
And the roof lets the rain in and sleet.
Your old tenant at seventy-four
Has gone off in the night with his gear,
And has taken the key of the door—
But I wish you a happy New Year!
There's the “Sun” and the “Phœnix” to pay,
For the chimney has blazed like Old Nick;
The new gig has been jammed by a dray,
And the old horse has taken to kick.
We have hardly a bushel of small,
And now coal is extravagant dear;
Your great coat is stole out of the hall—
But I wish you a happy New Year!
The whole greenhouse is smashed by the hail,
And the plants have all died in the night;
The magnolia's blown down by the gale,
And the chimney looks far from upright;

418

And—the deuce take the man from the shop,
That hung up the new glass chandelier!—
It has come, in the end, to one drop—
But I wish you a happy New Year!
There's misfortune wherever we dodge—
It's the same in the country and town;
There's the porter has burned down his lodge,
While he went off to smoke at the Crown.
The fat butler makes free with your wine,
And the footman has drunk the strong beer,
And the coachman can't walk in a line—
But I wish you a happy New Year!
I have doubts if your clerk is correct—
There are hints of a mistress at Kew,
And some day he'll abscond, I expect;
Mr. Brown has built out your back view;
The new housemaid's the greatest of flirts—
She has men in the house, that is clear;
And the laundress has pawned all your shirts—
But I wish you a happy New Year!
Your “Account of a Visit to Rome”
Not a critic on earth seems to laud;
And old Huggins has lately come home,
And will swear that your Claude isn't Claude:
Your election is far from secure,
Though it's likely to cost very dear;
You're come out in a caricature—
But I wish you a happy New Year!

419

You've been christened an ass in the Times,
And the Chronicle calls you a fool;
And that dealer in boys, Dr. Ghrimes,
Has engaged the next house for a school;
And the playground will run by the bower
Which you took so much trouble to rear;
We shall never have one quiet hour—
But I wish you a happy New Year!
Little John will not take to his book,
He's come home black and blue from the cane;
There's your uncle is courting his cook,
And your mother has married again!
Jacob Jones will be tried with his wife,
And against them you'll have to appear;
If they're hung you'll be wretched for life—
But I wish you a happy New Year!

A PUBLIC DINNER.

“Sit down and fall to, said the Barmecide.” —Arabian Nights.

At seven you just nick it,
Give card—get wine ticket;
Walk round through the Babel,
From table to table,
To find—a hard matter—
Your name in a platter;
Your wish was to sit by
Your friend Mr. Whitby,
But Stewards' assistance
Has placed you at distance,

420

And, thanks to arrangers,
You sit among strangers;
But too late for mending;
Twelve sticks come attending
A stick of a Chairman,
A little dark spare man,
With bald shining nob,
'Mid Committee swell-mob;
In short, a short figure,
You thought the Duke bigger
Then silence is wanted,
Non Nobis is chanted;
Then Chairman reads letter,
The Duke's a regretter,
A promise to break it,
But chair he can't take it;
Is grieved to be from us,
But sends friend Sir Thomas
And what is far better,
A cheque in the letter,
Hear! hear! and a clatter,
And there ends the matter.
Now soups come and fish in,
And C*** brings a dish in;
Then rages the battle,
Knives clatter, forks rattle,
Steel forks with black handles,
Under fifty wax candles;
Your soup-plate is soon full,
You sip just a spoonful.
Mr. Roe will be grateful
To send him a plateful;

421

And then comes the waiter,
“Must trouble for tater;”
And then you drink wine off
With somebody—nine off;
Bucellas made handy,
With Cape and bad Brandy,
Or East India Sherry,
That's very hot—very.
You help Mr. Myrtle,
Then find your mock-turtle
Went off, while you lingered,
With waiter light-fingered.
To make up for gammon,
You order some salmon,
Which comes to your fauces
With boats without sauces.
You then make a cut on
Some Lamb big as Mutton;
And ask for some grass too,
But that you must pass too;
It served the first twenty,
But toast there is plenty.
Then, while lamb gets coldish,
A goose that is oldish—
At carving not clever—
You're begged to dissever,
And when you thus treat it,
Find no one will eat it.
So, hungry as glutton,
You turn to your mutton,
But—no sight for laughter—
The soup it's gone after.

422

Mr. Green then is very
Disposed to take Sherry,
And then Mr. Nappy
Will feel very happy;
And then Mr. Conner
Requests the same honour;
Mr. Clarke, when at leisure,
Will really feel pleasure;
Then waiter leans over
To take off a cover
From fowls, which all beg of,
A wing or a leg of;
And while they all peck bone,
You take to a neck bone,
But even your hunger
Declares for a younger.
A fresh plate you call for,
But vainly you bawl for:
Now taste disapproves it,
No waiter removes it.
Still hope, newly budding,
Relies on a pudding;
But critics each minute
Set fancy agin it—
“That's queer Vermicelli.”
“I say, Vizetelly,
There's glue in that jelly.”
“Tarts bad altogether;
That crust's made of leather.”
“Some custard, friend Vesey?”
“No—batter made easy.”
“Some cheese, Mr. Foster?”
“—Don't like single Glo'ster.”

423

Meanwhile, to top table,
Like fox in the fable,
You see silver dishes,
With those little fishes,
The whitebait delicious
Borne past you officious;
And hear rather plainish
A sound that's champaignish,
And glimpse certain bottles
Made long in the throttles:
And sniff—very pleasant!
Grouse, partridge, and pheasant,
And see mounds of ices
For patrons and vices,
Pine-apple, and bunches
Of grapes for sweet munches,
And fruits of all virtue
That really desert you.
You've nuts, but not crack ones,
Half empty, and black ones;
With oranges sallow—
They can't be called yellow—
Some pippins well wrinkled,
And plums almond sprinkled,
Some rout cakes, and so on,
Then with business to go on;
Long speeches are stutter'd,
And toasts are well butter'd,
While dames in the gallery,
All dressed in fallallery,
Look on at the mummery:
And listen to flummery.

424

Hip, hip! and huzzaing.
And singing and saying,
Glees, catches, orations,
And lists of donations.
Hush! a song, Mr. Tinney—
“Mr. Benbow, one guinea;
Mr. Frederick Manual,
One guinea—and annual.”
Song—Jockey and Jenny—
“Mr. Markham one guinea.”
“Have you all filled your glasses?’
Here's a health to good lasses.
The subscription still skinny—
“Mr. Franklin—one guinea.”
Franklin looks like a ninny;
“Mr. Boreham, one guinea—
Mr. Blogg, Mr. Finney,
Mr. Tempest—one guinea,
Mr. Merrington—twenty,”
Rough music, in plenty.
Away toddles Chairman,
The little dark spare man,
Not sorry at ending,
With white sticks attending,
And some vain Tomnoddy
Votes in his own body
To fill the void seat up,
And get on his feet up,
To say, with voice squeaking,
“Unaccustomed to speaking,”
Which sends you off seeking
Your hat, number thirty—
No coach—very dirty.

425

So, hungry and fever'd,
Wet-footed, spoilt beaver'd,
Eyes aching in socket,
Ten pounds out of pocket,
To Brook-street the Upper
You haste home to supper.

A CHARITY SERMON.

“‘I would have walked many a mile to have communed with you; and, believe me, I will shortly pay thee another visit; but my friends, I fancy, wonder at my stay; so let me have the money immediately.’ Trulliber then put on a stern look, and cried out, ‘Thou dost not intend to rob me?’

‘I would have thee know, friend,’ addressing himself to Adams, ‘I shall not learn my duty from such as thee. I know what charity is, better than to give to vagabonds.’”

—Joseph Andrews.

I'm an extremely charitable man—no collar and long hair,
though a little carrotty;
Demure, half-inclined to the unknown tongues, but I never
gain'd anything by Charity.
I got a little boy into the Foundling, but his unfortunate
mother was traced and baited,
And the overseers found her out—and she found me out—
and the child was affiliated.
Oh, Charity will come home to roost—
Like curses and chickens is Charity.
I once, near Whitehall's very old wall, when ballads danc'd
over the whole of it,
Put a bad five-shilling-piece into a beggar's hat, but the old
hat had got a hole in it;

426

And a little boy caught it in his little hat, and an officer's
eye seem'd to care for it,
As my bad crown piece went through his bad crown piece,
and they took me up to Queen's Square for it.
Oh, Charity, &c.
I let my very old (condemn'd) old house to a man, at a rent
that was shockingly low,
So I found a roof for his ten motherless babes—all defunct
and fatherless now;
For the plaguy one-sided party wall fell in, so did the roof,
on son and daughter,
And twelve jurymen sat on eleven bodies, and brought in a
very personal verdict of Manslaughter.
Oh, Charity, &c.
I pick'd up a young well-dress'd gentleman, who had fallen
in a fit in St. Martin's Court,
And charitably offer'd to see him home—for charity always
seem'd to be my forte,
And I've had presents for seeing fallen gentlemen home, but
this was a very unlucky job—
Do you know, he got my watch—my purse—and my hand-
kerchief—for it was one of the swell mob.
Oh, Charity, &c.
Being four miles from Town, I stopt a horse that had run
away with a man, when it seem'd that they must be dash'd to pieces,
Though several kind people were following him with all
their might—but such following a horse his speed increases;

427

I held the horse while he went to recruit his strength; and
I meant to ride it home, of course;
But the crowd came up and took me up—for it turn'd out
the man had run away with the horse.
Oh, Charity, &c.
I watch'd last month all the drovers and drivers about the
suburbs, for it's a positive fact,
That I think the utmost penalty ought always to be enforced
against everybody under Mr. Martin's act;
But I couldn't catch one hit over the horns, or over the
shins, or on the ears, or over the head;
And I caught a rheumatism from early wet hours, and got
five weeks of ten swell'd fingers in bed.
Oh, Charity, &c.
Well, I've utterly done with Charity, though I us'd so to
preach about its finest fount;
Charity may do for some that are more lucky, but I can't
turn it to any account—
It goes so the very reverse way—even if one chirrups it up
with a dust of piety;
That henceforth let it be understood, I take my name en-
tirely out of the List of Subscribers to the Humane Society.
Oh, Charity, &c.

428

THE CIGAR.

“Here comes Mr. Puff.” —The Critic.

‘I knew by the smoke that so gracefully curl'd.” —Moore.

Some sigh for this and that;
My wishes don't go far;
The world may wag at will,
So I have my cigar.
Some fret themselves to death
With Whig and Tory jar
I don't care which is in,
So I have my cigar.
Sir John requests my vote,
And so does Mr. Marr;
I don't care how it goes,
So I have my cigar.
Some want a German row,
Some wish a Russian war;
I care not—I'm at peace,
So I have my cigar.
I never see the Post,
I seldom read the Star;
The Globe I scarcely heed,
So I have my cigar.
They tell me that Bank Stock
Is sunk much under par;
It's all the same to me,
So I have my cigar.

429

Honours have come to men
My juniors at the Bar;
No matter—I can wait,
So I have my cigar.
Ambition frets me not;
A cab or glory's car
Are just the same to me,
So I have my cigar.
I worship no vain gods,
But serve the household Lar;
I'm sure to be at home,
So I have my cigar.
I do not seek for fame,
A General with a scar;
A private let me be,
So I have my cigar.
To have my choice among
The toys of life's bazaar,
The deuce may take them all,
So I have my cigar.
Some minds are often tost
By tempests like a tar;
I always seem in port,
So I have my cigar.
The ardent flame of love
My bosom cannot char,
I smoke, but do not burn,
So I have my cigar.

430

They tell me Nancy Low
Has married Mr. R.;
The jilt! but I can live,
So I have my cigar.

ODE TO ADMIRAL GAMBIER, G.C.B.

‘Well, if you reclaim such as Hood, your Society will deserve the thanks of the country.” —Temperance Society's Herald, vol. 1, No. 1, p. 8.

“My father, when last I from Guinea
Came home with abundance of wealth,
Said, ‘Jack, never be such a ninny
As to drink—’ says I, ‘Father, your health?’”
Nothing like Grog.

Oh! Admiral Gam—I dare not mention bier
In such a temperate ear—
Oh! Admiral Gam—an admiral of the Blue,
Of course to read the Navy List aright,
For strictly shunning wine of either hue,
You can't be Admiral of the Red or White:—
Oh, Admiral Gam! consider ere you call
On merry Englishmen to wash their throttles
With water only; and to break their bottles,
To stick, for fear of trespass, on the wall
Of Exeter Hall!
Consider, I beseech, the contrariety
Of cutting off our brandy, gin, and rum,
And then, by tracts, inviting us to come
And “mix in your society!”
In giving rules to dine, or sup, or lunch,
Consider Nature's ends before you league us

431

To strip the Isle of Rum of all its punch—
To dock the Isle of Mull of all its negus—
Or doom—to suit your milk and water view—
The Isle of Skye to nothing but sky-blue!
Consider—for appearance' sake—consider
The sorry figure of a spirit-ridder,
Going on this crusade against the suttler;
A sort of Hudibras—without a Butler!
Consider—ere you break the ardent spirits
Of father, mother, brother, sister, daughter;
What are your beverage's washy merits?
Gin may be low—but I have known low-water!
Consider well, before you thus deliver,
With such authority, your sloppy cannon;
Should British tars taste nothing but the river,
Because the Chesapeake once fought the Shannon!
Consider, too—before all Eau-de-vie,
Schiedam, or other drinkers, you rebut—
To bite a bitten dog all curs agree;
But who would cut a man because he's cut?
Consider—ere you bid the poor to fill
Their murmuring stomach with the “murmuring rill”—
Consider that their streams are not like ours,
Reflecting heaven, and margined by sweet flowers;
On their dark pools by day no sun reclines,
By night no Jupiter, no Venus shines;
Consider life's sour taste, that bids them mix
Their rum with Acheron, or gin with Styx;

432

If you must pour out water to the poor, oh!
Let it be aqua d'oro!
Consider—ere as furious as a griffin,
Against a glass of grog you make such work,
A man may like a stiff'un,
And yet not be a Burke!
Consider, too, before you bid all skinkers
Turn water-drinkers,
What sort of fluid fills their native rivers;
Their Mudiboos, and Niles, and Guadalquivirs.
How should you like, yourself, in glass or mug,
The Bog—the Bug—
The Maine—the Weser—or that freezer, Neva?
Nay, take the very rill of classic ground—
Lord Byron found
Even Castaly better for Geneva.
Consider—if, to vote Reform's arrears,
His Majesty should please to make you peers,
Your titles would be very far from trumps,
To figure in a book of blue and red:—
The Duke of Draw-well—what a name to dread!
Marquis of Main-pipe! Earl New-River-Head!
And Temperance's chief, the Prince of Pumps!

433

TO SPENCER PERCEVAL, ESQ., M.P.

Oh, Mr. Spencer!
I mean no offence, sir—
Retrencher of each trencher—man or woman's;
Maker of days of ember,
Eloquent Member
Of the House of Com—I mean to say short commons—
Thou Long Tom Coffin singing out, “Hold Fast”—
Avast!

434

Oh, Mr. Perceval! I'll bet a dollar, a
Great growth of Cholera,
And new deaths reckon'd,
Will mark thy Lenten Twenty-first and second.
The best of our physicians, when they con it,
Depose the malady is in the air:
Oh, Mr. Spencer! if the ill is there,
Why should you bid the people live upon it?
Why should you make discourses against courses,
While doctors, though they bid us rub and chafe,
Declare, of all resources,
The man is safest who gets in the safe?
And yet you bid poor suicidal sinners
Discard their dinners,
Thoughtless how Heav'n above will look upon't,
For man to die so wantonly of want!
By way of a variety,
Think of the ineffectual piety
Of London's Bishop, at St. Faith's or Bride's,
Lecturing such chamelion insides,
Only to find
He's preaching to the wind.
Whatever others do,—or don't,
I cannot—dare not—must not fast, and won't,
Unless by night your day you let me keep,
And fast asleep;
My constitution can't obey such censors:
must have meat
Three times a-day to eat;

435

My health's of such a sort,—
To say the truth, in short,
The coats of my stomach are not Spencers!

THE CHINA-MENDER.

Good morning, Mr. What-d'ye-call! Well! here's another pretty job!
Lord help my Lady!—what a smash!—if you had only heard her sob!
It was all through Mr. Lambert: but for certain he was winey,
To think for to go to sit down on a table full of Chiney.
“Deuce take your stupid head!” says my Lady to his very face;
But politeness, you know, is nothing, when there's Chiney in the case;
And if ever a woman was fond of Chiney to a passion
It's my mistress, and all sorts of it, whether new or old fashion.
Her brother's a sea-captain, and brings her home shiploads—
Such bonzes, and such dragons, and nasty, squatting things like toads;
And great nidnoddin' mandarins, with palsies in the head:
I declare I've often dreamt of them, and had nightmares in my bed.
But the frightfuller they are—lawk! she loves them all the better:
She'd have Old Nick himself made of Chiney if they'd let her.

436

Lawk-a-mercy! break her Chiney, and it's breaking her very heart;
If I touch'd it, she would very soon say, “Mary, we must part.”
To be sure she is unlucky: only Friday comes Master Randall,
And breaks a broken spout, and fresh chips a tea-cup handle:
He's a dear, sweet little child, but he will so finger and touch,
And that's why my Lady doesn't take to children much.
Well! there's stupid Mr. Lambert, with his two great coat flaps,
Must go and sit down on the Dresden shepherdesses' laps,
As if there was no such things as rosewood chairs in the room;
I couldn't have made a greater sweep with the handle of the broom.
Mercy on us! how my mistress began to rave and tear!
Well! after all, there's nothing like good ironstone ware for wear.
If ever I marry, that's flat, I'm sure it won't be John Dockery,—
I should be a wretched woman in a shop full of crockery.
I should never like to wipe it, though I love to be neat and tidy,
And afraid of mad bulls on market-days every Monday and Friday.
I'm very much mistook if Mr. Lambert's will be a catch;
The breaking the Chiney will be the breaking-off of his own match.
Missis wouldn't have an angel, if he was careless about Chiney;
She never forgives a chip, if it's ever so small and tiny.

437

Lawk! I never saw a man in all my life in such a taking;
I could find in my heart to pity him for all his mischief-making.
To see him stand a-hammering and stammering, like a zany;
But what signifies apologies, if they won't mend old Chaney!
If he sent her up whole crates full, from Wedgwood's and Mr. Spode's,
He couldn't make amends for the crack'd mandarins and smash'd toads.
Well! every one has their tastes, but, for my part, my own self,
I'd rather have the figures on my poor dear grandmother's old shelf:
A nice pea-green poll-parrot, and two reapers with brown ears of corns,
And a shepherd with a crook after a lamb with two gilt horns,
And such a Jemmy Jessamy in top boots and sky-blue vest,
And a frill and flower'd waistcoat, with a fine bowpot at the breast.
God help her, poor old soul! I shall come into 'em at her death,
Though she's a hearty woman for her years, except her shortness of breath.
Well! you think the things will mend—if they won't, Lord mend us all!
My Lady will go in fits, and Mr. Lambert won't need to call:
I'll be bound in any money, if I had a guinea to give,
He won't sit down again on Chiney the longest day he has to live.

438

Poor soul! I only hope it won't forbid his banns of marriage,
Or he'd better have sat behind on the spikes of my Lady's carriage.
But you'll join 'em all of course, and stand poor Mr. Lambert's friend;
I'll look in twice a day, just to see, like, how they mend.
To be sure it is a sight that might draw tears from dogs and cats;
Here's this pretty little pagoda, now, has lost four of its cocked hats:
Be particular with the pagoda: and then here's this pretty bowl—
The Chinese Prince is making love to nothing because of this hole;
And here's another Chinese man, with a face just like a doll—
Do stick his pigtail on again, and just mend his parasol.
But I needn't tell you what to do; only do it out of hand,
And charge whatever you like to charge—my Lady won't make a stand.
Well! good morning, Mr. What-d'ye-call; for it's time our gossip ended:
And you know the proverb, the less as is said, the sooner the Chiney's mended.

441

ODE TO MISS KELLY.

ON HER OPENING THE STRAND THEATRE.

O Betty—I beg pardon—Fanny K.!
(I was just thinking of your Betty Finnikin)—
Permit me this to say,
In quite a friendly way—
I like your theatre, though but a minnikin;

442

For though small stages Kean dislikes to spout on,
Renounce me if I don't agree with Dowton,
The Minors are the Passions' proper schools.
For me, I never can
Find wisdom in the plan
That keeps large reservoirs for little Pooles.
I like your boxes where the audience sit
A family circle; and your little pit;
I like your little stage, where you discuss
Your pleasant bill of fare,
And show us passengers so rich and rare,
Your little stage seems quite an omnibus.
I like exceedingly your Parthian dame,
Dimly remembering dramatic codgers,
The ghost of Memory—the shade of Fame!—
Lord! what a housekeeper for Mr. Rogers!
I like your savage, of a one-horse power;
And Terence, done in Irish from the Latin;
And Sally—quite a kitchen-garden flower;
And Mrs. Drake, serene in sky-blue satin!
I like your girl as speechless as a mummy—
It shows you can play dummy!—
I like your boy, deprived of every gleam
Of light for ever—a benighted being!
And really think—though Irish it may seem—
Your blindness is worth seeing.
I like your Governess; and there's a striking
Tale of Two Brothers, that sets tears a-flowing—
But I'm not going
All through the bill to tell you of my liking.

443

Suffice it, Fanny Kelly! with your art
So much in love, like others I have grown,
I really mean myself to take a part
In “Free and Easy”—at my own bespeak—
And shall three times a week
Drop in and make your pretty house my own!