University of Virginia Library

THE SHOCK TO CARNEGIE

But beyond all this—and here I think I touch on the real story—there is the peculiar temper and tendency of Pittsburg. Pittsburg is an artistic center; fortunes have been lavished in endowing schools and universities and palaces for art, on symphonies and oratorios. All the expressions of a new, ruling plutocracy are easily discernible here, as in all such epochs of society recorded in history; just, for instance, as Ferrero describes them in the last phases of the Roman Republic. And when Carnegie returns, he sheds tears and wrings his hands because of the corruption that has been exposed, and he fails, as many in Pittsburg seem to fail, to note the necessary, if subtle, relation that must exist between all this corruption and debauchery between all this art and music, and—shall I say?—the tariff on steel.

This, however, isn't all; though this is part. Pittsburg is a moral town; the most moral, in the conventional sense, in all America. She won't even allow the kids to play baseball on a back lot on Sunday. A woman, an old friend of mine who lives in Pittsburg, said: "I think it very unfortunate that the Survey was published. It overlooks Pittsburg's good points. For instance, Pittsburg has more

churches than any city of its size in America. More people of our class go to church than in any place I ever saw; more money is given to charity. People just pour out of their houses and into the churches on Sunday morning." She was quite serious—and she expressed Pittsburg, or the ruling class of Pittsburg, exactly.

Now I don't mean to say that Pittsburg is especially hypocritical; but she does seem to be pharisaical. The article about Pittsburg should find its beginnings, perhaps, away back in the days of scholasticism, and come down through the moss hags of Scotland; and its title should be "Pious Pittsburg," or something like that. Written properly—if I am right—it would be an eloquent exposition of phariseeism at its apotheosis.