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Poems by Matthew Arnold

Arnold, Matthew (1822-1888)

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[VOLUME I] EARLY POEMS, NARRATIVE POEMS AND SONNETS
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EARLY POEMS
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SONNETS.
  
QUIET WORK.
  
TO A FRIEND.
  
SHAKESPEARE.
  
WRITTEN IN EMERSON'S ESSAYS.
  
WRITTEN IN BUTLER'S SERMONS.
  
TO THE DUKE OF WELLINGTON
  
IN HARMONY WITH NATURE.
  
TO GEORGE CRUIKSHANK.
  
TO A REPUBLICAN FRIEND, 1848.
  
CONTINUED.
  
RELIGIOUS ISOLATION.
  
MYCERINUS.
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THE CHURCH OF BROU.
 I. 
I. The Castle.
 II. 
II. The Church.
 III. 
III. The Tomb.
  
A MODERN SAPPHO.
  
REQUIESCAT.
  
YOUTH AND CALM.
  
A MEMORY-PICTURE.
  
A DREAM.
  
THE NEW SIRENS.
  
THE VOICE.
  
YOUTH'S AGITATIONS.
  
THE WORLD'S TRIUMPHS.
  
STAGIRIUS.
  
HUMAN LIFE.
  
TO A GIPSY CHILD BY THE SEA-SHORE, DOUGLAS, ISLE OF MAN.
  
A QUESTION.
  
IN UTRUMQUE PARATUS.
  
THE WORLD AND THE QUIETIST.
  
THE SECOND BEST.
  
CONSOLATION.
  
RESIGNATION.
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NARRATIVE POEMS
  
SOHRAB AND RUSTUM.
  
THE SICK KING IN BOKHARA.
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BALDER DEAD.
 1. 
1. SENDING.
 2. 
2. JOURNEY TO THE DEAD.
 3. 
3. FUNERAL.
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TRISTRAM AND ISEULT.
 I. 
I. Tristram.
 II. 
II. Iseult of Ireland.
 III. 
III. Iseult of Brittany.
  
SAINT BRANDAN.
  
THE NECKAN.
  
THE FORSAKEN MERMAN.
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SONNETS
  
AUSTERITY OF POETRY.
  
A PICTURE AT NEWSTEAD.
  
RACHEL. I.
  
RACHEL. II.
  
RACHEL. III.
  
WORLDLY PLACE.
  
EAST LONDON.
  
WEST LONDON.
  
EAST AND WEST.
  
THE BETTER PART.
  
THE DIVINITY.
  
IMMORTALITY.
  
THE GOOD SHEPHERD WITH THE KID.
  
MONICA'S LAST PRAYER.
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[VOLUME II] DRAMATIC AND LATER POEMS
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DRAMATIC POEMS
  
MEROPE
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EMPEDOCLES ON ETNA
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ACT I.
 I. 
SCENE I.
 II. 
SCENE II.
 II. 
ACT II.
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LATER POEMS
  
WESTMINSTER ABBEY
  
GEIST'S GRAVE.
  
POOR MATTHIAS.
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[VOLUME III] LYRIC AND ELEGIAC POEMS
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LYRIC POEMS
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SWITZERLAND.
 1. 
1. MEETING.
 2. 
2. PARTING.
 3. 
3. A FAREWELL.
 4. 
4. ISOLATION. TO MARGUERITE.
 5. 
5. TO MARGUERITE.—CONTINUED.
 6. 
6. ABSENCE.
 7. 
7. THE TERRACE AT BERNE.
  
THE STRAYED REVELLER.
  
FRAGMENT OF AN “ANTIGONE.”
  
FRAGMENT OF CHORUS OF A “DEJANEIRA.”
  
EARLY DEATH AND FAME.
  
PHILOMELA.
  
URANIA.
  
EUPHROSYNE.
  
CALAIS SANDS.
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FADED LEAVES.
 1. 
1. THE RIVER.
 2. 
2. TOO LATE.
 3. 
3. SEPARATION.
 4. 
4. ON THE RHINE.
 5. 
5. LONGING.
  
DESPONDENCY.
  
SELF-DECEPTION.
  
DOVER BEACH.
  
GROWING OLD.
  
THE PROGRESS OF POESY.
  
NEW ROME.
  
PIS-ALLER.
  
THE LAST WORD.
  
THE LORD'S MESSENGERS.
  
A NAMELESS EPITAPH.
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BACCHANALIA; OR, THE NEW AGE.
 I. 
I.
 II. 
II.
  
EPILOGUE TO LESSING'S LAOCOÖN.
  
PERSISTENCY OF POETRY.
  
A CAUTION TO POETS.
  
THE YOUTH OF NATURE.
  
THE YOUTH OF MAN.
  
PALLADIUM.
  
PROGRESS.
  
REVOLUTIONS.
  
SELF-DEPENDENCE.
  
MORALITY.
  
A SUMMER NIGHT.
  
THE BURIED LIFE.
  
LINES WRITTEN IN KENSINGTON GARDENS.
  
A WISH.
  
THE FUTURE.
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ELEGIAC POEMS
  
THE SCHOLAR-GIPSY.
  
THYRSIS.
  
MEMORIAL VERSES.
  
STANZAS IN MEMORY OF EDWARD QUILLINAN.
  
STANZAS FROM CARNAC.
  
A SOUTHERN NIGHT.
  
HAWORTH CHURCHYARD.
  
EPILOGUE.
  
RUGBY CHAPEL.
  
HEINE'S GRAVE.
  
STANZAS FROM THE GRANDE CHARTREUSE.
  
STANZAS IN MEMORY OF THE AUTHOR OF “OBERMANN.”
  
OBERMANN ONCE MORE.

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56

3. SEPARATION.

Stop!—not to me, at this bitter departing,
Speak of the sure consolations of time!
Fresh be the wound, still-renew'd be its smarting,
So but thy image endure in its prime.
But, if the stedfast commandment of Nature
Wills that remembrance should always decay—
If the loved form and the deep-cherish'd feature
Must, when unseen, from the soul fade away—
Me let no half-effaced memories cumber!
Fled, fled at once, be all vestige of thee!
Deep be the darkness and still be the slumber—
Dead be the past and its phantoms to me!
Then, when we meet, and thy look strays toward me,
Scanning my face and the changes wrought there:
Who, let me say, is this stranger regards me,
With the grey eyes, and the lovely brown hair?
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