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The poems and prose remains of Arthur Hugh Clough

With a selection from his letters and a memoir: Edited by his wife: In two volumes: With a portrait
Clough, Arthur Hugh (1819-1861)

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VOL. II. POEMS
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EARLY POEMS.
  
THOUGHTS OF HOME.
  
AN EVENING WALK IN SPRING.
  
AN INCIDENT.
  
THE THREAD OF TRUTH.
  
REVIVAL.
  
THE SHADY LANE.
  
THE HIGHER COURAGE.
  
WRITTEN ON A BRIDGE.
  
A RIVER POOL.
  
IN A LECTURE-ROOM.
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‘BLANK MISGIVINGS OF A CREATURE MOVING ABOUT IN WORLDS NOT REALISED.’
 I. 
I
 II. 
II
 III. 
III
 IV. 
IV
 V. 
V
 VI. 
VI
 VII. 
VII
 VIII. 
VIII
 IX. 
IX
  
A SONG OF AUTUMN.
  
το καλον.
  
παντα ρει: ουδεν μενει.
  
THE SILVER WEDDING.
  
THE MUSIC OF THE WORLD AND OF THE SOUL.
  
LOVE, NOT DUTY.
  
LOVE AND REASON.
  
Ο Θεος μετα σου!
  
WIRKUNG IN DER FERNE.
  
επι Λατμω.
  
A PROTEST.
  
SIC ITUR.
  
PARTING.
  
QUA CURSUM VENTUS.
  
‘WEN GOTT BETRÜGT, IST WOHL BETROGEN.’
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POEMS ON RELIGIOUS AND BIBLICAL SUBJECTS.
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FRAGMENTS OF THE MYSTERY OF THE FALL.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
 IV. 
Scene IV.
 V. 
Scene V.
 VI. 
Scene VI.
 VII. 
Scene VII.
 VIII. 
Scene VIII.
 IX. 
Scene IX.
 X. 
Scene X.
 XI. 
Scene XI.
 XII. 
Scene XII.
 XIII. 
Scene XIII.
 XIV. 
Scene XIV.
  
THE SONG OF LAMECH.
  
GENESIS XXIV.
  
JACOB.
  
JACOB'S WIVES.
  
THE NEW SINAI.
  
QUI LABORAT, ORAT.
  
υμνος αυμνος.
  
THE HIDDEN LOVE.
  
SHADOW AND LIGHT.
  
‘WITH WHOM IS NO VARIABLENESS, NEITHER SHADOW OF TURNING.’
  
IN STRATIS VIARUM.
  
‘PERCHÈ PENSA? PENSANDO S'INVECCHIA.’
  
‘O THOU OF LITTLE FAITH.’
  
‘THROUGH A GLASS DARKLY.’
  
AH! YET CONSIDER IT AGAIN!
  
NOLI ÆMULARI.
  
‘WHAT WENT YE OUT FOR TO SEE?’
  
EPI-STRAUSS-IUM.
  
THE SHADOW.
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EASTER DAY.
 I. 
[I]
 II. 
II
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DIPSYCHUS
  
PROLOGUE TO DIPSYCHUS.
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Part I.
 I. 
—Scene I.
 II. 
Scene II.
 III. 
Scene III.
 IV. 
Scene IV.
 V. 
Scene V.
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Part II.
 I. 
—Scene I.
 II. 
Scene II.
 III. 
Scene III.
 IV. 
Scene IV.
 V. 
Scene V.
 VI. 
Scene VI.
 VII. 
Scene VII.
 VIII. 
Scene VIII.
 IX. 
Scene IX.
  
EPILOGUE TO DIPSYCHUS.
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DIPSYCHUS CONTINUED.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
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POEMS ON LIFE AND DUTY.
  
DUTY.
  
LIFE IS STRUGGLE.
  
IN THE GREAT METROPOLIS.
  
THE LATEST DECALOGUE.
  
THE QUESTIONING SPIRIT.
  
BETHESDA.
  
HOPE EVERMORE AND BELIEVE!
  
BLESSED ARE THEY THAT HAVE NOT SEEN!
  
COLD COMFORT.
  
SEHNSUCHT.
  
HIGH AND LOW.
  
ALL IS WELL.
  
παντα ρει: ουδεν μενει.
  
THE STREAM OF LIFE.
  
IN A LONDON SQUARE.
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THE BOTHIE OF TOBER-NA-VUOLICH: A LONG-VACATION PASTORAL.
 I. 
I
 II. 
II
 III. 
III
 IV. 
IV
 V. 
V
 VI. 
VI
 VII. 
VII
 VIII. 
VIII
 IX. 
IX
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IDYLLIC SKETCHES.
  
ITE DOMUM SATURÆ, VENIT HESPERUS.
  
A LONDON IDYLL.
  
NATURA NATURANS.
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AMOURS DE VOYAGE.
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CANTO I.
  
[prologue]
 I. 
I. Claude to Eustace.
 II. 
II. Claude to Eustace.
 III. 
III. Georgina Trevellyn to Louisa ---.
 IV. 
IV. Claude to Eustace.
 V. 
V. Claude to Eustace.
 VI. 
VI. Claude to Eustace.
 VII. 
VII. Claude to Eustace.
 VIII. 
VIII. Claude to Eustace.
 IX. 
IX. Claude to Eustace.
 X. 
X. Claude to Eustace.
 XI. 
XI. Claude to Eustace.
 XII. 
XII. Claude to Eustace.
 XIII. 
XIII. Georgina Trevellyn to Louisa ---.
  
P.S. by Mary Trevellyn.
  
[epilogue]
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CANTO II.
  
[prologue]
 I. 
I. Claude to Eustace.
 II. 
II. Claude to Eustace.
 III. 
III. Claude to Eustace.
 IV. 
IV. Claude to Eustace.
 V. 
V. Claude to Eustace.
 VI. 
VI. Claude to Eustace.
 VII. 
VII. Claude to Eustace.
 VIII. 
VIII. Georgina Trevellyn to Louisa ---.
 IX. 
IX. Claude to Eustace.
 X. 
X. Claude to Eustace.
 XI. 
XI. Claude to Eustace.
 XII. 
XII. Claude to Eustace.
 XIII. 
XIII. Claude to Eustace.
 XIV. 
XIV. Claude to Eustace.
 XV. 
XV. Georgina Trevellyn to Louisa ---.
  
P.S. by Mary Trevellyn.
  
P.S. by Georgina Trevellyn.
  
[epilogue]
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CANTO III.
  
[prologue]
 I. 
I. Mary Trevellyn to Miss Roper,—on the way to Florence.
 II. 
II. Claude to Eustace,—from Rome.
 III. 
III. Claude to Eustace.
 IV. 
IV. Claude to Eustace.
 V. 
V. Mary Trevellyn to Miss Roper,—from Florence.
 VI. 
VI. Claude to Eustace.
 VII. 
VII. Claude to Eustace.
 VIII. 
VIII. Claude to Eustace.
 IX. 
IX. Claude to Eustace.
 X. 
X. Claude to Eustace.
 XI. 
XI. Claude to Eustace.
 XII. 
XII. Mary Trevellyn to Miss Roper.
 XIII. 
XIII. Claude to Eustace.
  
[epilogue]
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CANTO IV.
  
[prologue]
 I. 
I. Claude to Eustace,—from Florence.
 II. 
II. Claude to Eustace,—from Bellaggio.
 III. 
III. Claude to Eustace,—from Bellaggio.
 IV. 
IV. Claude to Eustace,—from Bellaggio.
 V. 
V. Claude to Eustace,—from Bellaggio.
 VI. 
VI. Mary Trevellyn, from Lucerne, to Miss Roper, at Florence.
  
[epilogue]
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CANTO V.
  
[prologue]
 I. 
I. Mary Trevellyn, at Lucerne, to Miss Roper, at Florence.
 II. 
II. Claude to Eustace.
 III. 
III. Mary Trevellyn to Miss Roper,—at Lucca Baths.
 IV. 
IV. Claude to Eustace.
 V. 
V. Claude to Eustace.
 VI. 
VI. Claude to Eustace.
 VII. 
VII. Mary Trevellyn to Miss Roper.
 VIII. 
VIII. Claude to Eustace.
 IX. 
IX. Claude to Eustace.
 X. 
X. Claude to Eustace,—from Rome.
 XI. 
XI. Mary Trevellyn to Miss Roper.
  
[epilogue]
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SEVEN SONNETS ON THE THOUGHT OF DEATH.
 I. 
I
 II. 
II
 III. 
III
 IV. 
IV
 V. 
V
 VI. 
VI
 VII. 
VII
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MARI MAGNO OR TALES ON BOARD.
  
[A youth was I. An elder friend with me]
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THE LAWYER'S FIRST TALE.
 I. 
I
 II. 
II
 III. 
III
 IV. 
IV
 V. 
V
  
THE CLERGYMAN'S FIRST TALE.
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MY TALE.
  
[section]
  
[section]
  
[section]
  
[section]
  
Currente calamo.
  
[section]
  
THE MATE'S STORY.
  
THE CLERGYMAN'S SECOND TALE.
  
CHRISTIAN.
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SONGS IN ABSENCE.
  
[Farewell, farewell! Her vans the vessel tries]
  
[Ye flags of Piccadilly]
  
[Come home, come home! and where is home for me]
  
[Green fields of England! wheresoe'er]
  
[Come back, come back, behold with straining mast]
  
[Some future day when what is now is not]
  
[Where lies the land to which the ship would go?]
  
[The mighty ocean rolls and raves]
  
[That out of sight is out of mind]
  
[Were you with me, or I with you]
  
[Am I with you, or you with me?]
  
[Were I with you, or you with me]
  
[Were you with me, or I with you]
  
[O ship, ship, ship]
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ESSAYS IN CLASSICAL METRES.
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TRANSLATIONS OF ILIAD.
  
(l. 1–32.)
  
(l. 121–218.)
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ELEGIACS.
 I. 
I
 II. 
II
  
ALCAICS.
  
ACTÆON.
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MISCELLANEOUS POEMS.
  
COME, POET, COME!
  
THE DREAM LAND.
  
IN THE DEPTHS.
  
DARKNESS.
  
TWO MOODS.
  
YOUTH AND AGE.
  
SOLVITUR ACRIS HIEMS.
  
THESIS AND ANTITHESIS.
  
ανεμωλια.
  
COLUMBUS.
  
EVEN THE WINDS AND THE SEA OBEY.
  
REPOSE IN EGYPT.
  
TO A SLEEPING CHILD.
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TRANSLATIONS FROM GOETHE.
 I. 
I
 II. 
II
 III. 
III
 IV. 
IV
 V. 
V
 VI. 
VI
  
URANUS.
  
SELENE.
  
AT ROME.
  
LAST WORDS. NAPOLEON AND WELLINGTON.
  
PESCHIERA.
  
ALTERAM PARTEM.
  
SAY NOT THE STRUGGLE NOUGHT AVAILETH.

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IN THE GREAT METROPOLIS.

Each for himself is still the rule:
We learn it when we go to school—
The devil take the hindmost, O!
And when the schoolboys grow to men,
In life they learn it o'er again—
The devil take the hindmost, O!
For in the church, and at the bar,
On 'Change, at court, where'er they are,
The devil takes the hindmost, O!
Husband for husband, wife for wife,
Are careful that in married life
The devil takes the hindmost, O!
From youth to age, whate'er the game,
The unvarying practice is the same—
The devil take the hindmost, O!
And after death, we do not know,
But scarce can doubt, where'er we go,
The devil takes the hindmost, O!
Ti rol de rol, ti rol de ro,
The devil take the hindmost, O!
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