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University of Virginia Library

Dictionary of the History of Ideas

Studies of Selected Pivotal Ideas

Preface to the Electronic Edition

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V.

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V.

DUE PROCESS IN LAW

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V.

EQUAL PROTECTION IN LAW

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V.

NATURAL LAW ANDNATURAL RIGHTS

II. HISTORICAL ORIGINS

III. ANALYSIS OF THE ACTUAL CONCEPT OF NATURAL LAW AND ITS FUNCTIONS

IV. ANALYSIS OF THE CURRENT IDEA OF NATURAL RIGHTS

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V.

LEGAL PRECEDENT

II. ROMAN LAW—THE CIVIL LAW SYSTEMS

III. ANGLO-AMERICAN COMMON LAW SYSTEMS

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V.

LEGAL RESPONSIBILITY

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V.

I. HISTORICAL CAUSES

II. IDEAS AND ARGUMENTS ABOUT FREEDOM SINCE THE REFORMATION.

III. FREEDOM, EQUALITY, AND THE STATE

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VII.

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VII.

LINGUISTIC THEORIES INBRITISH SEVENTEENTH- CENTURY PHILOSOPHY

1. EMPIRICISM AND CRITIQUE OF LANGUAGE IN FRANCIS BACON

II. THE CRITIQUE OF LINGUISTIC INNATISM

III. THE ARBITRARINESS OF LINGUISTIC SIGN

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III.

LITERARY PARADOX

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III.

LITERATURE AND ITS COGNATES

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I.

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II.

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V.

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V.

I. MACHIAVELLI AND THE BEGINNINGSOF MACHIAVELLISM

II. MACHIAVELLISM FROM THE SIXTEENTH TO THE EIGHTEENTH CENTURY

III. MACHIAVELLISM IN THE MODERN WORLD

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VI.

MACROCOSM AND MICROCOSM

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II.

MAN-MACHINEFROM THE GREEKS TO THE COMPUTER

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V.

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V.

MARXIST REVISIONISM:FROM BERNSTEIN TO MODERN FORMS

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VII.

RELATIVITY OF STANDARDS OFMATHEMATICAL RIGOR

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VII.

MATHEMATICS INCULTURAL HISTORY

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I.

CHANGING CONCEPTSOF MATTER FROM ANTIQUITY TO NEWTON

I. ANCIENT CONCEPTS OF MATTER

II. THE CONCEPT OF MATTER IN THE MIDDLE AGES

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VI.

METAPHOR IN PHILOSOPHY

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VI.

METAPHOR INRELIGIOUS DISCOURSE

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VI.

METAPHYSICAL IMAGINATION

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III.

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III.

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VI.

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III.

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III.

MOTIF IN LITERATURE:THE FAUST THEME

I. THE HISTORICAL FIGURE

II. THE LEGEND AND ITS SOURCES

III. THE MORALITY FIGURE

V. THE NINETEENTH-CENTURY HERO

VI. FAUSTIAN AMBIVALENCES IN THE TWENTIETH CENTURY

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III.

LITERARY ATTITUDESTOWARD MOUNTAINS

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III.

MUSIC AND SCIENCE

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III.

MUSIC AS A DEMONIC ART

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III.

MUSIC AS A DIVINE ART

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III.

MYTH IN ANTIQUITY

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III.

MYTH IN BIBLICAL TIMES

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III.

MYTH IN THE MIDDLE AGESAND THE RENAISSANCE

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III.

MYTH INENGLISH LITERATURE: SEVENTEENTH AND EIGHTEENTH CENTURIES

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III.

MYTH IN THE EIGHTEENTH ANDEARLY NINETEENTH CENTURIES

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III.

MYTH IN THE NINETEENTHAND TWENTIETH CENTURIES

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V.

MEDIEVAL AND RENAISSANCEIDEAS OF NATION

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V.

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III.

NATURALISM IN ART

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I.

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VI.

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III.

NEO-CLASSICISM IN ART

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VI.

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I.

NEWTON AND THEMETHOD OF ANALYSIS

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III.

NEWTON'S OPTICKS ANDEIGHTEENTH-CENTURY IMAGINATION

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VII.

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I.

OPTICS AND VISION

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I.

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IV.

ORIENTAL IDEASIN AMERICAN THOUGHT

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VI.

ETHICS OF PEACE

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V.

INTERNATIONAL PEACE

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VI.

PERENNIAL PHILOSOPHY

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VI.

PERFECTIBILITY OF MAN

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IV.

PERIODIZATION IN HISTORY

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III.

PERIODIZATION INLITERARY HISTORY

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V.

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VI.

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III.

RHETORIC AND LITERARYTHEORY IN PLATONISM

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VI.

PLATONISM IN PHILOSOPHYAND POETRY

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VI.

PLATONISM IN THE RENAISSANCE

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VI.

PLATONISMSINCE THE ENLIGHTENMENT

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III.

POETRY AND POETICS FROMANTIQUITY TO THE MID-EIGHTEENTH CENTURY

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VI.

POSITIVISM IN EUROPETO 1900

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VI.

POSITIVISM IN LATIN AMERICA

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VI.

POSITIVISM IN THETWENTIETH CENTURY (LOGICAL EMPIRICISM)

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VI.

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II.

PRE-PLATONIC CONCEPTIONSOF HUMAN NATURE

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II.

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II.

PRIMITIVISM IN THEEIGHTEENTH CENTURY

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VII.

PROBABILITY:OBJECTIVE THEORY

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IV.

PROGRESS IN CLASSICAL ANTIQUITY

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IV.

PROGRESS INTHE MODERN ERA

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V.

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VI.

PROPHECY INHEBREW SCRIPTURE

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VI.

PROPHECY IN THEMIDDLE AGES

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V.

PROTEST MOVEMENTS

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1. The fundamental and determining factor in all
societies is the mode of economic production. All im-
portant changes in the culture of a period—its politics,
ethics, religion, philosophy, and art—are ultimately to
be explained in terms of changes in the economic
substructure.