 | The Cavalier daily Tuesday, October 17,1972 |  |
Films Of
The Week
A convenient list of the
week's films; commercial
schedules are subject to
change.
TONIGHT
Everything You Always
Wanted To Know About Sex
But Were Afraid To Ask,
(University; 1,2:40, 4:20,
6,7:40 & 9:20 p.m.; $2, except
5:30 to 6:30-$1, thru Wed.).
The New Centurions,
(Barracks Road; 1:40, 3:30,
5:20, 7:10, & 9 p.m.; $2,
except 4:50-5:50-$1; thru
Wed.).
The Abductors, (Cinema;
2,4,6,8 & 10 p.m.; $2; thru
Wed.) Crade B.
The Late Lix, (Paramount;
1,3,5,7, & 9 p.m.; $2, except
Tues. 7&9 p.m.–$1; thru
Thurs.).
WEDNESDAY, October 18
Je T'Ame, Je T'Ame,
(Wilson Hall; 4:30, 7 & 9 p.m.;
$1 or series pass). Directed by
Renais, written by Sternberg.
"...he claims to have learned the
art of film-making and editing
from the comics which he
devoured in his youth and for
which he still has a keen
interest..."–Armes "Let us say
that I am concerned to address
the spectator in a critical state
of mind. For that I need to
make films that are not
natural. The realist cinema, the
reconstruction of daily life, the
reproduction of gestures, all
that does not interest me at
all."–Renais
THURSDAY, October 19
Coconuts, (Wilson Hall; 7 &
9 p.m. $.75). The Marx
Brothers. "At its Yonkers
preview The Coconuts clocked
over four hundred laughs in
140 minutes of running time,
and the picture subsequently
did record business."–Spears
Groucho tries to sell Florida
real-estate.
Nicholas and Alexandra,
(University; times unav.; $2,
except Good Neighbor
hour–$1).
Bluebeard, (Barracks Road;
times unav.; $2, except Good
Neighbor Hour $1). With
Richard Burton, Raquel Welch,
Joey Heatherton.
Slaughter, (Cinema; 2,4,6,8,
& 10 p.m.; $2). With Jim
Brown.
FRIDAY, October 20
Monkey Business. (Wilson
Hall; 7 & 9 p.m.; $.75). The
Marx Brothers. Written by S.J.
Perlman. They stow away on
an ocean liner.
Portnoy's Complaint,
(Paramount; 1,3,5,7,& 9 p.m.;
$2). With Richard Benjamin
and Karen Black.
B. S. I Love You,
(Paramount; 11 30 p.m.;
$1.50; thru Saturday).
SUNDAY, October 22
La Strada, (Wilson Hall; 7 &
9 p.m. $.75). "Griffith's
stylized lyric tragedy Broken
Blossoms, though smaller in
scope than The Birth of a
Nation or Intolerance, is, I
think, the third of a trio of
great works. It is the source of
much of the poignancy of
Fellini's La Strada. Donald
Crisp's brutal prizefighter
became Anthony Quinn's
Zampano, and Lillian Gish's
childish waif must have
strongly influenced the
conception of Builietta
Masina's role as well as her
performance."–Kael
| The Cavalier daily Tuesday, October 17,1972 | |