|  The Cavalier daily Wednesday, December 6, 1972  | ||
These Walls Now In Their Second Printing
By ED KANIEWSKY
When excavations were 
begun at Pompeii, a rather 
starting discovery was made: 
the walls of the municipal bath 
were covered with graffiti. 
They were not unlike modern 
graffiti. Some attacked 
political candidates. Others 
alleged indecorous activities 
between the manager of the 
men's bath and various women. 
Vesuvius had covered the 
writings.
Last year, a minor Vesuvius 
erupted in Alderman. The walls 
of the library carrels were 
painted. All the graffiti 
disappeared. But a recent 
check of the walls indicated 
that the busy little hands and 
brains were quickly repairing 
the damage.
Graffitists were conscious of 
this attempt to curtail their 
activities. One of their favorite 
topics now is the paint job and 
its effects on their profession. 
"Did they just paint these 
walls," one asks. Another 
replies, "No, they took out the 
old walls and put in new ones."
"This wall is now in its 
second printing."
"Weren't these walls painted 
to cover graffiti?" someone 
writes. "Obviously Echols 
material," is the terse reply.
"Who painted over all the 
graffiti?" "An art critic with 
good taste," suggests another 
graffitist.
The retort to "They ve 
painted over all the graffiti,  is' 
"They've graffitied over all the 
paint."
That graffiti is not merely a 
casual endeavor is recognized 
by the scribblers. "There are 
layers of scrawled messages 
under this paint, essential ones. 
Make more."
Religion is also a favored 
topic. "God is dead. But don't 
worry Mary is pregnant again." 
Blasphemy can be wickedly 
funny.
"Look where the faith of 
our Fathers has brought us."
"God is alive and playing 
third base for the Baltimore 
Orioles."
"Jesus is not dead. He is in 
seclusion working on another 
book." That drew the 
response. "Hopefully with a 
better ending."
Academics
The academic world receives 
its share of comment too. "If 
all the world's economists were 
laid end to end they still 
wouldn't reach a conclusion."
"Isn't science wonderful," 
someone asks. "You must be a 
pre-med," another snorts in 
reply.
"Dick Tracy" writes that 
"The nation that controls 
magnetism will control the 
universe."
A wilting Hofstadter 
writes, "Those who bring 
happiness to others can't keep 
it from themselves. History 
tests neither bring nor instill 
happiness."
Someone with a dislike of 
empiricism scribbles, "It has 
been shown that there is a 
perfect correlation between 
peppermint lifesavers and 
baldness in frogs."
Surprisingly only ten of the 
over one thousand graffiti on 
the carrel walls dealt with 
drugs. "A reefer a day keeps 
reality away." "No left turn 
unstoned." But there is a 
strong anti-drug sentiment in 
the profession, which has its 
opposing echo. "Drugs make 
you strange" is countered by 
"Thank God." "Drugs are bad" 
is met by "Ban aspirin."
Harper's asserts that men's 
rooms walls are forums for the 
New Left's political views. This 
is not so in carrel scribbling. 
Little space is devoted to 
urging minorities to unite to 
smash the state. But one little 
appreciated minority is 
disenchanted. "Munchkins of 
the world unite! We're not tall 
enough to lose anything." The 
idea dwarfs the imagination!
A number of well known 
figures are mentioned by name. 
"Andrew Jackson was getting 
it off Peggy Eaton."
"Roosevelt eats spam," 
occurs often.
"Virginia deserves Bill 
Scott, but did we have to loose 
him on the whole country."
Love
Someone has written "I 
never let schooling interfere 
with my education," and 
signed it Samuel Clemens. 
Someone else wrote nearby, "I 
never let learning interfere with 
my ignorance," and signed it 
with the name of a University 
Housing Office official.
Graffitists are well known  First Pompeii, Now Alderman
for their views on sex and love. 
More than a third of carrel 
graffiti deals with those topics. 
Graffiti:
number of what could mildly 
be termed unprintable 
abominations beyond the most 
lurid imaginations, the hopeless 
romantics are represented too. 
"Love is eternal bliss." "Love 
is a many splendid thing."
"Man's ability to love is 
exceeded only by his 
unwillingness to do so."
"Oaths of love make 
perjurers of us all".
"How can you love another 
if you don't love yourself," 
drew the reply of "I love me." 
Not content to let things 
remain so, the first writer 
echoed "He who loves himself 
has a fool for a lover."
Erich Segal is remembered. 
"Love means never having to 
be horny." Also, "The pill 
means never having to say your 
sorry."
"Lust is all," commented a 
non-romantic.
"Can anyone satisfy my 
need?" was answered by "Yes, 
a psychoanalyst."
"Virginity is like a bubble 
on the sea of life–one prick 
and its gone."
"Love is an invalid 
concept."
A number of people are 
mentioned by name, usually 
with a telephone number. 
These are by and large vicious 
graffiti. But not all such use of 
names is insulting. The name 
"Sheri" appears in many 
places, always without 
comment, always in the same 
neat handwriting, in a simple 
tribute to some unknown love. 
Likewise, the almost child-like 
innocence of "I love Sally" is 
clear.
A large number of walls 
have the inscription, 
"Surrender, Dorothy!" It is 
safe to say that the aggressor 
there lost. On one wall alone 
the answer is written. 
"NEVER."
But one type of graffiti 
occurs more often than 
sex-love graffiti. It is the 
philosophical-social 
commentary variety, in which 
valiant efforts at profundities 
are essayed. "One seventh of 
your life is spent on Mondays." 
"The difference between 
graffiti and philosophy is the 
word F–."
To "Never fear that your 
life should end; rather that it 
should not begin," someone 
replied "or that it should be 
spent in writing cosmic 
homilies."
For those who are down 
and out, "When in disfavor in 
fortune and men's eyes, come 
to me. I will spit on you."
"On the count of three, 
everyone go to the next level 
of consciousness."
"If all men were brothers, 
would you want one to marry 
your sister?"
"If you stop to think about 
it, most of the things about 
U.Va. and most of the people 
here are sick." The next line, in 
different handwriting, read 
"Please make use of the bags in 
the seat in front of you."
"Wait for me. I was here. I'll 
be back–Godot."
"Reality is everyone's 
anathema."
"Is reality this messed up or 
is it only you?"
|  The Cavalier daily Wednesday, December 6, 1972  | ||