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1Author:  Child, Lydia Maria Francis, 1802-1880Requires cookie*
 Title:  Letter to John Sullivan Dwight, 1844 April 23  
 Published:  1996 
 Description: It would be uninteresting to recount the manifold little hindrances, which have delayed my an- -swer to your refreshing and most welcome letter. Suffice it to say, that it has not been because I do not always carry the memory of you in my heart. You are one of the few whom I want to go into heaven with, and stay near forever. Your letter exhilerated me like a shower-bath. It made me feel more cheerful and strong for weeks after. I am glad my letter about Ole Bulbul found such an echo in your soul. It is a proof to me that I struck a chord in the "everlasting chime". If I did say "the very best thing that was ever said about music", it must have been Ole Bulbul's violin that told it to me. You, unfortunately, know so much, that this Shakespeare of the violin may not delight you as he did me. I have known nothing like it, in my ex- -perience of pleasure. Perhaps none but the ignorant could feel such a rush of uncriticising, overwhelming joy. Connoisseurs give the palm to Vieux Temps; but I persist in my belief that France made him, and Mr. Child is still at Washington, or he would send a heart full of kind remembrance. God made Ole Bull. I have certain theories about the nations, which makes it difficult for me to believe that France ever goes very deeply into the heart of things, though her mechanism of all the external of man and of society is most perfect. The application of this theory may, of course, be very unjust to individuals. Shall I confess my weakness ? I am not quite willing to be con- -vinced that the genius of the French minstrel equals that of the Norwegian. I can not explain exactly why; except that my imagination has anointed and crowned Ole Bull king of the realms of sound, and is willing to admit no rival.
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