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1Author:  Edited by DAVID L. VANDER MEULENRequires cookie*
 Title:  Studies in Bibliography  
 Published:  2005 
 Subjects:  University of Virginia Library, Modern English collection | UVA-LIB-Text 
 Description: Textual criticism is one of the few scholarly fields that can be talked about in terms of millennia, for it has been practiced in an organized fashion for at least twenty-three hundred years. A millennial year is a natural point for retrospection and stock-taking, and the most recent one, marking the turn to the twenty-first century, came at a moment fundamentally unlike any other in the long history of the field. Although differing approaches to perennial issues might have been in the ascendent at whatever past moments one chooses to look at, all those moments—before the last decade or two of the twentieth century— would have shared a dominant concern for authorial intention as the basis for editing. During the last part of the twentieth century, however, a focus on texts as social products came to characterize the bulk of the discussion of textual theory, if not editions themselves. For the first time, the majority of writings on textual matters expressed a lack of interest in, and often active disapproval of, approaching texts as the products of individual creators; and it promoted instead the forms of texts that emerged from the social process leading to public distribution, forms that were therefore accessible to readers.
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2Author:  unknownRequires cookie*
 Title:  Studies in Bibliography  
 Published:  2005 
 Subjects:  University of Virginia Library, Modern English collection | UVA-LIB-Text 
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3Author:  Brown Charles Brockden 1771-1810Requires cookie*
 Title:  Edgar Huntly, Or, Memoirs of a Sleep-walker  
 Published:  2005 
 Subjects:  University of Virginia Library, Modern English collection | UVA-LIB-Text | University of Virginia Library, Early American Fiction, 1789-1875 | UVA-LIB-EarlyAmFict1789-1875 
 Description: I sit down, my friend, to comply with thy request. At length does the impetuosity of my fears, the transports of my wonder permit me to recollect my promise and perform it. At length am I somewhat delivered from suspence and from tremors. At length the drama is brought to an imperfect close, and the series of events, that absorbed my faculties, that hurried away my attention, has terminated in repose.
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