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expand1997 (2)
1Author:  Hawthorne Nathaniel 1804-1864Add
 Title:  Mosses from an Old Manse  
 Published:  1997 
 Subjects:  University of Virginia Library, Modern English collection | UVA-LIB-Text | University of Virginia Library, Early American Fiction, 1789-1875 | UVA-LIB-EarlyAmFict1789-1875 | Wiley and Putnam's library of American books | wiley and putnams library of american books 
 Description: In the latter part of the last century, there lived a man of science— an eminent proficient in every branch of natural philosophy—who, not long before our story opens, had made experience of a spiritual: affinity, more attractive than any chemical one. He had left his, laboratory to the care of an assistant, cleared his fine countenance from the furnace-smoke, washed the stain of acids from his fingers, and persuaded a beautiful woman to become his wife. In those days, when the comparatively recent discovery of electricity, and other kindred mysteries of nature, seemed to open paths into the region of miracle, it was not unusual for the love of science to rival the love of woman, in its depth and absorbing energy. The higher intellect, the imagination, the spirit, and even the heart, might all-find their congenial aliment in pursuits which, as some of their ardent votaries believed, would ascend from one step of powerful intelligence to another, until the philosopher should lay his hand on the secret of creative force, and perhaps make new worlds for himself. We know not whether Aylmer possessed this degree of faith in man's ultimate control over nature. He had devoted himself, however, too unreservedly to scientific studies, ever to be weaned from them by any second passion. His love for his young wife might prove the stronger of the two; but it could only be by intertwining itself with his love of science, and uniting the strength of the latter to its own.
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2Author:  Hawthorne Nathaniel 1804-1864Add
 Title:  Mosses from an Old Manse  
 Published:  1997 
 Subjects:  University of Virginia Library, Modern English collection | UVA-LIB-Text | University of Virginia Library, Early American Fiction, 1789-1875 | UVA-LIB-EarlyAmFict1789-1875 | Wiley and Putnam's library of American books | wiley and putnams library of american books 
 Description: We, who are born into the world's artificial system, can never adequately know how little in our present state and circumstances is natural, and how much is merely the interpolation of the perverted mind and heart of man. Art has become a second and stronger Nature; she is a step-mother, whose crafty tenderness has taught us to despise the bountiful and wholesome ministrations of our true parent. It is only through the medium of the imagination that we can lessen those iron fetters, which we call truth and reality, and make ourselves even partially sensible what prisoners we are. For instance, let us conceive good Father Miller's interpretation of the prophecies to have proved true. The Day of Doom has burst upon the globe, and swept away the whole rece of men. From cities and fields, sea-shore, and mid-land mountain region, vast continents, and even the remotest islands of the ocean—each living thing is gone. No breath of a created being disturbs this earthly atmosphere. But the abodes of man, and all that he has accomplished, the foot-prints of his wanderings, and the results of his toil, the visible symbols of his intellectual cultivation, and moral progress—in short, everything physical that can give evidence of his present position—shall remain untouched by the hand of destiny. Then, to inherit and repeople this waste and deserted earth, we will suppose a new Adam and a new Eve to have been created, in the full development of mind and heart, but with no knowledge of their predecessors, nor of the diseased circumstances that had become encrusted around them. Such a pair would at once distinguish between art and nature. Their instincts and intuitions would immediately recognize the wisdom and simplicity of the latter, while the former, with its elaborate perversities, would offer them a continual succession of puzzles.
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