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281Author:  Warner Anna Bartlett 1824-1915Add
 Title:  Dollars and cents  
 Published:  2003 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text | University of Virginia Library, Early American Fiction, 1789-1875 | UVA-LIB-EarlyAmFict1789-1875 
 Description: “ABSOLUTELY left!” said Mr. Howard—“missed the stage after all my hurry; and now I can't get to Edmondtown to-day, and by to-morrow Jarvis will have gone west, and my rent in his pocket! Well—”
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282Author:  Willis Nathaniel Parker 1806-1867Add
 Title:  Paul Fane, or, Parts of a life else untold  
 Published:  2003 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text | University of Virginia Library, Early American Fiction, 1789-1875 | UVA-LIB-EarlyAmFict1789-1875 
 Description: It was getting toward “the small hours” of a summer's night in 1830, when Paul Fane tapped at the closely shuttered window of the house which had always been his home. The family prayers, invariable at nine o'clock, were long over, and at the front door, inexorably locked at ten, the truant son now stood—excluded for the night by the stern father whose hand had turned the key, but knowing well that sleepless eyes were watching for him, and lips whose good-night blessing and kiss would await him, even till morning. That little twitch at the lock of hair over my left temple tells me that you are here, just as certainly as when you crept behind me at my easel at home, and by that bell-pull to my abstracted brain, informed me that I was to come out of my picture and attend to you. Spirits can cross oceans and pull hair—I here record my well-founded belief—and you are here, up three flights of stairs, in my private and unapproachable Parisian den waiting to have a talk with your boy. Kiss, dear mother, and begin. By looking at the bottom of the fourth page you will see that I still write to you “au naturel” as our French grammar used to say, and I beg to inform you, more particularly, that I am, as yet, neither Lady Cummit Strong, nor Countess Ebenhog, but simply your old friend 'Phia Firkin, not much aggravated nor diminished. The above titles, however, being my present imminent catastrophes, I name them at once, to ease your anxious mind. Not quite sure that I have anything to write to you about —or rather, seeing very distinctly that what may seem important for me to write may not be important enough for you to take the trouble to read—I still venture to intrude upon you, as you see. It will not be the first time that your good nature has been called upon in my behalf, and, trusting to your having acquired the habit, I must pray you to pardon me once more! I dare say you feel quite like a widow, not to have heard from your faithful 'Phia for so long (now three weeks since I wrote to you, I believe), but the neglect is not because I forget you. I think of you, on the contrary, oftener than ever, and because I have more to tell—which, you know, makes it so much harder to begin. Why, I live so much more than I used to, Kitty, that I feel like half a dozen of what I used to be! In fact, multiplied as my existence is, at present, I should not feel justified in marrying any one man. Don't you think there is danger of outgrowing the “allowance for one”—becoming, in one's own self, a sort of seraglio, as it were? At any rate, my mind must be more clear as to what constitutes a “single woman,” before I give the whole of myself to a single husband! But it is curious how the kind of love that one means to settle down upon, after all (when our little innocent flirtations are over, you know, Kitty!), just spoils a man for painting one's portrait! I went to sit to my devoted Blivins, expecting that he would, at least, make me as good-looking as I am—(especially as, by the way, he talked to me, I was sure he thought me very beautiful), and what does he do but begin his husbanding of me at once— painting me in a helmet and tunic as a Goddess of Liberty, that is to say—and a more boxed up woman you never saw, out of a coffin. There was nothing to be seen of me but the face! Now you know, Kitty (for we have compared notes on the subject), that what little beauty I have is not exactly there. It has been my greatest comfort, in visiting these foreign galleries and studios, to see that the painters of all ages (ugly “old masters” as well as handsome young masters) dwell particularly on just where I am perfect. There is not a Virgin Mary, nor a Saint Cecilia, nor even a Lucretia (and this last is a pattern of modesty, you know), that is not painted, as you may say, with a figure. And mamma says it is only because there are so many exposed bosoms (fifty, at least, in every gallery) that people walk round and look at them so unconcernedly. So, don't you see, that if it were only the fashion for us all to show our figures, it would be proper enough! In the East, it is improper for a woman to show her mouth; and I dare say that, if there were only one woman in the world that showed her elbow, it would be considered very immoral. Papa has commissioned me to act as his amanuensis, his only hand being disabled by the neuralgic trouble to which he is liable, and I obey—only with a little uncommissioned variation of my own. * * * Your accounts of gaieties and intimacies are very amusing, and, to us at this distance at least, they seem to be throwing very attractive spells upon you as you pass. And this is to be rejoiced in. The world should be thanked for smiling upon us, if it will. But, in these glittering eddies along the shore, we should not forget the main current of our life, and you particularly, may as well be reminded, perhaps, that your arrival at the far outlet of ambition and culture is to be by a headway slow and unnoticed. You have but the force of the natural channel to trust for guidance and progress, and are just so often hindered and thrown into the slack-water of inaction, as you are made giddy by any side-whirls, or excitements such as are objectless and temporary. * * * The path of Art which, in glowing and sanguine moments, I mark out for myself as peculiarly my own, becomes very indistinct under depression and discouragement. It is not merely that I cannot handle my pencil, when out of spirits, but the handling that I have already done, with a feeling of success and a belief in its originality, loses all force and beauty to my eye. If I were working entirely by myself, I should, half the time, neither be the same person, nor believe Art to be the same thing. Please receive me in my night-cap and slippers, for I was all undressed to go to bed, when I found I must first go to Alabama— so full of thoughts of you, that is to say, that there would be no sleeping till I had written you a letter. It is not late, either. You are very certain to be wide awake, yourself. Very likely enjoying your second-hand sunset—the identical sun that set, for us here in Florence, three or four hours ago! Of course you love it more because it has lately seen me; though, when Mr. Fane happened to mention Europe's getting the first call from the sun and moon, Pa was quite disgusted with the whole affair. He said the Declaration of Independence ought to have arranged that our glorious Republic should have the “first cut” of daylight and everything else. My dear Friend,—I am the first to write, and for this very new forwardness in myself, my pride naturally looks about for excuses. The best I can find within reach is, that I am the idler of the two. You would have written first to me (I will believe, at least, till this letter has gone)! but for devotion to your pencils and easel. While you are at your studio, toiling after some elusive shadow of beauty, I am alone in my room, weary of sight-seeing, and with a day upon my hands. Your letter to “Mr. Evenden” is herewith enclosed, and you will be surprised to hear that there is no such person. The artist who painted your portrait assumed the name (for an object which shall be more fully explained to you hereafter), and it was in the course of maintaining his incognito, that he thoughtlessly admitted your supposition as to the freedom of his hand. He thus led you into an error for which he hopes so to apologize as to be forgiven. He is not at liberty, at present, to form any matrimonial engagement; but he hopes that you will still allow him to retain the double flattery which your letter contains—precious flattery both for the artist and the man—and to burn incense to friendship, on an altar which, under other circumstances, might have been sacred to love. The explanation of the reasons for the incognito, is only deferred till the dénoûment of a little drama of which it is just now a part. Without dating my letter precisely from Spirit-land, I may almost claim a hearing from thence—so nearly arrived thither that I begin to see with the unworldly eyes of that better existence, and finding something to look back and say, which you will first read probably, when I am already there. It will be written with the trembling hand of departure, and at broken moments, stolen from the watchfulness of the dear one of whom I wish to speak; but I trust to find strength and opportunity, as I go on, and to trace, with this last use of pen and ink, words which your kindly eyes may manage to decipher. If I mistake not, there will be an intuition at your heart that will even anticipate my meaning; and, pray believe that, if it be possible to return to earth through the records of thoughts that go with us to heaven, these ill-traced words will speak to you also with a spirit-presence. Mrs. Cleverly will remain for some time in Florence; and, for you to have Mary Evenden there, in the midst of objects and associations of such common interest to you both, will, of course, be delightful. The Arts—always a sufficient feast to share even at home—will be like an intoxication of sympathy where their charms are perfected by the world's masterpieces. But, my dear Paul, a thought here takes shape, which has been to me, for some time, “a shadow on the wall.” More or less haunted by it for years, and dismissing it constantly as a subject that would be more manageable by-and-by, I must express it now as a new anxiety—though very possibly, in your mind it is a familiar matter, long ago recognized and disposed of. The more needless my nervousness shall thus prove to have been, however, the better pleased I shall be. I presume it will somewhat startle you to see the signature to this letter—(“Winifred Tetherly,” if, before arriving at the bottom of the page where I am to write it, I do not first awake from a dream)—though, for what is but a prompt following of your advice, you have no very reasonable ground for surprise. To help a lady to a husband you will think, is as easy as to pass the salt— so easy, and for one who thought herself the most difficult woman in the world, that I am not yet fully persuaded of it myself. But I must at least, tell you the story of an event which (according to my present strong impression and belief), has prevented me from keeping my appointment with you as Miss Ashly. When I once before had occasion to trouble you with a letter, it was (if you remember) to explain my waiving of a happiness to which I had properly no claim—a place at court, of which your daughter generously supposed that I might do the honors. A false position of a still more delicate nature is my embarrassment, at present—a much higher happiness, and accorded to me also by the noble generosity of your family—and to waive this also, as unquestionably and entirely, would, perhaps, be my simple duty in now writing to you. But there is a presumptuous qualification of this second disclaimer, upon which I believe I must venture, though I do so by placing myself and the consequences entirely in your hands. Your letter was so in accordance with what had already passed between us, that I was not surprised at its tone and contents. There was a startling unlikeness, in it, to the common language of lovers, as well as to the common usage of the world, but we were prepared for its delicate generosity, by knowing the standard up to which you live. Allow me to begin by thanking you, frankly, and with all my heart, for the fresh proof of it which touches me so nearly—adding, however (though the explanation is scarce necessary), that, if it were a question of my own happiness only, I should not accept so unreservedly this sacrifice of yourself. For my daughter, I must be even less magnanimous toward a friend than were else possible. I am sure you will understand how much harder this proof of affection is than the other extreme. I date once more from Paris, though, in your last, you say I should have signed myself, “your affectionate snail,” so slow am I at crawling towards home. Please have some hopes, of me, however, as I am, at present, a bivalve, and, of course, with new laws of motion—flattened into this new character (I liked to have forgot to tell you) on the first of May, by the Rev. Mr. Sprinkle, of the English chapel—my beloved Wabash being the other shell, and connubial bliss, of course, the mutual oyster between us. The sadness at the news of your letter, is so struggling for the present with my resentment at your not coming to say adieu to us, that I am doubting whether this will turn out a scolding or a farewell. I can scarce see to write, for the tears that are in such a silly hurry to forgive you—but how dreadfully unkind and hard-hearted of you, to think of going without a word of good-bye! Is it quite safe, do you think, to commit yourself to the retributive ocean with a sin of such enormity on your shoulders? You are thinking of me to-day, I know, as half-way across the water. I was to have sailed a fortnight ago (as I wrote you), and should have been happy indeed to do so, but for Mrs. Cleverly's delays at Paris. She and Mary are to come with me, and the good lady's milliners and dress-makers, I suppose, have been less prompt than her kindnesses. Boston is to be kept astonished for a year or two, of course, with the fashions she brings home—the tribute to the magnificent great heart that beats under her “latest fashion,” being as little thought of by herself, as it is by the goodness-blind world she cares only to dazzle.
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283Author:  Evans Augusta J. (Augusta Jane) 1835-1909Add
 Title:  Macaria, or, Altars of sacrifice  
 Published:  2003 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text | University of Virginia Library, Early American Fiction, 1789-1875 | UVA-LIB-EarlyAmFict1789-1875 
 Description: The town-clock was on the last stroke of twelve, the solitary candle measured but two inches from its socket, and, as the summer wind rushed through the half-closed shutters, the melted tallow dripped slowly into the brightly-burnished brazen candlestick. The flickering light fell upon grim battalions of figures marshalled on the long, blue-lined pages of a ledger, and flashed fitfully on the face of the accountant, as he bent over his work. In these latter days of physical degeneration, such athletic frames as his are rarely seen among the youth of our land. Sixteen years growth had given him unusual height and remarkable breadth of chest, and it was difficult to realize that the stature of manhood had been attained by a mere boy in years. A gray suit (evidently home-made), of rather coarse texture, bespoke poverty; and, owing to the oppressive heat of the atmosphere, the coat was thrown partially off. He wore no vest, and the loosely-tied black ribbon suffered the snowy white collar to fall away from the throat and expose its well-turned outline. The head was large, but faultlessly proportioned, and the thick black hair, cut short and clinging to the temples, added to its massiveness. The lofty forehead, white and smooth, the somewhat heavy brows matching the hue of the hair, the straight, finely-formed nose with its delicate but clearly-defined nostril, and full, firm lips unshaded by mustache, combined to render the face one of uncommon beauty. Yet, as he sat absorbed by his figures, there was nothing prepossessing or winning in his appearance, for though you could not carp at the moulding of his features, you involuntarily shrank from the prematurely grave, nay, austere expression which seemed habitual to them. He looked just what he was, youthful in months and years, but old in trials, sorrows, and labors, and to one who analyzed his countenance, the conviction was inevitable that his will was gigantic, his ambition unbounded, his intellect wonderfully acute and powerful. It is always sad to remark in young faces the absence of that beaming enthusiasm which only a joyous heart imparts, and though in this instance there was nothing dark or sinister, you could not fail to be awed by the cold, dauntless res olution which said so plainly: “I struggle, and shall conquer. I shall mount, though the world defy me.” Although he had labored since dawn, there was no drooping of the muscular frame, no symptom of fatigue, save in the absolute colorlessness of his face. Firm as some brazen monument on its pedestal, he sat and worked on, one hand wielding the pen, the other holding down the leaves which fluttered, now and then, as the breeze passed over them. “Electra, come to school Monday. The enclosed will pay your tuition for two months longer. Please don't hesitate to accept it, if you really love “With gratitude beyond all expression for the favor conferred on my mother and myself, some years since, I now return to Miss Huntingdon the money which I have ever regarded as a friendly loan. Hoping that the future will afford me some opportunity of proving my appreciation of her great kindness, “If you do not feel quite ready for the day of judgment, avoid the Row as you would the plagues of Egypt. I found no less than six developed cases of rank typhus. “Before you leave W—, allow me to see you for a few moments. If your departure is positively fixed for to-morrow, come to me this afternoon, at any hour which may be most convenient. “Huntingdon was desperately wounded at three o'clock to-day, in making a charge. He died two hours ago. I was with him. The body leaves to-morrow for W—. “Come at once. Aubrey is badly wounded. Cyrus will show the way.
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284Author:  EDITED BY A Son of Temperance.Add
 Title:  The fountain and the bottle  
 Published:  1997 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text | University of Virginia Library, Early American Fiction, 1789-1875 | UVA-LIB-EarlyAmFict1789-1875 
 Description: By Father Frane. “My dear Daughter,—As I write this, you are playing about my room, a happy child, and all unconscious of the great loss you will soon have to bear in the death of your mother. Not long have I now to remain upon the earth. The sands in my glass have run low; the life-blood in my heart is ebbing; a few more fluttering pulses, and my spirit will take its flight from earth.—Ah, my child! not until you are yourself a mother, can you understand how I am distressed at the thought of leaving you alone in this selfish and cruel world! But I will not linger on this theme. “Mr. Guzzler,—Dear Sir:—I find that it won't be convenient for me to lend you the money we talked about. In fact, to tell the plain truth, I hardly think it prudent to risk any thing with a man who neglects his business. No one who lies in bed until eleven or twelve in the morning, need expect to get along. Pardon this freedom; but he is the best friend, generally, who speaks the plainest.
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285Author:  Lippard George 1822-1854Add
 Title:  Adrian, the neophyte  
 Published:  1997 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text | University of Virginia Library, Early American Fiction, 1789-1875 | UVA-LIB-EarlyAmFict1789-1875 
 Description: BY GEORGE LIPPARD, ESQ., AUTHOR OF “HERBERT TRACY,” ETC.
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286Author:  Lippard George 1822-1854Add
 Title:  Original revolutionary chronicle  
 Published:  1997 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text | University of Virginia Library, Early American Fiction, 1789-1875 | UVA-LIB-EarlyAmFict1789-1875 
 Description: BY GEORGE LIPPARD, ESQ.
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287Author:  Lippard George 1822-1854Add
 Title:  The Ladye Annabel, or, The doom of the poisoner  
 Published:  1997 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text | University of Virginia Library, Early American Fiction, 1789-1875 | UVA-LIB-EarlyAmFict1789-1875 
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288Author:  Lippard George 1822-1854Add
 Title:  Legends of Mexico  
 Published:  1997 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text | University of Virginia Library, Early American Fiction, 1789-1875 | UVA-LIB-EarlyAmFict1789-1875 
 Description: Sir—In reply to your note of this date, summoning me to surrender my forces at discretion, I beg leave to say, that I decline acceding to your request.
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289Author:  Lippard George 1822-1854Add
 Title:  The Rose of Wissahikon, or, The Fourth of July, 1776  
 Published:  1997 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text | University of Virginia Library, Early American Fiction, 1789-1875 | UVA-LIB-EarlyAmFict1789-1875 
 Description: A hale old man, leaning on his rifle, with an iron frame, a bronzed visage, and snow-white hair! Ere you receive this, you will have learned that the prominent members of the Rebel Congress have been seized and made prisoners, by certain gentlemen who have proclaimed George Washington, the Rebel General, King. At this hour, Hancock, Jefferson, Adams, with other Delegates, are prisoners at my house, near Philadelphia. Thus have we introduced dissension among the ranks of the rebels; while one party prate about a republic, another talk of returning to their allegiance, and a third—I know your excellency will smile—prate of King Washington. How this has been accomplished, will be made known at the proper time. Enough to say, that this Declaration, about which they whispered so deeply, for a month back, this Proclamation of Independence, is now crushed—quite forgotten in the public clamor. Permit me to hope, that in announcing these facts to his Majesty, you will neither forget the services, nor promised reward of
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290Author:  Lippard George 1822-1854Add
 Title:  'Bel of Prairie Eden  
 Published:  1997 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text | University of Virginia Library, Early American Fiction, 1789-1875 | UVA-LIB-EarlyAmFict1789-1875 
 Description: `Come brother, it is a beautiful view—look yonder.' It was an interesting thing to observe the face and form of this escaped sailor, while he stood by the torch, engaged in deciphering the somewhat mysterious epistle which we have given above.
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291Author:  Lippard George 1822-1854Add
 Title:  The man with the mask  
 Published:  1997 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text | University of Virginia Library, Early American Fiction, 1789-1875 | UVA-LIB-EarlyAmFict1789-1875 
 Description: At this moment let us change the scene. Passing through the thick walls which divide the rooms of Brother Caleb's house, let us enter yonder large chamber, on the first floor, where the light of wax candles falls upon the faces of Brother Caleb and his midnight guests. My Dear Friend: — In answer to your enquiries, I hasten to state the following facts which I have gained, after some trouble, and not a little research.
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292Author:  Lippard George 1822-1854Add
 Title:  Washington and his men  
 Published:  1997 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text | University of Virginia Library, Early American Fiction, 1789-1875 | UVA-LIB-EarlyAmFict1789-1875 
 Description: “I was born of a noble ancestry,” said a great man who had risen from the kennel where Poverty hides its hopeless face—“True, my parents were poor, but three hundred years ago, the blood which flows in my veins, coursed in the veins of Lords, Archbishops, Counts, Dukes and Kings.”
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293Author:  Longstreet Augustus Baldwin 1790-1870Add
 Title:  Georgia scenes  
 Published:  1997 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text | University of Virginia Library, Early American Fiction, 1789-1875 | UVA-LIB-EarlyAmFict1789-1875 
 Description: If my memory fail me not, the 10th of June, 1809, found me at about 11 o'clock in the forenoon, ascending a long and gentle slope, in what was called “The Dark Corner” of Lincoln. I believe it took its name from the moral darkness, which reigned over that portion of the county, at the time of which I am speaking. If in this point of view, it was but a shade darker than the rest of the county, it was inconceivably dark. If any man can name a trick, or sin, which had not been committed at the time of which I am speaking, in the very focus of all the county's illumination, (Lincolnton) he must himself be the most inventive of the tricky, and the very Judas of sinners. Since that time, however, (all humor aside) Lincoln has become a living proof “that light shineth in darkness.” Could I venture to mingle the solemn with the ludicrous, even for the purposes of honorable contrast, I could adduce from this county instances of the most numerous and wonderful transitions, from vice and folly, to virtue and holiness, which have ever perhaps been witnessed since the days of the apostolic ministry. So much, lest it should be thought by some, that what I am about to relate, is characteristic of the county in which it occurred. “Dear Sir:—I send you the money collected on the notes you left with me. Since you left here, Polly has been thinking about old times, and she says, to save her life she can't recollect you.”
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294Author:  Mathews Cornelius 1817-1889Add
 Title:  Behemoth  
 Published:  1997 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text | University of Virginia Library, Early American Fiction, 1789-1875 | UVA-LIB-EarlyAmFict1789-1875 
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295Author:  Mathews Cornelius 1817-1889Add
 Title:  Big Abel, and the little Manhattan  
 Published:  1997 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text | University of Virginia Library, Early American Fiction, 1789-1875 | UVA-LIB-EarlyAmFict1789-1875 
 Description: Whoever has sailed up or down the East River in a fog, or driven to Hallet's Cove, Long Island, on a dusty day, or walked the Third Avenue in the moonlight, has been beset by the vision of a great white tower, rising, ghost-like, in the air, and holding all the neighborhood in subjection to its repose and supernatural port. The Shot-Tower is a strange old fellow, to be sure! 'Spite of that incessant buzzing in his head, he holds himself as high and grandly, as though he hadn't the trouble of making shot for the six-and-twenty United States. He never dozes or nods, even in the summer noon; nor does he fall asleep in the most crickety nights, but winks, with that iron top of his, at all the stars, as they come up, one by one; and outwatches them all. There he is, gaunt and clean, as a ghost in a new shroud, every day in the year. Build as you may, old Gotham! Hammer and ding and trowel on all sides of him, if you choose,—you cannot stir him an inch, nor sully the whiteness in which he sees himself clothed, in that pure glass of his of Kipp's Bay! If you have seen him once, you know him always. A sturdy Shot-Tower to be sure!—and go where you will, you carry him with you. He is the Ghost of New York, gone into the suburbs to meditate on the wickedness of mankind, and haunt the Big City, in many a dream of war, and gun-shot wounds, and pattering carnage, when he falls asleep.
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296Author:  Mathews Cornelius 1817-1889Add
 Title:  Chanticleer  
 Published:  1997 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text | University of Virginia Library, Early American Fiction, 1789-1875 | UVA-LIB-EarlyAmFict1789-1875 
 Description: I SEE old Sylvester Peabody—the head of the Peabody family—seated in the porch of his country dwelling, like an ancient patriarch, in the calm of the morning. His broad-brimmed hat lies on the bench at his side, and his venerable white locks flow down his shoulders, which time in one hundred seasons of battle and sorrow, of harvest and drouth, of toil and death, in all his hardy wrestlings with old Sylvester, has not been able to bend. The old man's form is erect and tall, and lifting up his head to its height, he looks afar, down the country road which leads from his rural door, towards the city. He has kept his gaze in that direction for better than an hour, and a mist has gradually crept upon his vision; objects begin to lose their distinctness; they grow dim or soften away like ghosts or spirits; the whole landscape melts gently into a pictured dew before him. Is old Sylvester, who has kept it clear and bright so long, losing his sight at last, or is our common world, already changing under the old patriarch's pure regard, into that better, heavenly land?
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297Author:  McHenry James 1753-1816Add
 Title:  O'Halloran, or The insurgent chief  
 Published:  1997 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text | University of Virginia Library, Early American Fiction, 1789-1875 | UVA-LIB-EarlyAmFict1789-1875 
 Description: Perhaps no where in the British Islands, will the admirer of the grand and sublime, in the works of nature, find more gratification than along the northern shores of the county of Antrim. From the Gabbon precipices, near the entrance of Larne Harbour, to Port Rush, near Colerain, a long range of rocky coast, extending upwards of fifty miles, exhibits, in some places, the boldest promontories jutting into the sea, and perforated with numerous caverns, into many of which the raging waters pour with reverberating noise. In other places, small bays, occasioned by the mouths of the rivers and rivulets that there seek a junction with the ocean, interrupt the continuity of the rocky chain, and by affording to the visiter the view of towns and villages, surrounded by the fertility of nature, and the conveniences of art, produce a striking and pleasing contrast to the prevailing wildness of the coast, and make its grandeur still more grand.
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298Author:  McHenry James 1753-1816Add
 Title:  O'Halloran, or The insurgent chief  
 Published:  1997 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text | University of Virginia Library, Early American Fiction, 1789-1875 | UVA-LIB-EarlyAmFict1789-1875 
 Description: It was on the evening of the fourth of June, that a messenger arrived from Belfast, at O'Halloran Castle. He delivered to its owner the following note, and passed on to circulate others of a similar import throughout the country. “The signal is given. The mail coach has not arrived. Our informant says it was stopped yesterday at Swords. The south is in arms—Wexford is taken. Let the rising be on the 7th inst. The general rendezvous for this county is Donegore hill. The small parties of the military quartered in the country towns must be captured, if possible, by surprise. The bearer will proceed with intelligence along the coast. You will despatch messengers through the interior, by Ballynure, Ballyclare, Ballyeaston, Ballymena, &c. Expedition is requisite. “I am now a prisoner in the hands of the insurgents; and you may be sure I am well treated, when I inform you that I have had influence enough to persuade them to postpone an attack, which, just as I was brought here, they were on the point of making upon you. “Sir, we are to the number of sixteen hundred men in arms, prepared to attack the garrison under your command. But to give you an opportunity of saving your soldiers from destruction, we have thought proper, first, to apprize you of our intention, and to summon you in the name of our country, to surrender your party, both military and others, with all your warlike stores, into our hands. As our prisoners your lives will be safe, and as much attention as possible paid to your comforts. The lives, families and properties of such of our town's-men as have joined you, shall also remain unmolested. Our attack shall be suspended, in expectation of your compliance, for three quarters of an hour, but no longer. “Sir, enclosed is my reply to the rebel chieftains. By it you will see that you anticipated truly, when you supposed that I would not agree to an unconditional surrender. I am sorry that you are in their power; but it is pleasing to find that they are not disposed to abuse their good fortune, by acts of wantonness or cruelty. It may yet be in my power to show that I can esteem humanity, even in such an enemy. “In answer to your message, I have to inform you that rather than comply with your demands, my party and myself are resolved to meet destruction amidst the ruins of the place, which it is our duty to defend. Do not, however, suppose that we shall fall an easy prey. It is true, your number exceed ours by ten to one; but were they a hundred to one, as we are fully supplied with the means of defence, we know too well how to use them, not to make our enemies deplore the dearness of any victory they may gain over us. In your case, it is apparent that victory is at least doubtful. Some traits of humanity displayed by you have been communicated to me, in consideration of which I give you my promise, and all the gentlemen of the town, who have so gallantly come to my assistance, will guarantee its performance, that if you lay down your arms, and return peaceably to your allegiance, all that you have yet done shall be overlooked, and pardoned, and the full and free protection of the laws of your country shall once more be extended towards you. Should you reject this offer, I can only deplore your infatuation; I must resist you unto destruction, and the blood of those who may fall on both sides, be upon your heads. “Dear Sir—It has fallen to my lot to communicate to you the unfortunate news of the forces we assembled this morning, being completely defeated and dispersed, after a severe conflict with a large body of the king's troops, near Ballynahinch, in which it is supposed, that we lost upwards of one thousand men. “Sir, being informed that you have the rebel chief, O'Halloran, in custody, I am induced, in consequence of some representations made to me in his favour, by a person well acquainted with him, to pardon his offence, on condition that he shall pay a fine to be assessed by you to any amount, not exceeding ten thousand pounds, which sum shall be appropriated to the relief of those royalists who have suffered from the rebellion in the county of Antrim. “Dear Barrymore—I have at length followed you. Excited by my ardent desire to see the peerless beauty, who could so completely subdue a heart which was impregnable to all the attacks of the Dublin fair, I eagerly embraced the first moment, in which I could, with propriety, undertake the journey. The day before I left the city, I waited on the Lord Lieutenant, with the letter you enclosed from the Recluse, who, I understand, is to be no longer a mendicant, but is to appear in society in his own proper character of Francis Hamilton, Esq. of Hamilton-hall, in the county of Tyrone. His excellency was much pleased to hear from him; and, without delay, not only granted to him his request, but wrote to him a long letter, which on finding I was about to take a Northern trip, he entrusted to my care. “Dear Sir—It is with great satisfaction that I acknowledge the receipt of your's of this morning, covering the commands of his excellency, the Lord Lieutenant, respecting you, which, of course, it is my duty, as well as my pleasure, to obey. I shall make the agreeable communication known without delay to all the justices of the peace, jailers, and other officers, whom it concerns, so that you will be in no danger of personal molestation; and may appear in public whenever you think proper. “My Son—A few days ago, I received from you a very foolish letter, requesting me to consent to your marriage with a woman I never saw, nor, until that very moment, ever heard of. I took, of course, some pains to inquire concerning her, and her connexions. The only person from whom I could obtain much information, is your old mendicant protagee, who praises her in a style that I cannot well understand; but from which I can gather that she is a great beauty. I presume, therefore, that in the ardour of your admiration, you have endowed her with angelic qualities, for in the eyes of every love-sick young man who has a handsome mistress, she cannot be aught else than an angel. “* * * * * * * * * At what an awful crisis,” said he, “have I been entrusted with the government of this unfortunate country? Treason, rebellion, massacre, and invasion, have shaken her to pieces, and have prostrated her into the depth of misery.
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299Author:  McHenry James 1753-1816Add
 Title:  Meredith, or, The mystery of the Meschianza  
 Published:  1997 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text | University of Virginia Library, Early American Fiction, 1789-1875 | UVA-LIB-EarlyAmFict1789-1875 
 Description: I know not whether any philosopher has ever made the observation, that, the heart which is the most susceptible of gratitude, is also the most readily excited to revenge. But it is a truth which, for its confirmation, requires not the testimony of philosophers. It has human nature for its foundation, and experience for its support. Indeed it is reasonable to suppose that he who is very sensible of kindness will be equally so of injuries. Both feelings spring from the same source, acuteness of sensation. Hence the frequent saying in relation to a man of sensibility, that he is either a very warm friend, or a very bitter enemy. There are indeed exceptions. But to what rule is there not? There may be, nay, there actually are, kind and amiable people whose sensibilities are altogether on the side of good nature. But these are generally tame and inefficient beings, who are either devoid of sagacity to see when they are injured, or destitute of courage to show resentment. “I can live no longer. My life has been for some months but one continued paroxysm of mental agony. My existence much longer would bring upon you the most indelible and unmitigable disgrace that could, by a daughter, be inflicted on a father. My last interview with Harris proved fatal to my honour. He ruined me, and then abandoned me for ever.—That interview! alas, it was a stolen one, unknown to you, and granted at his entreaty contrary to your injunctions. Oh! how I have been punished for my disobedience! No one has as yet perceived the effects of my guilt in the alteration of my person. But in a short time it would become too apparent for concealment. Then, then, my father, you would be disgraced for ever; and were I to live, I would see you dying broken-hearted— and I the cause! But I will not live to witness such a calamity. In opium there is power to destroy life, by lulling the senses into lethargy and dissolving the springs of animation. I have provided myself with the precious drug which is to relieve me for ever from that load of earthly misery which has become too great for me longer to endure. Farewell, my beloved father. Oh! do not curse me when I shall be dead, for my last prayer to Heaven shall ascend for thee.” “You were once the object of my fond attachment. I addressed you sincerely Q with a view to our final alliance, and we became engaged. Circumstances have lately given another direction to my views. It is, therefore, my duty to release you from your engagement. I do this the more readily and promptly, because I am aware that my cousin, Captain Harris, of the British army, has placed his affections upon you, and I am desirous of being no longer considered an obstacle to the success of his suit.
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300Author:  Melville Herman 1819-1891Add
 Title:  Mardi  
 Published:  1997 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text | University of Virginia Library, Early American Fiction, 1789-1875 | UVA-LIB-EarlyAmFict1789-1875 
 Description: We are off! The courses and topsails are set: the coral-hung anchor swings from the bow: and together, the three royals are given to the breeze, that follows us out to sea like the baying of a hound. Out spreads the canvas— alow, aloft—boom-stretched, on both sides, with many a stun' sail; till like a hawk, with pinions poised, we shadow the sea with our sails, and reelingly cleave the brine.
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