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181Author:  Wells, H. G. (Herbert George), 1866-1946Requires cookie*
 Title:  Ann Veronica: A Modern Love Story  
 Published:  1996 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text 
 Description: ANN VERONICA TALKS TO HER FATHER
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182Author:  Wells, H. G. (Herbert George), 1866-1946Requires cookie*
 Title:  The Door in the Wall, and Other Stories  
 Published:  1996 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text 
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183Author:  Wharton review: AnonymousRequires cookie*
 Title:  Abode of the Fool's Heart  
 Published:  1996 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text 
 Description: Edith WhartonThree-quarter profile portrait of Edith Wharton. Photographer unknown.
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184Author:  Wharton review: AnonymousRequires cookie*
 Title:  Guide to the New Books [excerpt].  
 Published:  1996 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text 
 Description: Photographic portrait of Mrs. Wharton in three-quarter profile. Photographer unknown.
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185Author:  Wharton review: AnonymousRequires cookie*
 Title:  Note on Edith Wharton, in "Chronicle and Comment"  
 Published:  1996 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text 
 Description: If we were to single out one book from those that have been published this season as exhibiting in the highest degree that rare creative power called literary genius, we should name The Greater Inclination, by Edith Wharton. The book has met with a fair reception in the press, but it does not seem to us that enough emphasis has been laid upon the originality of the work. And not only has Mrs. Wharton brought to these stories a remarkable power of insight and imagination, but the phase of life in America which she has chosen for treatment may be said to be altogether new in her hands. Her work is the more remarkable when we know that the processes by which her results are reached have been gained largely through intuition and sympathy. One would almost imagine in reading these stories that the author must have suffered and gone deep into life in order to bring up from its depths such knowledge of the world as is disclosed in her pages. And yet this is far from being the case. Mrs. Wharton was born little more than thirty years ago in New York. On both sides she comes of old New York stock, her mother being a Rhinelander. Most of her time has been spent between New Greyscale image of Edith Wharton with two dogs, one perched on her right shoulder, the other in her left arm. York and Newport, and she has also lived abroad, especially in Italy, of which country she is very fond. Her husband, Mr. Edward Wharton, is a member of the Philadelphia family of that name, and was married to Miss Edith Jones fully ten years ago. Both are passionately fond of animals, and have been for years the moving spirits in the Society for the Prevention of Cruelty to Animals in Rhode Island. The photograph which we present of Mrs. Wharton with her two pet dogs is the only one that was available for reproduction here, but it is very characteristic when we bear in mind her love of animals. Her first stories began to appear in Scribner's and the Century some years ago; one of them especially, called "Mrs. Manstey's View," published in Scribner's, attracted a great deal of attention at the time of its appearance. She is also the author of a book on domestic architecture and home decoration, published by the Messrs. Scribner, which was reviewed in these pages a year ago last April. A review of The Greater Inclination appears on another page.
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186Author:  White, Andrew Dickson, 1832-1918Requires cookie*
 Title:  Autobiography of Andrew Dickson White, Volume I  
 Published:  1996 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text 
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187Author:  Williams, William CarlosRequires cookie*
 Title:  Six Poems  
 Published:  1996 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text 
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188Author:  Wilkins, Mary E.Requires cookie*
 Title:  Squirrel.  
 Published:  1996 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text 
 Description: THE Squirrel lived with his life-long mate near the farm-house. He considered himself very rich, because he owned an English walnut tree. Neither he nor his mate had the least doubt that it belonged to them and not to the Farmer. There were not many like it in the State or the whole country. It was a beautiful tree, with a mighty spread of branches full of gnarled strength. Nearly every year there was a goodly promise of nuts, which never came to anything, so far as the people in the farm-house were concerned. Every summer they looked hopefully at the laden branches, and said to each other, "This year we shall have nuts," but there were never any. They could not understand it. But they were old people; had there been boys in the family it might have been different. Probably they would have solved the mystery. It was simple enough. The Squirrel and his mate considered the nuts as theirs, and appropriated them. They loved nuts; they were their natural sustenance; and through having an unquestioning, though unwitting, belief in Providence, they considered that nuts which grew within their reach were placed there for them as a matter of course. There were the Squirrels, and there were the nuts. No nuts, no Squirrels! The conclusion was obvious to such simple intelligences.
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189Author:  Wharton review: Winter, CalvinRequires cookie*
 Title:  Representative American Story Tellers: XVI— Edith Wharton  
 Published:  1996 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text 
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190Author:  Zitkala-SaRequires cookie*
 Title:  A Warrior's Daughter  
 Published:  1996 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text 
 Description: Bush in foreground; indians (Native Americans) on horseback riding near teepees on the plain. Feathered headdress ornamenting the frame of the illustration.
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191Author:  Alcott, Louisa May, 1832-1888Requires cookie*
 Title:  Behind a Mask: or, A Woman's Power.  
 Published:  1996 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text 
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192Author:  Alger, Horatio, 1832-1899Requires cookie*
 Title:  John Maynard: A Ballad of Lake Erie  
 Published:  1996 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text 
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193Author:  Alger, Horatio, 1832-1899Requires cookie*
 Title:  Voices of the Past  
 Published:  1996 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text 
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194Author:  Alger, Horatio, 1832-1899Requires cookie*
 Title:  A Welcome to May  
 Published:  1996 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text 
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195Author:  Anderson, Sherwood, 1876-1941Requires cookie*
 Title:  The Door of the Trap  
 Published:  1996 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text 
 Description: WINIFRED WALKER understood some things clearly enough. She understood that when a man is put behind iron bars he is in prison. Marriage was marriage to her.
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196Author:  Anderson, Sherwood, 1876-1941Requires cookie*
 Title:  The Rabbit-pen  
 Published:  1996 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text 
 Description: IN a wire pen beside the gravel path, Fordyce, walking in the garden of his friend Harkness and imagining marriage, came upon a tragedy. A litter of new-born rabbits lay upon the straw scattered about the pen. They were blind; they were hairless; they were blue-black of body; they oscillated their heads in mute appeal. In the center of the pen lay one of the tiny things, dead. Above the little dead body a struggle went on. The mother rabbit fought the father furiously. A wild fire was in her eyes. She rushed at the huge fellow again and again.
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197Author:  Wharton review: AnonymousRequires cookie*
 Title:  About Mrs. Wharton, in "Chronicle and Comment"  
 Published:  1996 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text 
 Description: According to certain chroniclers in the daily press, Mrs. Wharton is going to write no more long novels, but will devote herself to serious historical composition. We are glad that she has abjured long novels, but deplore her intention of becoming an historian. There are scores of historians busily at work, many of them very good ones, but where shall we find another writer who could give us such remarkable work as that contained in The Greater Inclination? It is pure perversity to give up doing the thing that one can do best in order to waste time over that which many others can do better. We have a certain right to speak out frankly on this subject, because we were among the very first to greet Mrs. Wharton as a writer of very rare gifts and of unusual distinction.
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198Author:  Crane review: AnonymousRequires cookie*
 Title:  English Views of Stephen Crane.  
 Published:  1996 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text 
 Description: THE late Mr. Stephen Crane was, as is well known, much more of a prophet in England than in his own country, and during his latter years he found it pleasant to make his home in a land where his work met with such warm appreciation. Since his death, the English critical journals have with little or no exception expressed a high judgment of his literary abilities. The Academy (June 9) says:
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199Author:  AnonymousRequires cookie*
 Title:  The Indian of Commerce  
 Published:  1996 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text 
 Description: For purposes of literary classification, all Indians may be divided, quite regardless of linguistic affinities, into three sole tribes—the human, the inhuman, and the super-human. There is the actual aborigine, interesting to competent fiction as to science because he is a man and at the same time a living archive from the childhood of the race. There is the wooden eikon which stands for questionable cigars or unquestionable penny-a-lining—in either case a mere peg upon which to hang commercial profit. And there is also the Red Man of Rhapsody—a conveniently distant fiction to carry heroics which would seem rather too absurd if fathered upon poor human nature as we see it next door. With the last-mentioned tribe deals one of the handsomest and one of the most preposterous books of the season, 'A Child of the Sun,' by Charles Eugene Banks (Stone). Brilliant as a parrot in mechanical coloration, the text also seems to have undergone some mental "three-color process." Fenimore Cooper was cold ethnography to this, and even Prescott's Empire of Montezuma quite as true to life. There is nothing Indian in these pages, except the good intention. A curbstone version of the "legend" of the Piasau serves for warp; and into it the author has woven a truly curious fabric of girl-graduate mundiloquence and scope. Nominally in prose, the book is in fact very largely couched in wilful and poor Hiawathan measure, doubly cheap by being masked in "long type." Perhaps the most diagrammatic comment on the quality of the volume is in its own exemplary lines about "Pakoble," belle of the "Arctide" tribe, who was "so perfect in beauty that the artists of the Arctides often begged the favor of her time, that they might preserve her loveliness to future generations." It must be said that the fifteen "color-type" illustrations, by Louis Betts, are far and away above their company and their sort. Of no value as racial types, they are very uncommonly attractive and sympathetic, and not without a touch of real poetry in conception as well as in color-scheme. Its whole dress would befit a worthier volume.
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200Author:  Crane review: AnonymousRequires cookie*
 Title:  The Last of Stephen Crane.  
 Published:  1996 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text 
 Description: THE collection of stories about the Spanish-American war upon which Mr. Crane was engaged at the time of his death, has lately appeared in book form under the title "Wounds in the Rain." The St. James's Gazette (London, September 27) thinks that in a few of the stories he rises almost, tho not quite, to the level of his masterpiece, "The Red Badge of Courage." It says:
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