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1Author:  Melville Herman 1819-1891Add
 Title:  Pierre, or, The ambiguities  
 Published:  2003 
 Subjects:  University of Virginia Library, Text collection | UVA-LIB-Text | University of Virginia Library, Early American Fiction, 1789-1875 | UVA-LIB-EarlyAmFict1789-1875 
 Description: “Dates, my old boy, bestir thyself now. Go to my room, Dates, and bring me down my mahogany strong-box and lockup, the thing covered with blue chintz; strap it very carefully, my sweet Dates, it is rather heavy, and set it just without the postern. Then back and bring me down my writing-desk, and set that, too, just without the postern. Then back yet again, and bring me down the old camp-bed (see that all the parts be there), and bind the case well with a cord. Then go to the left corner little drawer in my wardrobe, and thou wilt find my visiting-cards. Tack one on the chest, and the desk, and the camp-bed case. Then get all my clothes together, and pack them in trunks (not forgetting the two old military cloaks, my boy), and tack cards on them also, my good Dates. Then fly round three times indefinitely, my good Dates, and wipe a little of the perspiration off. And then—let me see—then, my good Dates—why what then? Why, this much. Pick up all papers of all sorts that may be lying round my chamber, and see them burned. And then—have old White Hoof put to the lightest farm-wagon, and send the chest, and the desk, and the camp-bed, and the trunks to the `Black Swan,' where I shall call for them, when I am ready, and not before, sweet Dates. So God bless thee, my fine, old, imperturbable Dates, and adieu! “The fine cut, the judicious fit of your productions fill us with amazement. The fabric is excellent—the finest broadcloth of genius. We have just started in business. Your pantaloons—productions, we mean—have never yet been collected. They should be published in the Library form. The tailors—we mean the librarians, demand it. Your fame is now in its finest nap. Now—before the gloss is off—now is the time for the library form. We have recently received an invoice of Chamois—Russia leather. The library form should P be a durable form. We respectfully offer to dress your amazing productions in the library form. If you please, we will transmit you a sample of the cloth—we mean a sample-page, with a pattern of the leather. We are ready to give you one tenth of the profits (less discount) for the privilege of arraying your wonderful productions in the library form:—you cashing the seamstresses'—printer's and binder's bills on the day of publication. An answer at your earliest convenience will greatly oblige,— “Sir: I approach you with unfeigned trepidation. For though you are young in age, you are old in fame and ability. I can not express to you my ardent admiration of your works; nor can I but deeply regret that the productions of such graphic descriptive power, should be unaccompanied by the humbler illustrative labors of the designer. My services in this line are entirely at your command. I need not say how proud I should be, if this hint, on my part, however presuming, should induce you to reply in terms upon which I could found the hope of honoring myself and my profession by a few designs for the works of the illustrious Glendinning. But the cursory mention of your name here fills me with such swelling emotions, that I can say nothing more. I would only add, however, that not being at all connected with the Trade, my business situation unpleasantly forces me to make cash down on delivery of each design, the basis of all my professional arrangements. Your noble soul, however, would disdain to suppose, that this sordid necessity, in my merely business concerns, could ever impair— “Official duty and private inclination in this present case most delightfully blend. What was the ardent desire of my heart, has now by the action of the Committee on Lectures become professionally obligatory upon me. As Chairman of our Committee on Lectures, I hereby beg the privilege of entreating that you will honor this Society by lecturing before it on any subject you may choose, and at any day most convenient to yourself. The subject of Human Destiny we would respectfully suggest, without however at all wishing to impede you in your own unbiased selection. “This morning I vowed it, my own dearest, dearest Pierre I feel stronger to-day; for to-day I have still more thought of thine own superhuman, angelical strength; which so, has a very little been transferred to me. Oh, Pierre, Pierre, with what words shall I write thee now;—now, when still knowing nothing, yet something of thy secret I, as a seer, suspect. Grief,—deep, unspeakable grief, hath made me this seer. I could murder myself, Pierre, when I think of my previous blindness; but that only came from my swoon. It was horrible and most murdersome; but now I see thou wert right in being so instantaneous with me, and in never afterward writing to me, Pierre; yes, now I see it, and adore thee the more. “Sir:—You are a swindler. Upon the pretense of writing a popular novel for us, you have been receiving cash advances from us, while passing through our press the sheets of a blasphemous rhapsody, filched from the vile Atheists, Lucian and Voltaire. Our great press of publication has hitherto prevented our slightest inspection of our reader's proofs of your book. Send not another sheet to us. Our bill for printing thus far, and also for our cash advances, swindled out of us by you, is now in the hands of our lawyer, who is instructed to proceed with instant rigor. “Thou, Pierre Glendinning, art a villainous and perjured liar. It is the sole object of this letter imprintedly to convey the point blank lie to thee; that taken in at thy heart, it may be thence pulsed with thy blood, throughout thy system. We have let some interval pass inactive, to confirm and solidify our hate. Separately, and together, we brand thee, in thy every lung-cell, a liar;—liar, because that is the scornfullest and loathsomest title for a man; which in itself is the compend of all infamous things.
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